It Takes A Lot To Laugh, It Takes A Train To Cry
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It Takes A Lot To Laugh, It Takes A Train To Cry
"It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album ''Highway 61 Revisited''. It was recorded on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled ''Bob Dylan's Greatest Hits 2''. An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991'' in 1991. Music and lyrics The version of the song on ''Highway 61 Revisited'' is an acoustic/electric blues song, one of three blues songs on the album (the others being " From a Buick 6" and "Just Like Tom Thumb's Blues"). It is made up of lines taken from older blues songs combined with Dylan's own lyrics. Rather than the aggression of some of the other songs Dylan wrote during this time, "It Takes a Lot to Laugh, It Takes a Train to Cry" reflects world-weary resignation. The imagery is sexual, ...
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Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ...
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Like A Rolling Stone
"Like a Rolling Stone" is a song by American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album ''Highway 61 Revisited''. During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff for which the track is known. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and h ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Bob Dylan Live 1975, The Rolling Thunder Revue
Bob, BOB, or B.O.B. may refer to: Places *Mount Bob, New York, United States *Bob Island, Palmer Archipelago, Antarctica People, fictional characters, and named animals *Bob (given name), a list of people and fictional characters *Bob (surname) *Bob (dog), a dog that received the Dickin Medal for bravery in World War II *Bob the Railway Dog, a part of South Australian Railways folklore Television, games, and radio * ''Bob'' (TV series), an American comedy series starring Bob Newhart * ''B.O.B.'' (video game), a side-scrolling shooter *Bob FM, on-air brand of a number of FM radio stations in North America Music Musicians and groups *B.o.B (born 1988), American rapper and record producer *Bob (band), a British indie pop band *The Bobs, an American a cappella group *Boyz on Block, a British pop supergroup Songs * "B.O.B" (song), by OutKast * "Bob" ("Weird Al" Yankovic song), from the 2003 album ''Poodle Hat'' by "Weird Al" Yankovic *"Bob", a song from the album ''Brighter Than Cr ...
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Rolling Thunder Revue
The Rolling Thunder Revue was a 1975–1976 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who had now become a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences. Some of the performers on the tour were Joan Baez, Roger McGuinn, Joni Mitchell, Ronee Blakely and Ramblin' Jack Elliott. Bob Neuwirth assembled backing musicians from the recording sessions for Dylan's ''Desire'' album, including violinist Scarlet Rivera, bassist Rob Stoner, and drummer Howie Wyeth, plus Mick Ronson on guitar. The tour included 57 concerts in two legs—the first in the American northeast and Canada in the fall of 1975, and the second in the American South and southwest in the spring of 1976. The release of ''Desire'' in January 1976 fell between the two legs of the tour, with many of the songs performed in t ...
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Grammy Award For Album Of The Year
The Grammy Award for Album of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales, chart position, or critical reception." Album of the Year is the most prestigious award category at the Grammys, and it is one of the general field awards alongside Best New Artist, Record of the Year and Song of the Year, presented annually since the 1st Annual Grammy Awards in 1959. Frank Sinatra, Stevie Wonder, Paul Simon and Taylor Swift have each won this award three times, more than any other artists. Credit rules Over the years, the rules on who was presented with an award have changed: *1959–1965: Artist only. *1966–1998: Artist and producer. *1999–2002: Artist, producer, and recording engineer or mixer. *2003–2017: Artist, featured artist, producer, mastering engineer, and recording engineer or mixer ...
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Concert For Bangladesh
The Concert for Bangladesh (or Bangla Desh, as the country's name was originally spelt)Harry, p. 135. was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films' concert documentary, which opened in cinemas in the spring of 1972. The event was the first-ever benefit of such a magnitude,The Editors of ''Rolling Stone'', p. 43. and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and Ali Akbar Khan – both of whom had ancest ...
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Al Kooper
Al Kooper (born Alan Peter Kuperschmidt; February 5, 1944) is a retired American songwriter, record producer and musician, known for organizing Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale", among many other appearances. Kooper also produced a number of one-off collaboration albums, such as the '' Super Session'' album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has also had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Early life Al Kooper was bor ...
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It's All Over Now, Baby Blue
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his ''Bringing It All Back Home'' album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself. "It's All Over Now, Baby Blue" has been covered by Them, Baez and the Byrds. Them's version, released in 1966, influenced garage bands during the mid-'60s, and Beck later sampled it for his 1996 single " Jack-Ass". The Byrds recorded the song twice in 1965 as a possible follow-up single to "Mr. Tambourine Man" and "All I Really Want to Do", but neither recording was ...
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Maggie's Farm
"Maggie's Farm" is a song written by Bob Dylan, recorded on January 15, 1965, and released on the album ''Bringing It All Back Home'' on March 22 of that year. Like many other Dylan songs of the 1965–66 period, "Maggie's Farm" is based on electric blues. It was released as a single in the United Kingdom on June 4, 1965, and peaked at #22 on the chart. Dylan only needed one take to record the song, as may be heard on the exhaustive 18-disc Collector's Edition of '' The Bootleg Series Vol. 12: The Cutting Edge 1965–1966'', which includes every alternate take recorded during Dylan's 1965–1966 sessions but only the one version of "Maggie's Farm". Lyrics The lyrics of the song follow a straightforward blues structure, with the opening line of each verse ("I ain't gonna work...") sung twice, then repeated at the end of the verse. The third to fifth lines of each verse elaborate on and explain the sentiment expressed in the verse's opening/closing lines. Critical response "Magg ...
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Newport Folk Festival
Newport Folk Festival is an annual American folk-oriented music festival in Newport, Rhode Island, which began in 1959 as a counterpart to the Newport Jazz Festival. It was one of the first modern music festivals in America, and remains a focal point in the expanding genre of folk music. The festival was held annually from 1959 to 1969, except in 1961 and 1962. In 1985, its founder revived it in Newport, where it has been held at Fort Adams State Park ever since. History Founding The Newport Folk Festival was started in 1959 by George Wein, founder of the already-well-established Newport Jazz Festival, and owner of Storyville, a jazz club located in Boston, Massachusetts. In 1958, Wein became aware of the growing Folk Revival movement and began inviting folk artists such as Odetta to perform on Sunday afternoons at Storyville. The afternoon performances consistently sold out and Wein began to consider the possibility of a "folk afternoon embedded within the 1959 Newport Ja ...
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The Paul Butterfield Blues Band
Paul Vaughn Butterfield (December 17, 1942May 4, 1987) was an American blues harmonica player, singer and band leader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop. In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West, in San Francisco; the Fillmore East, in New York City; the Monterey Pop Festival; and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and record ...
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