It's So Hard To Tell Who's Going To Love You The Best
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It's So Hard To Tell Who's Going To Love You The Best
''It's So Hard to Tell Who's Going to Love You the Best'' is the debut album by American folk blues musician Karen Dalton, originally released in 1969 by Capitol Records (see 1969 in music). The album was subsequently reissued on CD by the Koch label in 1997. Extended liner notes were written by Peter Stampfel of the Holy Modal Rounders, who writes: In 1999, Megaphone issued the album again, this time with new packaging, a new booklet and a DVD with archival footage. In 2009, Light In The Attic Records, once again, reissued the album on vinyl with new packaging and liner notes. Track listing #"Little Bit of Rain" ( Fred Neil) – 2:30 #"Sweet Substitute" ( Jelly Roll Morton) – 2:40 #"Ribbon Bow" (Traditional; adapted by Karen Dalton) – 2:55 #"I Love You More Than Words Can Say" ( Eddie Floyd, Booker T. Jones) – 3:30 #"In the Evening (It's So Hard to Tell Who's Going to Love You the Best)" ( Leroy Carr) – 4:29 #"Blues on the Ceiling" (Fred Neil) – 3:30 #"It Hur ...
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Karen Dalton (entertainer)
Karen J. Dalton (born Jean Karen Cariker; July 19, 1937 – March 19, 1993) was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence. Life and career Dalton was born Jean Karen Cariker in Bonham, Texas, but was raised in Enid, Oklahoma. She also lived in Stillwater, Oklahoma, and Lawrence, Kansas. With two divorces behind her at the age of 21, Dalton left Oklahoma and arrived in Greenwich Village, New York City in the early 1960s. She brought her twelve string guitar, long-neck banjo, and at least one of her two children with her. According to her daughter Abralyn Baird, at that point Dalton had lost ...
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Holy Modal Rounders
The Holy Modal Rounders was an American folk music group, originally the duo of Peter Stampfel and Steve Weber, who began performing together on the Lower East Side of New York City in the early 1960s. Their unique blend of folk music revival and psychedelia gave them a cult-like following from the late 1960s into the 1970s. For a time the group also included the playwright and actor Sam Shepard. Origin of the name Stampfel explained the origin of the name in the webzine '' Perfect Sound Forever'': :We kept changing the name. First it was the Total Quintessence Stomach Pumpers. Then the Temporal Worth High Steppers. Then The Motherfucker Creek Babyrapers. That was just a joke name. He was Rinky-Dink Steve the Tin Horn and I was Fast Lightning Cumquat. He was Teddy Boy Forever and I was Wild Blue Yonder. It kept changing names. Then it was the Total Modal Rounders. Then when we were stoned on pot and someone else, Steve Close maybe, said Holy Modal Rounders by mistake. We kept ...
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Joel Brodsky
Joel Lee Brodsky (October 7, 1939 – March 1, 2007) was an American photographer, best known for his photography of musicians, particularly his iconic "Young Lion" photographs of Jim Morrison. In his lifetime, he is credited with photographing over 400 album covers. Brodsky was born in Brooklyn, New York and graduated from Syracuse University in 1960. While working at a camera store in Brooklyn, he began a side career of photography and opened his own studio in 1964. Later Brodsky left the rock 'n' roll photography and focused on commercial work, shooting advertising campaigns for Revlon, Avon, DuPont and other companies. Since the beginning of the new century, there has been a worldwide revival of interest in Brodsky's rock 'n' roll pictures, with several exhibitions across the USA and in Europe. His artwork has been shown by the Govinda Gallery in Washington, D the Morrison Hotel Galler the Stax Museum in Memphis, the
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Harvey Brooks (bassist)
Harvey Brooks (born Harvey Goldstein; July 4, 1944) is an American bass guitarist. Music career Bob Dylan Brooks came out of a New York music scene in the early 1960s. One of the younger players on his instrument, he was a contemporary of Felix Pappalardi and Andy Kulberg and other eclectic bass players in their late teens and early twenties, who saw a way to bridge the styles of folk, blues, rock, and jazz. Brooks got his first boost to fame when he was asked to play as part of Bob Dylan's backing band on the sessions that yielded the album ''Highway 61 Revisited'' (1965) — in contrast to the kind of folkie-electric sound generated by the band on his previous album, ''Bringing It All Back Home'' (1965). Producer Bob Johnson and Dylan were looking for a harder, in-your-face electric sound, and Brooks, along with guitarist Michael Bloomfield and organist Al Kooper, provided exactly what was needed. Brooks was also part of Dylan's early backing band which performed at Forest Hi ...
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Lead Belly
Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk music, folk and blues singer notable for his strong vocals, Virtuoso, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", "Midnight Special (song), Midnight Special", "Cotton Fields", and "Boll Weevil (song), Boll Weevil". Lead Belly usually played a twelve-string guitar, but he also played the piano, mandolin, harmonica, violin, and diatonic accordion, windjammer. In some of his recordings, he sang while clapping his hands or stomping his foot. Lead Belly's songs covered a wide range of genres, including gospel music, blues, and folk music, as well as a number of topics, including women, liquor, prison life, racism, cowboys, work, sailors, cattle herding, and dancing. He also wrote songs about people in the news, such as Franklin D. Roosevelt, Adolf Hitl ...
