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Japonaiserie (Van Gogh)
''Japonaiserie'' ( en, Japanesery) was the term used by Dutch post-impressionist painter Vincent van Gogh to express the influence of Japanese art on his works. Background Before 1854, trade with Japan was limited to a Dutch monopoly, and Japanese goods imported into Europe primarily comprised porcelain and lacquer ware. The Convention of Kanagawa ended the 200-year Japanese foreign policy of Seclusion and opened up trade between Japan and the West. From the 1860s, ''ukiyo-e,'' Japanese woodblock prints, became a source of inspiration for many Western artists. Influence of Japanese art on van Gogh Van Gogh's interest in Japanese prints began when he discovered illustrations by Félix Régamey featured in ''The Illustrated London News'' and ''Le Monde Illustré.''Thomson, Belinda (2014). "Japonisme in the Works of Van Gogh, Gauguin, Bernard and Anquetin". In Museum Folkwang (ed.). Monet, Gauguin, Van Gogh… Japanese Inspirations. Folkwang/Steidl. Régamey created woodblock ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ...
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Keisai Eisen
Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ''ukiyo-e'' artist who specialised in ''bijin-ga'' (pictures of beautiful women). His best works, including his ''ōkubi-e'' ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830). He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan. Biography Eisen was born in Edo into the Ikeda family, the son of a noted calligrapher. He was apprenticed to Kanō Hakkeisai, from whom he took the name Keisai, and after the death of his father he studied under Kikugawa Eizan. His initial works reflected the influence of his mentor, but he soon developed his own style. He produced a number of ''surimono'' (prints that were privately issued), erotic prints, and landscapes, including ''The Sixty-nine Stations of the Kiso Kaidō'', which he started and which was completed by Hiroshige. Eisen is most renowned for his ''bijin-ga'' (pictures of beautiful women) which portraye ...
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Tadamasa Hayashi
was a Japanese art dealer who introduced traditional Japanese art such as ukiyo-e to Europe. Tadamasa was born to the Nagasaki family of physicians. When he was still a child, he was adopted into the Hayashi family, an upper-class samurai family of Toyama-han. He then attended the University of Tokyo. In 1878, he went to Paris as a translator to seek a new life abroad. In Paris, he began a career as Japanese art dealer. Hayashi provided the text for the May 1886 edition of ''Paris Illustré''. Vincent van Gogh traced the figure on the title page for his painting ''The Courtesan''. In 1900 he was a general commissioner of the Japanese art section at the World 's Fair in Paris. He also worked with Dr. George Frederick Kunz and Heber R. Bishop in writing and producing the catalog to the famous jade collection given to the Metropolitan Museum of Art in 1902.Bishop Collection, Heber R. Bishop, George Frederick Kunz, Stephen W. Bushell, Robert Lilley, and Tadamasa Hayashi. 1906. ...
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Title Page Paris Illustre Le Japon Vol 4 May 1886
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German, Cardinal in Catholic usage (Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary. Types Titles include: * Honorific titles or styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office or position held by an official Titles in English-speaking areas Common titles * Mr. – Adult man (regardless of marital status) * Ms. ...
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Van Gogh Tracing For The Courtesan
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehicle i ...
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Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The term ...
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Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of the ...
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Art Colony
An art colony, also known as an artists' colony, can be defined two ways. Its most liberal description refers to the organic congregation of artists in towns, villages and rural areas, often drawn by areas of natural beauty, the prior existence of other artists or art schools there, and a lower cost of living. More commonly, the term refers to the guest-host model of a mission-driven planned community, which administers a formal process for awarding artist residencies. In the latter case, a typical mission might include providing artists with the time, space and support to create; fostering community among artists; and providing arts education (lectures, workshops) to the public. Early 20th century American guest-host models include New Hampshire's MacDowell Colony and New York's Yaddo. World-wide, the two primary organizations serving artist colonies and residential centres are Res Artis, in Amsterdam, and the Alliance of Artists Communities, in Providence, Rhode Island. Taiwan' ...
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Yellow House (Arles)
''The Yellow House'' ( nl, Het gele huis), alternatively named ''The Street'' ( nl, De straat), is an 1888 oil painting by the 19th-century Dutch Post-Impressionist painter Vincent van Gogh. The house was the right wing of 2 Place Lamartine, Arles, France, where, on May 1, 1888, van Gogh rented four rooms. He occupied two large ones on the ground floor to serve as an atelier (workshop) and kitchen, and on the first floor, two smaller ones facing Place Lamartine. The window on the first floor nearest the corner with both shutters open is that of van Gogh's guest room, where Paul Gauguin lived for nine weeks from late October 1888. Behind the next window, with shutters nearly closed, is van Gogh's bedroom. The two small rooms at the rear were rented by van Gogh at a later time. Van Gogh indicated that the restaurant where he used to have his meals was in the building painted pink, close to the left edge of the painting (28 Place Lamartine). It was run by Widow Venissac, who was al ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Siegfried Bing
Samuel Siegfried Bing (26 February 1838 – 6 September 1905), who usually gave his name as S. Bing (not to be confused with his brother, Samuel Otto Bing, 1850–1905), was a German-French art dealer who lived in Paris as an adult, and who helped introduce Japanese art and artworks to the West and was a factor in the development of the Art Nouveau style during the late nineteenth century. Early life Bing was born in Hamburg, a member of a large family with diverse commercial interests. He relocated to France in 1854, to help manage the ceramics manufacturing business of Bing family in-laws, and resided in France for the remainder of his life. He became a naturalized French citizen in 1876. Bing married a second cousin, Johanna Baer, in July 1868. Their son Marcel Bing eventually became a business associate of his father's, as well as a jewelry designer of Art Nouveau style. Career In 1873, on the death of his elder brother Michael, Siegfried Bing became the head of Bing fa ...
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