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It's A Cry'n Shame
"It's a Cry'n Shame" is a song written by Seab Meador and Mike Kelley and was recorded in 1966 by the Gentlemen, an American garage rock band from Dallas, Texas who were active between 1964 and 1968. It was originally released as the B-side to "You Can't Be True" but has become by far the better-known song. "It's a Cry'n Shame" has been included in several garage rock compilations and is now recognized as one of the greatest songs in the genre. History Background '"It's a Cry'n Shame" was recorded in 1966 by the Gentlemen a garage rock band from Oak Cliff, a section of Dallas, Texas, who were active from 1964 to 1968. The song was written by Seab Meador and Mike Kelley, who were both guitarists and vocalists in the band. The song heavily drenched in fuzz-treated guitar effects reflects the band's direction which was guided by Seab Meador, whose tastes gravitated towards the harder-rocking and more blues-based English bands such as the Rolling Stones, the Animals, the Kinks, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Gentlemen (Dallas Band)
The Gentlemen were an American garage rock band from Dallas, Texas, who were active from 1964 to 1968. They are best known for their 1966 song, " It's a Cry'n Shame", which has been recognized as one of the greatest songs in garage rock. The band is noted for the contributions of guitarist and songwriter, Seab Meador. Jimmie Vaughan, later a member the Fabulous Thunderbirds and brother of Stevie Ray Vaughan, served a brief stint for several months in the Gentlemen in late 1965 and early 1966, but did not appear on any of their recordings. He went on to play in another Dallas garage rock band, the Chessmen. History Origins The Gentlemen formed in 1964 and were from Oak Cliff, a section of Dallas, Texas. The band went through several lineup changes, but the band's musical direction was largely guided by guitarist Seab Meador, who spent several years in the band and was recognized by those around him as a genius on his instrument. Meador's tastes gravitated towards bands such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You're Gonna Miss Me (song)
"You're Gonna Miss Me" is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group's debut single on Contact Records, on January 17, 1966. It was reissued nationally on International Artists, in May 1966. Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me", along with its Stacy Sutherland and Tommy Hall-penned B-side, "Tried to Hide", was influential in developing psychedelic rock and garage rock, and was one of the earliest rock compositions to utilize the electric jug. Accordingly, critics often cite "You're Gonna Miss Me" as a bona fide garage rock song, as well as a classic of the counterculture era. "You're Gonna Miss Me" reached number 55 on the ''Billboard'' Hot 100, making it the 13th Floor Elevators' only single to chart nationally. The failure of the song to achieve a higher chart listing is attributed to poor distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard (instrument)
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early piano co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underground Garage
''Underground Garage'' is the name shared by two related but different radio outlets, a syndicated show and a satellite radio station, both created and supervised by American musician Steven Van Zandt (best known as a guitarist in Bruce Springsteen & The E Street Band) to present rock 'n' roll and garage rock on radio. Both outlets play a mixture of garage rock both old and new, and the music which influenced today's garage rock. On both the Sirius XM channel and on the syndicated show, one song is regularly proclaimed as "The Coolest Song in the World This Week." Station overview, shows ;''Little Steven's Underground Garage'' One of the outlets is a weekly syndicated radio show – broadcasting under the full title ''Little Steven's Underground Garage'' – heard on over 200 terrestrial FM radio stations in 130 major cities in the United States and in many countries outside the US. The two-hour show is written, hosted and produced by Van Zandt. The show debuted on approxim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little Steven
