Ivan Melnikov (baritone)
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Ivan Melnikov (baritone)
Ivan Aleksandrovich Melnikov (russian: Иван Александрович Мельников, links=no) (March 4, 1832 – July 8, 1906) was a Russian baritone opera singer. Early years and training Melnikov was trained as a choirboy in his youth. In 1861, he began studying with Gavriil Lomakin, and participated from 1862 until 1866 in the Free Music School concerts conducted by Lomakin. Melnikov continued his studies in Milan with a master of bel canto, E. Repetto.Macy, Laura Williams. ''The Grove Book of Opera Singers'' pp. 316-317. Oxford University Press: New York, 2008 Career In 1867, Melnikov made a triumphant St. Petersburg debut at Mariinsky Theatre, performing the role of Riccardo in Bellini's ''I puritani''. Melnikov appeared regularly at the Mariinsky, in both foreign and Russian roles, and was the first interpreter of more than dozen roles in Russian opera. Melnikov sang in every opera by Pyotr Ilyich Tchaikovsky except for ''Iolanta'', creating roles in four of ...
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Ivan Melnikov Baritone
Ivan () is a Slavic languages, Slavic male given name, connected with the variant of the Greek name (English: John (given name), John) from Hebrew language, Hebrew meaning 'God is gracious'. It is associated worldwide with Slavic countries. The earliest person known to bear the name was Bulgarian tsar Ivan Vladislav of Bulgaria, Ivan Vladislav. It is very popular in Russia, Ukraine, Croatia, Serbia, Bosnia and Herzegovina, Slovenia, Bulgaria, Belarus, North Macedonia, and Montenegro and has also become more popular in Romance-speaking world, Romance-speaking countries since the 20th century. Etymology Ivan is the common Slavic Latin alphabet, Latin spelling, while Cyrillic script, Cyrillic spelling is two-fold: in Bulgarian language, Bulgarian, Russian language, Russian, Macedonian language, Macedonian, Serbian language, Serbian and Montenegrin language, Montenegrin it is Иван, while in Belarusian language, Belarusian and Ukrainian language, Ukrainian it is Іван. The ...
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Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ...
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Mikhail Glinka
Mikhail Ivanovich Glinka ( rus, link=no, Михаил Иванович Глинка, Mikhail Ivanovich Glinka., mʲɪxɐˈil ɪˈvanəvʲɪdʑ ˈɡlʲinkə, Ru-Mikhail-Ivanovich-Glinka.ogg; ) was the first Russian composer to gain wide recognition within his own country and is often regarded as the fountainhead of Russian classical music. His compositions were an important influence on Russian composers, notably the members of The Five (composers), The Five, who produced a distinctive Russian style of music. Early life and education Glinka was born in the village of Novospasskoye, not far from the Desna River in the Smolensk Governorate of the Russian Empire (now in the Yelninsky District of the Smolensk Oblast). His wealthy father had retired as an army captain, and the family had a strong tradition of loyalty and service to the tsars, and several members of his extended family had lively cultural interests. His great-great-grandfather was a Polish–Lithuanian Commonwealth n ...
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Ruslan And Lyudmila (opera)
''Ruslan and Lyudmila'' ( rus, Руслан и Людмила, Ruslán i Lyudmíla, link=no ) is an opera in five acts (eight tableaux) composed by Mikhail Glinka between 1837 and 1842. The opera is based on the 1820 poem of the same name by Alexander Pushkin. The Russian libretto was written by Valerian Shirkov, Nestor Kukolnik and N. A. Markevich, among others. Pushkin's death in the famous duel prevented him from writing the libretto himself as planned. Today, the best-known music from the opera is its overture. Performance history The premiere took place in Saint Petersburg on 27 November(Old Style) 1842 at the Bolshoi Kamenniy Teatr. The initial lack of enthusiasm for this Russian-inspired production has been attributed to the Saint Petersburg's audience's growing taste at the time for Italian opera, which was so pronounced that in 1843, Tsar Nicholas I established an Italian opera company in the Bolshoi Kamenniy Teatr, and the Russian opera company lost its home. Four year ...
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Alexander Dargomyzhsky
Alexander Sergeyevich Dargomyzhsky ( rus, link=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy., ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich-Dargomyzhsky.ogg; ) was a 19th-century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Pyotr Ilyich Tchaikovsky. Biography Dargomyzhsky was born in village Troitskoye, Belyov uyezd, Tula Governorate (now Arsenyevsky District, Tula Oblast), and educated in Saint Petersburg. He was already known as a talented musical amateur when in 1833 he met Mikhail Glinka and was encouraged to devote himself to composition. His opera '' Esmeralda'' (libretto by composer, based on Victor Hugo's ''The Hunchback of Notre Dame'') was composed in 1839 (performed 1847), and his '' Rusalka'' was performed in 1856; but he had little success or recognition either at home or abro ...
