|
Je Suis Né D'une Cigogne
''Je suis né d'une cigogne'' ( en, Children of the Stork) is a 1999 French road movie directed by Tony Gatlif, starring Romain Duris, Rona Hartner, Ouassini Embarek, Christine Pignet and Marc Nouyrigat. Following its French release, it received mixed reviews but was nominated for a ''Golden Bayard'' at the ''International Festival of Francophone Film'' in Namur, Belgium. The film deals with themes like social exclusion and illegal immigration, along with references to the Romani, as in the other films by the director. Gatlif has also employed the French director Jean-Luc Godard's '' New Wave'' techniques in this film. Plot Two French pals, one an unemployed young man named Otto (Romain Duris) living with his mother in state housing, and the other his girlfriend Louna (Rona Hartner), who is a hairdresser and has the bailiffs after her, reflect on the lack of meaning in their lives, their society and the system. In a spirit of rebellion against everything, they hit the road a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Gatlif
Tony Gatlif (born as Michel Dahmani on 10 September 1948 in Algiers) is a French film director of Romani ethnicity who also works as a screenwriter, composer, actor, and producer. Personal Gatlif was born in Algeria of Pied noir ancestry. After his childhood there, Gatlif arrived in France in 1960 following the Algerian War of Independence. Career Gatlif struggled for years to break into the film industry, playing in several theatrical productions until directing his first film, ''La Tête en ruine'', in 1975. He followed it with the 1979 ''La Terre au ventre'', a story of the Algerian War of Independence. Since the 1981 film ''Corre, gitano'', Gatlif's work has been focused on the Romani people of Europe, from whom he partially traces his descent. After making ''Gaspard et Robinson'' in 1990, Gatlif spent 1992 and 1993 shooting ''Latcho Drom'', which was awarded numerous prizes. This feature-length musical film, often mislabelled as a documentary, deals with gypsy culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Marx
Karl Heinrich Marx (; 5 May 1818 – 14 March 1883) was a German philosopher, economist, historian, sociologist, political theorist, journalist, critic of political economy, and socialist revolutionary. His best-known titles are the 1848 pamphlet ''The Communist Manifesto'' and the four-volume (1867–1883). Marx's political and philosophical thought had enormous influence on subsequent intellectual, economic, and political history. His name has been used as an adjective, a noun, and a school of social theory. Born in Trier, Germany, Marx studied law and philosophy at the universities of Bonn and Berlin. He married German theatre critic and political activist Jenny von Westphalen in 1843. Due to his political publications, Marx became stateless and lived in exile with his wife and children in London for decades, where he continued to develop his thought in collaboration with German philosopher Friedrich Engels and publish his writings, researching in the British Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In-joke
An in-joke, also known as an inside joke or a private joke, is a joke whose humour is understandable only to members of an ingroup; that is, people who are ''in'' a particular social group, occupation, or other community of shared interest. It is, therefore, an esoteric joke, only humorous to those who are aware of the circumstances behind it. In-jokes may exist within a small social clique, such as a group of friends, or extend to an entire profession or other relatively large group. An example is: ::Q: What's yellow and equivalent to the axiom of choice? ::A: Zorn's lemon. Individuals not familiar with the mathematical result Zorn's lemma are unlikely to understand the joke. The joke is a pun on the name of this result. Ethnic or religious groups may also have in-jokes. Philosophy In-jokes are cryptic allusions to shared common ground that act as selective triggers; only those who share that common ground are able to respond appropriately. An in-joke can work to build comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Comedy
Black comedy, also known as dark comedy, morbid humor, or gallows humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss. Writers and comedians often use it as a tool for exploring vulgar issues by provoking discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Popular themes of the genre include death, crime, poverty, suicide, war, violence, terrorism, discrimination, disease, racism, sexism, and human sexuality. Black comedy differs from both blue comedy—which focuses more on crude topics such as nudity, sex, and Body fluids—and from straightforward obscenity. Whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more specifical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Out London
''Time Out'' is a global magazine published by Time Out Group. ''Time Out'' started as a London-only publication in 1968 and has expanded its editorial recommendations to 328 cities in 58 countries worldwide. In 2012, the London edition became a free publication, with a weekly readership of over 307,000. ''Time Out''s global market presence includes partnerships with Nokia and mobile apps for iOS and Android operating systems. It was the recipient of the International Consumer Magazine of the Year award in both 2010 and 2011 and the renamed International Consumer Media Brand of the Year in 2013 and 2014. History ''Time Out'' was first published in 1968 as a London listings magazine by Tony Elliott, who used his birthday money to produce a one-sheet pamphlet, with Bob Harris as co-editor. The first product was titled ''Where It's At'', before being inspired by Dave Brubeck's album '' Time Out''. ''Time Out'' began as an alternative magazine alongside other members of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ACiD Productions
ACiD Productions (ACiD) is a digital art group. Founded in 1990, the group originally specialized in ANSI artwork for BBSes. More recently, they have extended their reach into other graphical media and computer software development. During the BBS-era, their biggest competitor was iCE Advertisements.Hargadon, Michael A.Like City Lights, Receding: ANSi Artwork and the Digital Underground, 1985-2000" ''Concordia University'', 2011-03-18. Retrieved 2011-10-18. History ACiD Productions was founded in 1990 as ANSI Creators in DemandSadofsky, Jason Scott.BBS: The Documentary. ARTSCENE Episode. 2005-05-21. by five members: RaD Man, Shadow Demon, Grimm, The Beholder, and Phantom. Their work originally concentrated in ANSI and ASCII art, but the group later branched out into other artistic media such as tracker music, demo coding, and multimedia software development (e.g., image viewers). Membership rose from five members in 1990 to well over seven hundred by 2003. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weekend (1967 Film)
''Weekend'' (french: Week-end) is a 1967 French postmodern black comedy film written and directed by Jean-Luc Godard and starring Mireille Darc and Jean Yanne, both of whom were mainstream French TV stars. Jean-Pierre Léaud, comic star of numerous French New Wave films including Truffaut's ''The 400 Blows'' and Godard's earlier ''Masculin Féminin'', appeared in two roles. Raoul Coutard served as cinematographer; ''Weekend'' was his last collaboration with Godard for over a decade. Plot summary Roland and Corinne Durand are a bourgeois couple. Each has a secret lover and conspires to murder the other. They drive out to Corinne's parents' home in the country to secure her inheritance from her dying father, resolving to resort to murder if necessary. The trip becomes a chaotically picaresque journey through a French countryside populated by bizarre characters and punctuated by violent car accidents. After their own Facel-Vega is destroyed in a collision, they wander through a seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
À Bout De Souffle
''Breathless'' (french: À bout de souffle, lit=Out of Breath) is a 1960 French crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor. ''Breathless'' is an influential example of French New Wave (''nouvelle vague'') cinema. Along with François Truffaut's ''The 400 Blows'' and Alain Resnais's ''Hiroshima mon amour'', both released a year earlier, it brought international attention to new styles of French filmmaking. At the time, ''Breathless'' attracted much attention for its bold visual style, which included then unconventional use of jump cuts. Upon its initial release in France, the film attracted over two million viewers. It has since been considered one of the best films ever made, appearing in ''Sight & Sound'' magazine's decennial polls of filmmaker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Cut
A jump cut is a cut (transition), cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