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Tim Hardin
James Timothy Hardin (December 23, 1941 – December 29, 1980) was an American folk and blues musician and composer. As well as releasing his own material, several of his songs, including " If I Were a Carpenter" and "Reason to Believe", became hits for other artists. Hardin grew up in Oregon and joined the Marine Corps. He started his music career in Greenwich Village which led to recording several albums in the mid- to late 1960s, and a performance at the Woodstock Festival. Hardin struggled with drug abuse throughout most of his adult life, and live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from a heroin overdose. Early life and career Hardin was born in Eugene, Oregon to parents who both had musical training. His mother, Molly Small Hardin, was an accomplished violinist who performed with the Portland Symphony Orchestra and his father played in jazz bands. He attended South Eugene High School but dropped out at age 18 to jo ...
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Mel London
Mel London (April 9, 1932 – May 16, 1975) was an American songwriter, record producer, and record label owner. He was active in the Chicago blues and R&B scenes in the 1950s and 1960s. London is best known for his compositions for Chicago blues artists Howlin' Wolf, Muddy Waters, Elmore James, and Junior Wells as well as being the record producer and owner of Chief Records (and its Profile Records and Age Records subsidiaries). In 1954, Mel London wrote the first of several hit songs for the blues and R&B markets. His "Poison Ivy" was recorded by Willie Mabon and reached number seven in the Billboard R&B chart in 1954. In 1955, three hits written by London followed: "Who Will Be Next" by Howlin' Wolf and two by Muddy Waters - "Sugar Sweet" and " Manish Boy.""Manish Boy" cowriters: Bo Diddley and Muddy Waters Not content with just songwriting, in 1957 he started his own record label, Chief Records. Chief's first single, the London-penned "Man from the Island," featured L ...
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It Hurts Me Too
"It Hurts Me Too" is a blues standard that is "one of the most interpreted blues ongs. First recorded in 1940 by American blues musician Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many blues and other artists. Origins "It Hurts Me Too" is based on "Things 'Bout Comin' My Way", recorded by Tampa Red in 1931. The melody lines are nearly identical and instrumentally they are similar, although the latter has an extra bar in the turnaround, giving it nine bars. "Sam Hill from Louisville", one of several pseudonyms of Walter Vinson (or Vincson), recorded "Things 'Bout Coming My Way" in 1931 shortly before Tampa Red. Vinson's version is based on his 1930 recording with the Mississippi Sheiks, "Sitting on Top of the World". Both songs share several elements with "You Got to Reap What You Sow", recorded by Tampa Red in 1929 and by Leroy Carr and Scrapper Blackwell in 1928. The melody lin ...
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Leroy Carr
Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928. Life and career Leroy Carr was born in Nashville, Tennessee on March 27, 1904 or 1905, and was raised in Indianapolis, Indiana. Carr was a self-taught piano player. After dropping out of high school, Carr travelled with a circus, and in the early 1920s served in the U.S. Army. Carr returned to Indianapolis and worked in a meat-packing plant. He was married in 1922. Carr worked as a bootlegger during prohibition, and became a known musician at parties. Carr had a longtime partnership with th ...
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Booker T
Booker T or Booker T. may refer to * Booker T. Washington (1856–1915), African American political leader at the turn of the 20th century ** List of things named after Booker T. Washington, some nicknamed "Booker T." * Booker T. Jones (born 1944), American musician and frontman of Booker T. and the M.G.'s * Booker T (wrestler) (born 1965), ring name of American professional wrestler Booker Huffman Also * Booker T. Bradshaw (1940–2003), American record producer, film and TV actor, and executive * Booker T. Laury (1914–1995), American boogie-woogie and blues pianist * Booker T. Spicely (1909–1944) victim of a racist murder in North Carolina, United States * Booker T. Whatley (1915–2005) agricultural professor at Tuskegee University * Booker T. Washington White (1909–1977), American Delta blues guitarist and singer known as Bukka White * Booker T. Boffin, pseudonym of Thomas Dolby Thomas Morgan Robertson (born 14 October 1958), known by the stage name Thomas Dol ...
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Eddie Floyd
Edward Lee Floyd (born June 25, 1937) is an American R&B and soul singer and songwriter, best known for his work on the Stax record label in the 1960s and 1970s, including the No. 1 R&B hit song " Knock on Wood". Biography Floyd was born in Montgomery, Alabama, and grew up in Detroit, Michigan. He founded The Falcons, which also featured Mack Rice. They were forerunners to future Detroit vocal groups such as The Temptations and The Four Tops. Their most successful songs included "You're So Fine" and later, when Wilson Pickett was recruited into the group as the lead singer, "I Found a Love". Pickett then embarked on a solo career, and The Falcons disbanded. Floyd signed a contract with the Memphis-based Stax Records as a songwriter in 1965. He wrote a hit song, "Comfort Me", recorded by Carla Thomas. He then teamed with Stax's guitarist Steve Cropper to write songs for Wilson Pickett, now signed to Atlantic Records. Atlantic distributed Stax and Jerry Wexler brought Pickett ...
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Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ...
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