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Rusalka (Dargomyzhsky)
''Rusalka'' ( rus, Русалка, Rusálka ) is an opera in four acts, six tableaux, by Alexander Dargomyzhsky, composed during 1848-1855. The Russian libretto was adapted by the composer from Aleksandr Pushkin's incomplete dramatic poem of the same name. It premiered on 4 May 1856 (Old Style) at the Theatre-circus, conducted by Konstantin Lyadov (father of Anatoly Lyadov), choreographed by Marius Petipa and Nikolay Goltz, but was badly received predominantly by the aristocracy. In 1859, the opera was again presented at the Bolshoi Theatre in Moscow, but it was not until 1865, when it was staged at the Mariinsky Theatre, that it was finally well received. The conductor was Eduard Nápravník; the Prince was sung by Fyodor Petrovich Komissarzhevsky, the Princess by Darya Leonova, Miller by Osip Petrov, and Natasha by Yulya Platonova. Although much of Dargomyzhsky's ''Rusalka'' is fairly conventional in musical form and style, its singular innovation for the history of Russia ...
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Alexander Borodin
Alexander Porfiryevich Borodin ( rus, link=no, Александр Порфирьевич Бородин, Aleksandr Porfir’yevich Borodin , p=ɐlʲɪkˈsandr pɐrˈfʲi rʲjɪvʲɪtɕ bərɐˈdʲin, a=RU-Alexander Porfiryevich Borodin.ogg, links=no; 12 November 183327 February 1887) was a Romantic music, Romantic composer and chemist of Georgians, Georgian-Russians, Russian extraction. He was one of the prominent 19th-century composers known as "The Five (composers), The Five", a group dedicated to producing a "uniquely Russian" kind of Russian classical music, classical music.Gerald Abraham, Abraham, Gerald. ''Borodin: the Composer and his Music''. London, 1927. Borodin is known best for his symphony, symphonies, his two string quartets, the symphonic poem ''In the Steppes of Central Asia'' and his opera ''Prince Igor''. A physician, doctor and chemist by profession and training, Borodin made important early contributions to organic chemistry. Although he is presently know ...
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Prince Igor
''Prince Igor'' ( rus, Князь Игорь, Knyáz Ígor ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic '' The Lay of Igor's Host'', which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original Composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12t ...
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Mazeppa (opera)
''Mazeppa'', properly ''Mazepa'' (russian: Мазепа ), is an opera in three acts (six scenes) by Pyotr Ilyich Tchaikovsky. The libretto was written by Victor Burenin and is based on Pushkin's poem ''Poltava'', part of the cultural legacy of Mazeppa. ''Mazeppa'' is a blood-thirsty tale of crazy love, abduction, political persecution, execution, and vengeful murder. The action takes place in Ukraine at the beginning of the 18th century. The protagonists are the historical figures Ivan Stepanovych Mazeppa (c. 1640–1709), the Hetman of the Ukrainian Cossacks, and Vasyl Leontiyovych Kochubey (c.1640–1708), a very prosperous Ukrainian nobleman and statesman. Composition history The opera was composed between June 1881 and April 1883. ''Mazeppa''s libretto was based on ''Poltava'', a narrative poem by Alexander Pushkin. Pushkin based his story on historical events at Poltava, the battle where Tsar Peter the Great defeated Swedish King Charles XII. Pushkin took some creative ...
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Vasyl Kochubey
Vasily Leontiyevich Kochubey (russian: Василий Леонтьевич Кочубей, uk, Василь Леонтiйович Кочубей) (c. 1640 – 15 July 1708) was a Cossack-born Russian state figure of Crimean Tatar descent. He was executed by Hetman Ivan Mazepa. His great-grandson was the eminent Imperial Statesman Viktor Kochubey. The family name is also spelled Kotchoubey (French) and Kotschoubey (German, Almanach de Gotha). Biography :: The grandson of the Crimean Tatar Kuchuk-bey, who left to Ukraine in the middle of XVII century and was baptized Andrey. :: Until 1675  he was a military chancellor of Hetmans I. Briukhovetskyi and P. Doroshenko :: 1675   – P.Doroshenko'sEnvoy to Turkey. :: 1676   – Envoy of Archbishop Lazar Baranovych to Moscow, :: 1676 – 1681   – a military chancellor under I. Samoilovych. :: 1681 – 1687   – he was a regent of the General Military Chancellery (1681 ) und ...
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Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the ''Russian Easter Festival Overture'', and the symphonic suite ''Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classical ...
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The Maid Of Pskov
''The Maid of Pskov'' (russian: Псковитянка, Pskovityanka, links=no, Pskov female resident ), also known as ''Ivan the Terrible'', is an 1872 opera originally in three acts (six scenes) by Nikolai Rimsky-Korsakov. The libretto is by the composer, after the play by Lev Mei. The storyline is fictitious, but is set against the background of the campaign by Ivan the Terrible, Ivan IV Vasilyevich to subject the cities of Pskov and Novgorod to his will. Pskovityanka was Rimsky-Korsakov's first opera, and he revised it twice; once in 1876-7, when he added a prologue, and again in 1891-2, without the prologue (which was subsequently rewritten and became in 1898 the one act opera ''The Noblewoman Vera Sheloga, Boyarïnya Vera Sheloga''). The third version was made famous by Feodor Chaliapin, Chaliapin in the role of the Tsar. The opera was introduced to Paris in 1909, also with Chaliapin, by Serge Diaghilev, Diaghilev, under the title ''Ivan the Terrible''. Composition histor ...
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