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Jauchzet Dem Herrn, Alle Welt (Mendelssohn)
''Jauchzet dem Herrn, alle Welt'' ("Exult in the Lord, entire world" or "Shout to the Lord"), WoO. 28, is an anthem for choir a cappella, a setting of Psalm 100 in German composed by Felix Mendelssohn in 1844. It was published in 1855 after the composer's death. It is the most popular setting of Psalm 100 by Mendelssohn, who also wrote a four-part motet in Latin, "Jubilate Deo", as part of Three Motets, Op. 69, in 1847 for use in the Church of England, which adds a doxology to the psalm text. He set the psalm again, but with paraphrased text by Ambrosius Lobwasser, "Ihr Völker auf der Erde all" (You peoples of the Earth), as part of ''Sieben Psalmen'', harmonising melodies from the Genevan Psalter. History Mendelssohn was ready to set music for different denominations. He had received an invitation to set three psalms for the new reformed Jewish Hamburg Temple, Psalm 24, Psalm 84 and Psalm 100, but only correspondence has survived, including disputes about the text and the scor ...
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Anthem
An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work (still frequently seen in Sacred Harp and other types of shape note singing) and still more particularly to a specific form of liturgical music. In this sense, its use began ca. 1550 in English-speaking churches; it uses English language words, in contrast to the originally Roman Catholic 'motet' which sets a Latin text. Etymology ''Anthem'' is derived from the Greek (''antíphōna'') via Old English . Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic". History Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in ...
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Psalm 84
Psalm 84 is the 84th psalm of the Book of Psalms. The Book of Psalms forms part of the ''Ketuvim'' section of the Hebrew Bible and part of the Christian Old Testament. In the slightly different numbering system of the Greek Septuagint version of the bible, and in its Latin translations, the Vulgate, this psalm is Psalm 83. The psalm is a hymn psalm, more specifically a pilgrimage psalm, attributed to the sons of Korah. In Latin, the psalm is known as "Quam dilecta tabernacula tua Domine virtutum". In the English of the King James Version it begins "How amiable are thy tabernacles, O Lord of hosts!". The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, notably in Schein's motet '' Wie lieblich sind deine Wohnungen '' and by Johannes Brahms who included it in his ''Ein deutsches Requiem''. The psalm was paraphrased in hymns. Dealing with the place where God lives, its beginning has been used as an ...
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Emmanuel Music
Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for which they were intended, an endeavor twice completed and a tradition which continues today. Over the years, Emmanuel Music has garnered critical and popular acclaim through its presentations of large-scale and operatic works by Bach, Handel, Schubert, and Mozart as well as its in-depth exploration of the complete vocal, piano, and chamber works of Debussy, Brahms, Schubert, Schumann, and currently, Beethoven. A unique aspect of Emmanuel performances is its selection of vocal and instrumental soloists from a corps of musicians who have long been associated with the group. Emmanuel Music has given rise to renowned musicians at the local, national, and international level; its long-standing association with Pulitzer Prize-winning composer John H ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Cambridge University Press
Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing house specializing in monographs and scholarly journals. Most are nonprofit organizations and an integral component of a large research university. They publish work that has been reviewed by schola ... in the world. It is also the King's Printer. Cambridge University Press is a department of the University of Cambridge and is both an academic and educational publisher. It became part of Cambridge University Press & Assessment, following a merger with Cambridge Assessment in 2021. With a global sales presence, publishing hubs, and offices in more than 40 Country, countries, it publishes over 50,000 titles by authors from over 100 countries. Its publishing includes more than 380 academic journals, monographs, reference works, school and uni ...
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Frieder Bernius
Frieder is both a surname and a masculine given name, a variant of Friedrich. People with the name include: Surname: *Armin Frieder (1911–1946), Slovak Neolog rabbi *Bill Frieder (1942), former basketball coach *Katalin Frieder (1915–1991), Hungarian pianist Given name: *Frieder Bernius (1947), German conductor *Frieder Birzele (1940), German politician *Frieder Burda (1936–2019), German art collector *Frieder Gröger (1934–2018), German mycologist *Frieder Lippmann (1936), German politician *Frieder Nake (1938), German computer scientist *Frieder Weissmann (1893–1984), German conductor and composer *Frieder Zschoch Frieder Zschoch (30 March 1932 – 3 March 2016) was a German musicologist. Life Zschoch was born in Großenhain as the second son of the Lutheran pastor Reinhold Zschoch and his wife Hildegard. He grew up in a musical home and received piano ... (1932–2016), German musicologist {{given name, type=both German masculine given names Surnames from give ...
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Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ...
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Unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices wit ...
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OVPP
In music, one voice per part (OVPP) is the practice of performing choral music with a single voice on each vocal line. In the specific context of Johann Sebastian Bach's works it is also known as the Rifkin hypothesis, set forth in Joshua Rifkin's 1982 article and expanded in Andrew Parrott's book ''The Essential Bach Choir''. Choral works featuring SATB (soprano, alto, tenor and bass) vocal parts are consequently sung by four singers when this approach is adopted. The first conductor to strongly advocate this approach to the music of Bach was the American pianist and conductor Joshua Rifkin in the 1980s. The use of solo voices in the choral music of Bach has also found champions in Andrew Parrott, Paul McCreesh, Sigiswald Kuijken and Konrad Junghänel. The approach is still somewhat controversial and recordings of Bach's music featuring solo voices in choral movements have met with mixed reviews. Proponents cite the fact that there are rarely additional copies of the vocal par ...
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Divisi
In musical terminology, ''divisi'', or as typically printed ''“div.,”'' is an instruction to divide a single section of instruments into multiple subsections. This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. Typically, 4-part French Horn sections include divided sections if Horns 1/2 and/or 3/4 are not playing the same music (" a2"). Other brass instruments can also be divided but it is not as frequent as with the Horn section. Woodwinds - especially Flutes and Clarinets - also utilize "divisi" to divide music between parts and even between players of the same part. After a divisi section, it may be cancelled by the instructions ''tutti'', ''all'unisono''.{{Cite Grove , first=David , last=Fallows , date=2001 , title=Divisi (It.: 'divided') , url=https://doi.org/10.1093/gmo/9781561592630.article.07869 or ''unison'' (abbreviated ''unis.''). The German equivalents for ''divisi'' and ''tutti'' ...
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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