Italian Films Of 1948
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Italian Films Of 1948
A list of films produced in Italy in 1948 (see 1948 in film): References External linksItalian films of 1948at the Internet Movie Database {{DEFAULTSORT:Italian Films Of 1948 Italian Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Ita ... 1948 Films ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Mario Mattoli
Mario Mattoli (; 30 November 1898 – 26 February 1980) was an Italian film director and screenwriter. He directed 86 films between 1934 and 1966. His 1939 film ''Defendant, Stand Up!'' was shown as part of a retrospective on Italian comedy at the 67th Venice International Film Festival. Filmography * ''Full Speed (1934 film), Full Speed'' (1934) * ''I Love You Only'' (1935) * ''The Man Who Smiles'' (1936) * ''Sette giorni all'altro mondo'' (1936) * ''La damigella di Bard (film), La damigella di Bard'' (1936) *''Music in the Square'' (1936) * ''The Last Days of Pompeo'' (1937) * ''These Children'' (1937) * ''Felicità Colombo'' (1937) * ''Destiny (1938 film), Destiny'' (1938) * ''Triumph of Love (1938 film), Triumph of Love'' (1938) * ''Nonna Felicità'' (1938) * ''A Lady Did It'' (1938) * ''The Lady in White'' (1938) * ''We Were Seven Sisters'' (1939) * ''At Your Orders, Madame'' (1939) * ''We Were Seven Widows'' (1939) * ''Defendant, Stand Up!'' (1939) * ''Mille chilometr ...
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Best Foreign Language Film Academy Award Winners
Best or The Best may refer to: People * Best (surname), people with the surname Best * Best (footballer, born 1968), retired Portuguese footballer Companies and organizations * Best & Co., an 1879–1971 clothing chain * Best Lock Corporation, a lock manufacturer * Best Manufacturing Company, a farm machinery company * Best Products, a chain of catalog showroom retail stores * Brihanmumbai Electric Supply and Transport, a public transport and utility provider * Best High School (other) Acronyms * Berkeley Earth Surface Temperature, a project to assess global temperature records * BEST Robotics, a student competition * BioEthanol for Sustainable Transport * Bootstrap error-adjusted single-sample technique, a statistical method * Bringing Examination and Search Together, a European Patent Office initiative * Bronx Environmental Stewardship Training, a program of the Sustainable South Bronx organization * Smart BEST, a Japanese experimental train * Brihanmumbai Electr ...
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Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ...
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Enzo Staiola
Enzo Staiola (born 15 November 1939) is an Italian actor best known for playing, at the age of nine, the role of Bruno Ricci in Vittorio De Sica's neorealist 1948 film ''Bicycle Thieves''. He appeared in several other films including, in 1954, the American-produced ''The Barefoot Contessa'' with Humphrey Bogart. As an adult he became a mathematics teacher. Selected filmography * ''Bicycle Thieves'' (1948) * ''Volcano'' (1950) * '' The White Line'' (1950) * ''I'll Get You for This'' (1951) * ''A Tale of Five Cities '' (1951) * '' Black Feathers'' (1952) * '' Guilt Is Not Mine'' (1952) * ''The Return of Don Camillo'' (1953) * ''The Barefoot Contessa ''The Barefoot Contessa'' is a 1954 American drama film written and directed by Joseph L. Mankiewicz about the life and loves of fictional Spanish sex symbol Maria Vargas. It stars Humphrey Bogart, Ava Gardner, and Edmond O'Brien. The film's slo ...'' (1954) as Busboy References External links * Living people 1939 birth ...
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Lamberto Maggiorani
Lamberto Maggiorani (28 August 1909 – 22 April 1983) was an Italian actor remembered for his portrayal of Antonio Ricci in the 1948 Vittorio De Sica film ''Bicycle Thieves''. He was a factory worker (he worked as a turner) and non-professional actor at the time he was cast in this film. He earned 600,000 lire ($1,000 US) for his performance, enabling him to buy new furniture and treat his family to a vacation; but when he returned to the factory he was laid off because business was slackening and management felt it would be fairer to terminate him instead of other impoverished co-workers since he was perceived to have "made millions" as a movie star. He found occasional work as a bricklayer, but continued to try to get roles in movies, with little success; even de Sica was reluctant to employ him as anything other than an extra. Pier Paolo Pasolini gave him a bit part in the film ''Mamma Roma'' (1962) due to his iconic status in Italian cinema. Cesare Zavattini Cesare Za ...
