Ivan Törzs
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Ivan Törzs
Ivan Törzs is an American conductor and pianist educated at Princeton University, Mannes College of Music, and the Juilliard School. He worked as a pianist and conductor in Charleston, Spoleto and Santa Fe before moving to Germany in 1981. In Germany he conducted in Darmstadt, Hamburg and Karlsruhe. In 1993 he became principal conductor of the Mecklenburgisches Staatstheater Schwerin. From 1999 until the summer of 2002 he was also artistic director there. Highlights of his tenure included performances of ''Otello'' and '' Tannhäuser'' with American-born soprano Helen Donath and concert performances of '' Parsifal'' with Renata Scotto. His repertoire in Schwerin included '' Tosca'', '' Jenůfa'', '' Der Rosenkavalier'', '' Tristan und Isolde'', '' Parsifal'', '' Wozzeck'' and '' Pelléas et Mélisande''. From 2002-2008, Ivan Törzs was music director of the Vlaamse Opera. He conducted '' Fidelio'', ''La traviata'', ''Arabella'', ''Carmen'', ''Salome Salome (; he, שְ ...
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Princeton University
Princeton University is a private university, private research university in Princeton, New Jersey. Founded in 1746 in Elizabeth, New Jersey, Elizabeth as the College of New Jersey, Princeton is the List of Colonial Colleges, fourth-oldest institution of higher education in the United States and one of the nine colonial colleges chartered before the American Revolution. It is one of the highest-ranked universities in the world. The institution moved to Newark, New Jersey, Newark in 1747, and then to the current site nine years later. It officially became a university in 1896 and was subsequently renamed Princeton University. It is a member of the Ivy League. The university is governed by the Trustees of Princeton University and has an endowment of $37.7 billion, the largest List of colleges and universities in the United States by endowment, endowment per student in the United States. Princeton provides undergraduate education, undergraduate and graduate education, graduate in ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Hungarian Male Musicians
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language Hungarian () is an Uralic language spoken in Hungary and parts of several neighbouring countries. It is the official language of Hungary and one of the 24 official languages of the European Union. Outside Hungary, it is also spoken by Hungarian ..., a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine, the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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American Male Conductors (music)
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * B ...
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Cheryl Studer
Cheryl Studer (born October 24, 1955) is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner. Early life and education Studer was born in Midland, Michigan, to Carl W. Studer and Elizabeth (born Smith) Studer, as one of three children. She studied piano and viola as a child, and began voice lessons at age 12 with Gwendolyn Pike, a local opera singer and voice teacher. She attended Herbert Henry Dow High School, then transferred to the Interlochen Arts Academy for her junior and senior years and graduated from there in 1974. Following high school, Studer studied at the Oberlin Conservatory of Music but left the program after a year, decidi ...
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Theo Adam
Theo Adam (1 August 1926 – 10 January 2019) was a German operatic bass-baritone and bass singer who had an international career in opera, concert and recital from 1949. He was a member of the Staatsoper Dresden for his entire career, and sang at the Bayreuth Festival from 1952 to 1980. He particularly excelled in portraying roles by Richard Wagner, especially Wotan in ''Der Ring des Nibelungen'', which he also performed at the Metropolitan Opera, among others. In concert, he was a much admired Bach singer and also drew acclaim for his interpretation of the title character of Mendelssohn's ''Elijah''. He was a voice teacher at the Musikhochschule Dresden. Career Born in Dresden, Adam sang with the Dresdner Kreuzchor as a boy from 1936 to 1942. He served in the German Army in World War II. He studied singing privately with Rudolf Dietrich between 1946 and 1949. He made his professional debut at the Staatsoper Dresden as Czernikowski in Mussorgsky's '' Boris Godunov'' in 194 ...
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Edda Moser
Edda Moser (born 27 October 1938) is a German operatic soprano. She was particularly well known for her interpretations of music by Mozart. Her 1973 recital LP ' received the Grand Prix du Disque. Life and career Moser was born in Berlin, the daughter of the musicologist Hans Joachim Moser. She is aunt to cellist Johannes Moser and pianist Benjamin Moser. She studied at the Stern Conservatory with Hermann Weißenborn and Gerty König and made her debut as Kate Pinkerton in ''Madama Butterfly'' at the Deutsche Oper Berlin in 1962. After singing in the Würzburg Opera Chorus from 1962 until 1963, she sang at the opera houses in Hagen, Bielefeld, Hamburg and Frankfurt, before joining the Vienna State Opera in 1971. She also sang in Salzburg. She made her American debut in November 1968, when she appeared at the Metropolitan Opera in the role of Wellgunde in '' Das Rheingold''. She went on to sing various roles there over nine seasons, including the parts of Donna Anna ( ...
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Kurt Moll
Kurt Moll (11 April 19385 March 2017) was a German operatic bass singer who enjoyed an international career and was widely recorded. His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme volume-capacity and a purring, contrabassoon-like timbre. Although he had a powerful voice and stamina adequate for the most demanding parts, he was not a thunderer, and never performed as Wagner's vocally athletic, bellowing bassos Hagen, Hans Sachs, nor Wotan. His interpretations tended to be restrained and intelligent, even in comedic roles like Osmin in Mozart's ''Die Entführung aus dem Serail'' and Baron Ochs in ''Der Rosenkavalier''. Career Moll was born in Buir, near Cologne, Germany. As a child, he played the cello and hoped to become a great cellist. (He also had ambitions to be an industrialist/businessman.) He sang in the school choir whose conductor encouraged ...
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Ring Cycle
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the ''Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * ''Die Walküre'' (''The Valkyrie'') * ''Siegfried'' * ''Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them without h ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ...
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Luisa Miller
''Luisa Miller'' is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play ''Kabale und Liebe'' (''Intrigue and Love'') by the German dramatist Friedrich von Schiller. Verdi's initial idea for a new opera – for which he had a contract going back over several years – was rejected by the Teatro San Carlo in Naples. He attempted to negotiate his way out of this obligation and, when that failed, Cammarano came up with the idea of adapting the Schiller play, with which Verdi was familiar. The process was set in motion, with Verdi still living and working on initial ideas from Paris, where he had been living for almost two years before moving back to his home town of Busseto in the summer of 1849. It was from there that he wrote the music and traveled to Naples for rehearsals. The first performance was given on 8 December 1849. This was Verdi's 15th opera and it is regarded as the beginning of the composer's "middle period".Parke ...
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