Steven Van Zandt (né Lento; born November 22, 1950), also known as Little Steven or Miami Steve, is an American musician, singer, songwriter, and actor. He is a member of Bruce Springsteen's E Street Band, in which he plays guitar and mandolin. He has appeared in several television drama series, including as Silvio Dante in ''The Sopranos'' (1999–2007) and as Frank Tagliano in ''Lilyhammer'' (2012–2014). Van Zandt has his own solo band called Little Steven and The Disciples of Soul, intermittently active since the 1980s. In 2014, he was inducted into the Rock and Roll Hall of Fame as a member of the E Street Band. Van Zandt has produced music, written songs, and had his own songs covered by Bruce Springsteen, Meat Loaf, Nancy Sinatra, Pearl Jam, Artists United Against Apartheid, and the Iron City Houserockers, among others. Early life Van Zandt was born Steven Lento on November 22, 1950 to Mary Henrietta (née Lento) Van Zandt and Vince Borello, in Winthrop, Massachusetts. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Back From The Grave (series)
''Back from the Grave'' is a series compilation albums of 1960s garage rock created and compiled by Tim Warren and released by Crypt Records. The series originally consisted of eight LP records released between 1983 and 1992. Volumes seven and eight were double albums. Starting in 1994, the series was reissued on compact disc. Due to the longer playing times offered by CDs, the first seven volumes were contained on four discs, save for a few tracks that were omitted. And, while all of the songs on the first four CDs are included on first seven vinyl albums, they do not necessarily correspond to the individual LPs bearing their same titles. However, the Volume 8 CD corresponds almost directly its LP double-LP counterpart, but with the addition of four bonus tracks not included on the LP. The eight vinyl albums are titled consecutively "''Back from the Grave'', Volume 1, Volume 2, Volume 3, Volume 4, Volume 5, Volume 6, Volume 7, Volume 8, Volume 9, and Voume 10". In similar fash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fort Worth Teen Scene! (series)
''Fort Worth Teen Scene!'' is an extensive compilation album series centering on the burgeoning teen garage rock music scene of Fort Worth, Texas between 1964 and 1967. The series, distributed through Norton Records, helped reveal relatively unknown recordings by groups originating from Fort Worth that were previously made available to only a handful of collectors. In total, three albums were released in relation to the series in 2004. The Fort Worth teen scene emerged from the wake of the British Invasion, with nearly all the bands from the region tended to take influence from the harder-edged R&B and blues rock music of the Rolling Stones and the Yardbirds. These two musical acts' styles were emulated throughout the series on "one-take" recordings, which also mixed in a sizable share of cover versions such as two different interpretations of " Mister, You're a Better Man Than I" and "Train Kept A-Rollin'". Typical of most garage rock musical artists of the era, Fort Worth's sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Essential Pebbles, Volume 1
''Essential Pebbles, Volume 1'' is the first compilation album in the Essential Pebbles series. Although subtitled Ultimate '66 garage classics!, not all of the recordings on the album were originally released in 1966. Release data This album was released on AIP Records in 1997 as #AIP-CD-1058. The first CD collects tracks from the first 10 CDs in the ''Pebbles (series), Pebbles'' series plus ''Ear-Piercing Punk'', while the second CD are "insanely rare bonus tracks" that are previously un-reissued in any form (except for 2 that were previously included on a rare 1982 compilation album). Notes on the tracks As mentioned in the introductory liner notes, the recordings on the first CD serve as "a sort of 'greatest hits' for seasoned listeners" as well as an introduction to the Pebbles series, with the inclusion of well-known garage rock, garage and psychedelic rock, psychedelic classics such "Green Fuz", "I Never Loved Her", "She's Not Just Anybody", and "Doin' Me In." Although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pebbles Series
''Pebbles'' is an extensive series of compilation albums in both LP and CD formats that have been issued on several record labels, though mostly by AIP. Together with the companion '' Highs in the Mid-Sixties series'', the ''Pebbles series'' made available over 800 obscure, mostly American "Original Punk Rock" songs recorded in the mid-1960s — primarily known today as the garage rock and psychedelic rock genres — that were previously known only to a handful of collectors. In 2007, the release of the '' Pebbles, Volume 11: Northern California'' CD marked the final album in the ''Pebbles series'' (curiously, '' Vol. 12'' had been issued in 1999). The following year, Bomp! marked the 30th anniversary of the original '' Pebbles'' album with a spartan, limited-edition, clear-vinyl reissue complete with the original pink cover insert. The ''Pebbles series'' played a significant role in the emergence of a "canon" of garage-rock music and artists in the late 1970s and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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