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J-horror
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and supernatural horror, particularly involving ghosts (''yūrei'') and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and ''yōkai''. Forms of Japanese horror fiction include artwork, theater, literature, film, anime and video games. Origins The origins of Japanese horror can be traced back to the horror fiction and ghost stories of the Edo period and the Meiji period, which were known as ''kaidan'' (sometimes transliterated ''kwaidan''; literally meaning "strange story"). Elements of these popular folktales have routinely been used in various forms of Japanese horror, especially the tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakumonogatari Kaidankai
was a popular didactic Buddhist-inspired parlour game during the Edo period in Japan. Play The game was played as night fell upon the region using three separate rooms. In preparation, participants would light 100 andon in the third room and position a single mirror on the surface of a small table. When the sky was at its darkest, guests gathered in the first of the three rooms, taking turns orating tales of ghoulish encounters and reciting folkloric tales passed on by villagers who claimed to have experienced supernatural encounters. These tales soon became known as kaidan. Upon the end of each kaidan, the story-teller would enter the third room and extinguish one andon, look in the mirror and make their way back to the first room. With each passing tale, the room slowly grew darker and darker as the participants reached the one hundredth tale, creating a safe haven for the evocation of spirits. However, as the game reached the ninety-ninth tale, many participants would stop, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychological Horror
Psychological horror is a genre, subgenre of horror fiction, horror and psychological fiction with a particular focus on mental, emotional, and Mental state, psychological states to frighten, disturb, or unsettle its audience. The subgenre frequently overlaps with the related subgenre of psychological thriller, and often uses mystery fiction, mystery elements and characters with unstable, unreliable, or disturbed psychological states to enhance the suspense, drama, action (narrative), action, and paranoia of the setting and plot and to provide an overall unpleasant, unsettling, or distressing Mood (literature), atmosphere. Characteristics Psychological horror usually aims to create discomfort or dread by exposing common or universal psychological and emotional vulnerabilities/fears and revealing the darker parts of the human psyche that most people may repress or deny. This idea is referred to in analytical psychology as the Jungian archetypes, archetypal Shadow (psychology), shad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horror Fiction
Horror is a genre of fiction which is intended to frighten, scare, or disgust. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which is in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. Prevalent elements of the genre include ghosts, demons, vampires, werewolves, ghouls, the Devil, witches, monsters, extraterrestrials, dystopian and post-apocalyptic worlds, serial killers, cannibalism, cults, dark magic, satanism, the macabre, gore and torture. History Before 1000 The horror genre has ancient origins, with roots in folklore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inoue Enryō
was a Japanese philosopher, Shin Buddhist priest and reformer, educator, and royalist. A key figure in the reception of Western philosophy, the emergence of modern Buddhism, and the permeation of the imperial ideology during the second half of the Meiji Era. He is the founder of Toyo University and the creator of Tetsugaku-dō Park 哲学堂公園 (Temple Garden of Philosophy) in Tokyo. Because he studied all kinds of mysterious phenomena and in order to debunk superstitions, he is sometimes called and the . Biography Early Years 1858-1881 Born in a village close to Nagaoka in today's Niigata Prefecture, he was ordained as a priest in the Ōtani Branch (大谷派) of Shin Buddhism (真宗) at the age of 13. As the oldest son, he was brought up to inherit the ministry of his father's parish temple. His early education included the Chinese classics and Western subjects like geography and English. In 1878, his Buddhist order sent him to Tokyo in order to study at Japan's fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsushika Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring (novel Series)
