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Jean Daullé
Jean Daullé (18 May 1703 – 23 April 1763) was a French engraver. Biography He was the son of Jean Daullé, a silversmith, and his wife, Anne née Dennel. At the age of fourteen, he received training from an engraver named Robart, at the priory of Saint-Pierre d'Abbeville. He then went to Paris, and worked at the studios of Robert Hecquet (1693-1775), who was also originally from Picardy. In 1735, his work attracted the attention of the engraver and merchant, Pierre-Jean Mariette, who provided him with professional recommendations. Soon after, he was approached by the painter, Hyacinthe Rigaud, who wanted to make him his official engraver. In 1742, Daullé was received at the Académie Royale de Peinture et de Sculpture, with his presentation, "Hyacinthe Rigaud Painting his Wife", after a work by Rigaud. He was also admitted as a member of the academy in Augsbourg. Eventually named "Engraver to the King", he trained the future publisher and print dealer, Pierre-François ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autoportrait De Rigaud Peignant Sa Femme
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Edward Stuart
Charles Edward Louis John Sylvester Maria Casimir Stuart (20 December 1720 – 30 January 1788) was the elder son of James Francis Edward Stuart, grandson of James II and VII, and the Stuart claimant to the thrones of England, Scotland and Ireland from 1766 as Charles III. During his lifetime, he was also known as "the Young Pretender" and "the Young Chevalier"; in popular memory, he is known as Bonnie Prince Charlie. Born in Rome to the exiled Stuart court, he spent much of his early and later life in Italy. In 1744, he travelled to France to take part in a planned invasion to restore the Stuart monarchy under his father. When the French fleet was partly wrecked by storms, Charles resolved to proceed to Scotland following discussion with leading Jacobites. This resulted in Charles landing by ship on the west coast of Scotland, leading to the Jacobite rising of 1745. The Jacobite forces under Charles initially achieved several victories in the field, including the Battle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers. R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie Alte Meister
The Gemäldegalerie Alte Meister (, ''Old Masters Gallery'') in Dresden, Germany, displays around 750 paintings from the 15th to the 18th centuries. It includes major Italian Renaissance works as well as Dutch and Flemish paintings. Outstanding works by German, French, and Spanish painters of the period are also among the gallery's attractions. The Old Masters are part of the Dresden State Art Collections. The collection is located in the Semper Gallery, the gallery wing of the Zwinger. History When the ''Kunstkammer'' (Art Chamber) of the Electors of Saxony in Dresden was founded by Augustus, Elector of Saxony in 1560, paintings were subordinate to collectors' pieces from science, other art works and curiosities.Harald Marx: ''Gemäldegalerie Dresden - Führer Alte Meister ''. E. A. Seemann, Leipzig, 3. Aufl., 2006, , pp. 8-17. It was not until the beginning of the 18th century that Augustus II the Strong and his son Frederick Augustus II started to collect paintings s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Pesne
Antoine Pesne () (29 May 1683 – 5 August 1757) was a French-born court painter of Prussia. Starting in the manner of baroque, he became one of the fathers of rococo in painting. His work represents a link between the French school and the Frederican rococo style. Early life Born in Paris, Pesne first studied art under his father and uncle. From 1704 to 1710 he received a stipend for advanced training at the Académie Royale in Italy. Career In 1710, Pesne was called to Berlin by King Frederick I in Prussia. The king had seen and liked a painting of a German nobleman Pesne had completed in Venice and wanted Pesne to complete a study of himself. Upon the death of the king in 1713, Pesne worked in the courts of Dresden and Dessau, and later visited London and Paris, where he was made a full member of the Académie Royale in 1720. While there, he painted the a portrait of a well-known collector Pierre-Jean Mariette in 1723. Mariette had extensive international connections w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Aved
Jacques-André-Joseph Aved (12 January 1702 – 4 March 1766), also called le Camelot (''The Hawker'') and Avet le Batave (''The Dutch Avet''), was a French painter of the 18th century and one of the main French Rococo portraitists. He painted among others the Ottoman Empire ambassador to France in 1742, Yirmisekizzade Mehmed Said Efendi. His father was a physician and he was orphaned when he was a little boy. He was raised in Amsterdam by one of his uncles, who was a captain in the Dutch Army. After his training in Amsterdam with François Boitard and Bernard Picart, Jacques Aved started working in Paris for Belle in 1721. He later entered at the Royal Academy of Painting and Sculpture ( Académie royale de peinture et de sculpture) in 1731 and he was appointed councillor after graduating in 1734 and in 1759, he took part in his last ''salon''. In 1753 he became a member of the Confrerie Pictura. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Rousseau
Jean-Baptiste Rousseau (6 April 1671 – 17 March 1741) was a French playwright and poet, particularly noted for his cynical epigrams. Biography Rousseau was born in Paris, the son of a shoemaker, and was well educated. As a young man, he gained favour with Boileau, who encouraged him to write. Rousseau began with the theatre, for which he had no aptitude. A one-act comedy, ''Le Café'', failed in 1694, and he was not much happier with a more ambitious play, ''Le Flatteur'' (1696), or with the opera ''Venus et Adonis'' (1697). In 1700 he tried another comedy, ''Le Capricieux'', which had the same fate. He then went with Tallard as an attaché to London, and, in days when literature still led to high position, seemed likely to achieve success. His misfortunes began with a club squabble at the Café Laurent, which was much frequented by literary men, and where he indulged in lampoons on his companions. A shower of libellous and sometimes obscene verses was written by or attribu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-André Van Loo
Carle or Charles-André van Loo (; 15 February 1705 – 15 July 1765) was a French painter, son of the painter Louis-Abraham van Loo, a younger brother of Jean-Baptiste van Loo and grandson of Jacob van Loo. He was the most famous member of a successful dynasty of painters of Dutch origin. His oeuvre includes every category: religion, history painting, mythology, portraiture, allegory, and genre scenes. Life He was born in Nice, then part of the Duchy of Savoy. Van Loo followed his brother Jean-Baptiste to Turin, and then to Rome in 1712, where he studied under Benedetto Luti and the sculptor Pierre Le Gros. After leaving Italy in 1723, he worked in Paris, studied at the Académie Royale, where he gained first prize for drawing in 1723, and received the first prize for historical painting in 1727—as did his future rival François Boucher. In 1724 he won the Prix de Rome. After again visiting Turin in 1727, he was employed by king Victor Amadeus II of Sardinia, for whom he pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Favart
Marie Justine Benoîte Favart (née Duronceray) (15 June 1727 – 22 April 1772) was an operatic singer, actress, playwright and dancer, the wife of the dramatist, Charles Simon Favart. Biography Madame Favart is largely responsible for the 18th-century change in Parisian operatic taste from French standards to performances of a lyric type adapted from Italian models, which developed later into the genuine French comic opera. She was also a bold reformer in matters of stage costume, playing the peasant with bare arms, in wooden shoes and linen dress, and not, as heretofore, in court costume with enormous hoops, diamonds and long white kid gloves. With her husband, and other authors, she collaborated in a number of successful pieces, and one ''La fille mal gardée'' she produced alone. Maurice, comte de Saxe, a Marshal of France and her husband's patron, began to make advances to Mme Favart, and Favart was forced to flee. Mme Favart was established by the marshal in a house at V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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