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Vittorio De Sica
Vittorio De Sica ( , ; 7 July 1901 – 13 November 1974) was an Italian film director and actor, a leading figure in the neorealist movement. Four of the films he directed won Academy Awards: ''Sciuscià'' and ''Bicycle Thieves'' (honorary), while ''Yesterday, Today and Tomorrow'' and '' Il giardino dei Finzi Contini'' won the Academy Award for Best Foreign Language Film. Indeed, the great critical success of ''Sciuscià'' (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and ''Bicycle Thieves'' helped establish the permanent Best Foreign Film Award. These two films are considered part of the canon of classic cinema. ''Bicycle Thieves'' was deemed the greatest film of all time by ''Sight & Sound'' magazine's poll of filmmakers and critics in 1958, and was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. De Sica was also nominated for the 1957 Oscar for Best Supporting Actor for playing M ...
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Bicycle Thieves
''Bicycle Thieves'' ( it, Ladri di biciclette; sometimes known in the United States as ''The Bicycle Thief'') is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family. Adapted for the screen by Cesare Zavattini from the 1946 novel by Luigi Bartolini, and starring Lamberto Maggiorani as the desperate father and Enzo Staiola as his plucky young son, ''Bicycle Thieves'' received an Academy Honorary Award (most outstanding foreign language film) in 1950, and in 1952 was deemed the greatest film of all time by ''Sight & Sound'' magazine's poll of filmmakers and critics; fifty years later another poll organized by the same magazine ranked it sixth among the greatest-ever films. In the 2012 version of the list the film ranked 33rd among critics and 10th among directors. The film was also c ...
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Silvana Pampanini
Silvana Pampanini (25 September 1925 – 6 January 2016) was an Italian film actress, director and singer. She was also the niece of the well-known soprano of the golden era of opera, Dame Rosetta Pampanini. Silvana Pampanini caused a sensation when she took part in the 1946 Miss Italy contest and the following year she started her movie career. Madame Pampanini was born into a well-off family, she was educated, and studied opera and ballet since her childhood. According to interviews, Pampanini was a contralto with notable voice extension. However, she also said many times over the years that she preferred to pursue a career in cinema as it required less training and it was much less demanding than a career as an opera singer. Beauty pageant It was her singing teacher's idea to make her participate in the Miss Italy contest which had been cancelled during the war. Tall, attractive and self-confident, she was riotously appreciated by the audience, not by the panelists who had to ...
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Mariella Lotti
Maria Camilla Pianotti (17 November 1919 – 18 December 2004), known by the stage name Mariella Lotti, was an Italian film actress. Lotti made her film debut in 1939, and played leading ladies in a number of Fascist era and post-war films. She was one of many actors employed on the anthology film ''The Ten Commandments'', made following the overthrow of Benito Mussolini. She made her final film ''Carmen'' in 1954. During the war she was involved in a passionate love story with King Michael of Romania. Her sister Carola Lotti was also an actress. Filmography * ''The Silent Partner'' (1939) * ''I, His Father'' (1939) * ''The Sons of the Marquis Lucera'' (1939) * ''The Daughter of the Green Pirate'' (1940) * ''Kean'' (1940) * ''Inspector Vargas'' (1940) * '' Il ponte dei sospiri'' (1940) * '' Il signore della taverna'' (1940) * '' Marco Visconti'' (1941) * '' Il vetturale del San Gottardo'' (1941) * '' Il cavaliere senza nome'' (1941) * '' I mariti (Tempesta d'anime)'' (1941) * ...
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Gino Bechi
Gino Bechi (16 October 1913 – 2 February 1993) was an Italian operatic baritone, particularly associated with the Italian repertory, especially in Verdi roles. Life and career Bechi studied in his native Florence with Raul Frazzi and di Giorgio, and made his debut at Empoli, in 1936, as Germont in '' La traviata''. He sang widely in Italy, appearing frequently at the Rome Opera from 1938 to 1952, and at La Scala from 1939 to 1953, where he sang the title role in ''Nabucco'' for its reopening in 1946. He quickly established himself as the leading dramatic baritone of his time, in roles such as Rigoletto, Count de Luna, Renato, Carlo, Amonasro, Alfio, Gérard, but was also admired as Figaro and Hamlet. Bechi sang relatively little outside Italy, but did appear in England and North and South America in the late 1950s, but by then he was past his best. In his prime, Bechi possessed a dark and incisive voice and was a fine singing actor. He can be heard in a number of ea ...
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