is a series of horror novels written by Koji Suzuki. The novels were initially a trilogy, consisting of ''Ring'', ''Spiral'', and ''Loop''. A short story collection called ''Birthday'' was released shortly after, introducing extra stories interconnecting the trilogy. Two further books, ''S'' and ''Tide'', were published in 2012 and 2013, respectively. The novels revolve around a curse, embodied within a videotape, unleashed by Sadako Yamamura, the ghost of a psychic who was raped and murdered before being thrown into a well. Though the curse was initially presented as a supernatural force, it is eventually revealed to be a cataclysmic virus which Sadako utilizes for her own misanthropic ends. The success of the novels led to the release of numerous film adaptations in Japan, South Korea, and the United States. Books ''Ring'' (1991) This story is set in present-day Tokyo. When four teenagers mysteriously die one night at the same time, Kazuyuki Asakawa, a journalist and uncl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koji Suzuki
is a Japanese writer, who was born in Hamamatsu and lives in Tokyo. Suzuki is the author of the Ring (novel series), ''Ring'' novels, which have been adapted into other formats, including films, manga, TV series and video games. He has written several books on the subject of fatherhood. His hobbies include traveling and motorcycling. Bibliography Some of the books listed here are published in the US by Vertical (company), Vertical Inc., owned by Kodansha and Dai Nippon Printing. ''Ring'' series * The Ring (franchise), ''Ring'' trilogy and extended series ** ''Ring (Suzuki novel), Ring'' (''Ringu'') (1991) ** ''Spiral (Suzuki novel), Spiral'' (''Rasen'') (1995) ** ''Loop (novel), Loop'' (''Rupu'') (1998) ** ''Birthday (short story collection), Birthday'' (1999) (Short story collection) [tightly intertwined with the trilogy: almost crucially relevant] *** "Coffin in the Sky" [details what happened to Mai Takano in ''Spiral''] *** "Lemon Heart" [prequel to ''Ring''] *** "Happy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadako Yamamura
, also known as Park Eun-suh () and Samara Morgan, is the main antagonist of Koji Suzuki's ''Ring'' novel series and the film franchise of the same name. Sadako's fictional history alternates between continuities, but all depict her as the vengeful ghost of a psychic who was murdered and thrown into a well. As a ghost, she uses , her most distinctive power and weapon, to create a cursed video tape. Whomever watches the tape will die exactly one week later unless the tape is copied and shown to another person, who then must repeat the same process. Sadako Yamamura has been played by a number of actresses in films, including Rie Inō in '' Ring'' and '' Ring 2'', Hinako Saeki in '' Rasen'', Yukie Nakama in '' Ring 0: Birthday'', Ayane Miura in '' Ring: Kanzenban'', Tae Kimura in '' Ring: The Final Chapter'' and '' Rasen'', and Ai Hashimoto in '' Sadako 3D''. Foreign adaptations renamed the character, with Bae Doona portraying Park Eun-suh in the South Korean film '' The Ring ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vengeful Ghost
In mythology and folklore, a vengeful ghost or vengeful spirit is said to be the spirit of a dead person who returns from the afterlife to seek revenge for a cruel, unnatural or unjust death. In certain cultures where funeral and burial or cremation ceremonies are important, such vengeful spirits may also be considered as unhappy ghosts of individuals who have not been given a proper funeral. Cultural background The concept of a vengeful ghost seeking retribution for harm that it endured as a living person goes back to ancient times and is part of many cultures. According to such legends and beliefs, they roam the world of the living as restless spirits, seeking to have their grievances redressed, and may not be satisfied until they have succeeded in punishing either their murderers or their tormentors. In certain cultures vengeful ghosts are mostly female, said to be women that were unjustly treated during their lifetime. Such women or girls may have died in despair or the suff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Laughing Demon By Hokusai
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mononoke
''Mononoke'' (物の怪) are vengeful spirits (onryō), dead spirits (shiryō), live spirits (ikiryō), or spirits in Japanese classical literature and folk religion that were said to do things like possess individuals and make them suffer, cause disease, or even cause death. It is also a word sometimes used to refer to ''yōkai'' or ''henge'' ("changed beings"). Summary ''Mononoke'' can be often seen in literature of the Heian period. As a famous example, in the 9th volume of the '' Genji Monogatari'', "Aoi" is the ikiryō of Lady Rokujo, who possessed Aoi no Ue. Other than that, there are also statements about ''mononoke'' in publications like ''Ōkagami'' and ''Masukagami''. In those times, when medical knowledge has not been fully developed, people like monks and shugensha would perform incantations and prayers against diseases caused by ''mononoke'', and by temporarily moving the ''mononoke'' into a different person called the " yorimashi" (usually servants, apprentices, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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