|
Italian Rococo Art
Italy, Italian Rococo art refers to painting and the plastic arts in Italy during the Rococo period, which went from about the early/mid-18th to the late 18th century. History and background Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the History of Italian culture (1700s), settecento. The leading artistic centres during the Rococo in Italy were Venice, Genoa and Rome. Most Italian Rococo artists came from Venice, such as Canaletto, Giovanni Battista Tiepolo, Tiepolo, Guardi, Piazzetta and Bernardo Bellotto, Bellotto, but also from Rome and Genoa, such as Giovanni Battista Piranesi, Piranesi and Giovanni Paolo Pannini, Pannini. Artists such as Giuseppe Castiglione (Jesuit), Castiglione and Alessandro Magn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paolo Pannini
Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was an Italian painter and architect who worked in Rome and is primarily known as one of the '' vedutisti'' ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his ''vedute''—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of '' capriccio'' themes. In this they resemble the ''capricci'' of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV. Biography As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalba Carriera
Rosalba Carriera (12 January 1673 – 15 April 1757) was a Venetian Rococo painter. In her younger years, she specialized in portrait miniatures. Carriera would later become known for her pastel portraits, helping popularize the medium in eighteenth-century Europe. She is remembered as one of the most successful women artists of any era. Biography Carriera was born in Venice to Andrea Carriera, a lawyer, and Alba Foresti, who practiced embroidery and lace making. With her mother and sisters, Rosalba engaged in lace-making and other crafts. Her reasons for establishing her own studio as an artist remain unknown. An early biographer, Pierre-Jean Mariette, suggested that when the lace industry began to falter, Carriera had to find a new means of providing for herself and her family. The popularity of snuff-taking gave her an opportunity. Carriera began painting miniatures for the lids of snuff-boxes and as independent works. She was among the first painters to use ivory instead of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Innocenzo Carloni
Carlo Innocenzo Carlone or Carloni (1686–1775) was an Italian painter and engraver, active especially in Germany. Biography He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He subsequently trained also with Giovanni Battista Colomba. He afterwards studied at Venice and at Rome, with Francesco Trevisani until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at Ludwigsburg, Passau, Linz, Breslau, Prague, and Vienna. He painted large decorative fresco cycles for palaces in Vienna, Prague and Southern Germany. For example, Carlone is known for painting the ceiling images in the ''Upper Belvedere'' of the Belvedere palace complex. His ''The Glorification of Saints Felix and Adauctus'' (1759–1761) was commissioned for the cupola of the church of ''San Felice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Canal
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Bellucci
Antonio Bellucci (19 February 1654 – 29 August 1726) was an Italian soldier who became a painter of the Rococo period and was best known for his work in England, Germany, and Austria. He was one of the many Venetian-trained artists of his time, including Ricci, Tiepolo, Amigoni, and others, who sought commissions north of Italy, providing patrons with the then-popular Italianate grand-manner frescoes for private palaces. Biography Born and died in Pieve di Soligo. He initially trained with Domenico Difnico in Sebenico (Šibenik) in Venetian Dalmatia (now part of Croatia). By 1675, he was working in Venice, painting ''St Lorenzo Giustiniani praying for the city’s deliverance from the plague of 1447'' (c. 1691) for the church of San Pietro di Castello. He painted a ''Nativity'' for the church of the Ascension at Venice. Several of the landscapes of Antonio Tempesta are enriched with figures by Bellucci. Among his pupils were Antonio Balestra and perhaps Jacopo Amigoni. In 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompeo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bambocci
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Balestra
Antonio Balestra (12 August 1666 – 21 April 1740) was an Italian painter of the Rococo period. Biography Born in Verona, he first apprenticed there with Giovanni Zeffio. By 1690 he moved to Venice, where he worked for three years under Antonio Bellucci, then moved to Bologna and then to paint in Carlo Maratta's workshop in Rome. In 1694, he won a prize from the Accademia di San Luca. He later painted both in Verona and Venice; although his influence was stronger in the mainland. His pupils in Verona were Pietro Rotari and Giambettino Cignaroli. In Venice, he painted for the churches of the I Gesuiti and San Zaccaria, and the Scuola della Carita. Pietro Longhi briefly worked under Balestra. In Venice, other pupils or painters he influenced, included Mariotti, Giuseppe Nogari, Mattia Bortoloni and Angelo Trevisani. He also influenced a young Giambattista Pittoni. Among his pupils from Verona were Domenico Pecchio, Domenico Bertini, and Carlo Salis. In painting, Balestra w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Bacciarelli
Marcello Bacciarelli (; 16 February 1731 – 5 January 1818) was a Polish-Italian painter of the late-baroque and Neoclassic periods. Biography He was born in Rome, and studied there under Marco Benefial. In 1750, with the recommendation of the architect Gaetano Chiaveri, Marcello was recruited to Dresden in Saxony, where he was employed by Elected King Augustus III of Poland. After the death of King Augustus, Marcello went to Vienna, and thence to Warsaw. In Dresden, he met Bernardo Bellotto and worked with this Italian painter throughout his life. He was recruited by King Stanisław II Augustus in 1766 to become the Director of the newly founded Royal Buildings and Estates. In Dresden, he married Federicka Richter, a woman painter known for miniature portraits. In Vienna, Marcello painted portraits of the imperial family, including the four daughters of Maria Teresa, Maria Christina, Duchess of Teschen and her husband, prince Albert. In Warsaw, he painted a set of portraits de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Amigoni
Jacopo Amigoni (ca. 1685 – September 1752), also named Giacomo Amiconi, was an Italian painter of the late-Baroque or Rococo period, who began his career in Venice, but traveled and was prolific throughout Europe, where his sumptuous portraits were much in demand. Biography He was born in Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725–1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His ''Arraignment of Paris'' hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirio Antonio Africa
The Hitachi Sirio (Italian for Sirius, formerly sold as the AnsaldoBreda Sirio) is a low-floor tram built by Hitachi Rail Italy (formerly AnsaldoBreda), a Japanese-Italian manufacturer of trains, trams and light-rail vehicles. It can be ordered as either one-directional or bi-directional and with a variety of track gauges. Operators Italy Milan Azienda Trasporti Milanesi (ATM), the city transport company of Milan, has bought 93 Sirios (all one direction cars). In 2002, the first carriages were delivered. The ATM has 58 seven section Sirios (7100 series) with a length of ; these trams have a capacity of 285 people, of which 71 can sit. The ATM has also 35 five section ''Sirietto'' (literally "little Sirio": 7500 series) with a length of ; these trams have a capacity of 191 people, of which 50 can sit. Both types of Sirios have a width of and have been built for the unusual track gauge of . The maximum speed is . Part of the 7500 will be numbered in the 7600 series because of mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
