It's All True (film)
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It's All True (film)
''It's All True'' is an unfinished Orson Welles feature film comprising three stories about Latin America. "My Friend Bonito" was supervised by Welles and directed by Norman Foster in Mexico in 1941. "Carnaval" (also known as "The Story of Samba") and "Jangadeiros" (also known as "Four Men on a Raft") were directed by Welles in Brazil in 1942. It was to have been Welles's third film for RKO Radio Pictures, after ''Citizen Kane'' (1941) and ''The Magnificent Ambersons'' (1942). The project was a co-production of RKO and the Office of the Coordinator of Inter-American Affairs that was later terminated by RKO. While some of the footage shot for ''It's All True'' was repurposed or sent to stock film libraries, approximately 200,000 feet of the Technicolor nitrate negative, most of it for the "Carnaval" episode, was dumped into the Pacific Ocean in the late 1960s or 1970s. In the 1980s a cache of nitrate negative, largely black-and-white, was found in a vault and presented to the UCLA ...
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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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Office Of The Coordinator Of Inter-American Affairs
The Office of the Coordinator of Inter-American Affairs, later known as the Office for Inter-American Affairs, was a United States agency promoting inter-American cooperation (Pan-Americanism) during the 1940s, especially in commercial and economic areas. It was started in August 1940 as OCCCRBAR (Office for Coordination of Commercial and Cultural Relations between the American Republics) with Nelson Rockefeller as its head, appointed by President Franklin Delano Roosevelt. The Office of Coordinator of Inter-American Affairs in the Executive Office of the President was formally established and enacted by US Executive Order 8840 on July 30, 1941 by President Roosevelt who named Nelson Rockefeller as the Coordinator of Inter-American Affairs (CIAA). The agency's function was to counter Italian and German propaganda in the region. The FBI trained the secret police of friendly nations. German sales to military forces was displaced by American aid. Pro-German newspapers and radi ...
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Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ...
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Jump For Joy (1941 Revue)
''Jump for Joy'' is a 1941 musical revue by Duke Ellington that opened on July 10, 1941, at the Mayan Theater of Los Angeles and ran for nine weeks (122 performances). It included many songs by Ellington, including the jazz standard "I Got It Bad (and That Ain't Good)" and the title track, "Jump for Joy." Reception The musical received rave reviews, and both Orson Welles and Charles Chaplin considered buying the show, but were refused, as the show was collaborative in nature and the writers did not want it to be owned. Despite the original success, "it never made it to Broadway, but it made it to history"."Jump For Joy: Duke Ellington’s Celebratory Musical", David Johnson, February 6, 2008, ''Indiana Public Media'', consulted on 26 March 2017. http://indianapublicmedia.org/nightlights/jump-for-joy-duke-ellingtons-celebratory-musical/ Political message Contrary to other all-African-American revues of the time, it was very outspoken on racial matters, with the songs "Jump f ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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University Of Texas Press
The University of Texas Press (or UT Press) is a university press that is part of the University of Texas at Austin. Established in 1950, the Press publishes scholarly books and journals in several areas, including Latin American studies, Texana, anthropology, U.S. Latino studies, Native American studies, African American studies, film & media studies, classics and the ancient Near East, Middle East studies, natural history, art, and architecture. The Press also publishes trade books and journals relating to their major subject areas. Journals * ''Asian Music'' * '' Diálogo'' * '' Information & Culture'' * ''Journal of Cinema and Media Studies'' (formerly known as ''Cinema Journal'') * ''Journal of the History of Sexuality'' * '' Journal of Individual Psychology'' * ''Journal of Latin American Geography'' * ''Latin American Music Review'' * '' Studies in Latin American Popular Culture'' * ''Texas Studies in Literature and Language'' * ''The Textile Museum Journal'' * '' US La ...
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Viking Press
Viking Press (formally Viking Penguin, also listed as Viking Books) is an American publishing company owned by Penguin Random House. It was founded in New York City on March 1, 1925, by Harold K. Guinzburg and George S. Oppenheim and then acquired by the Penguin Group in 1975. History Guinzburg, a Harvard graduate and former employee of Simon and Schuster and Oppenheimer, a graduate of Williams College and Alfred A. Knopf, founded Viking in 1925 with the goal of publishing nonfiction and "distinguished fiction with some claim to permanent importance rather than ephemeral popular interest." B. W. Huebsch joined the firm shortly afterward. Harold Guinzburg's son Thomas became president in 1961. The firm's name and logo—a Viking ship drawn by Rockwell Kent—were meant to evoke the ideas of adventure, exploration, and enterprise implied by the word "Viking." In August 1961, they acquired H.B. Huesbsch, which maintained a list of backlist titles from authors such as James Joyce an ...
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Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ...
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Anthology Film
An anthology film (also known as an omnibus film, package film, or portmanteau film) is a single film consisting of several shorter films, each complete in itself and distinguished from the other, though frequently tied together by a single theme, premise, or author. Sometimes each one is directed by a different director or written by a different author, or may even have been made at different times or in different countries. Anthology films are distinguished from " revue films" such as ''Paramount on Parade'' (1930)—which were common in Hollywood in the early decades of sound film, composite films, and compilation films. Sometimes there is a theme, such as a place (e.g. ''New York Stories'', ''Paris, je t'aime''), a person (e.g. ''Four Rooms''), or a thing (e.g. '' Twenty Bucks'', '' Coffee and Cigarettes'', '' Omniboat: A Fast Boat Fantasia''), that is present in each story and serves to bind them together. Two of the earliest films to use the form were Edmund Goulding's '' ...
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Based On An Unfinished Film By Orson Welles
Brandon Christopher McCartney (born August 17, 1989), professionally known as Lil B and as his alter ego The BasedGod, is an American rapper. Lil B has recorded both solo and with Bay Area group The Pack. His solo work spans several genres, including hip hop, new age, indie rock and choral music. He describes his work as "based", a term which denotes a lifestyle of positivity and tolerance; and is noted for his extensive use of social media to build an online cult following. Early life McCartney grew up in Berkeley, California, and attended high school at Albany High in Albany. He adopted the name Lil B, and began rapping at age 15 with San Francisco Bay Area based hip hop group The Pack. After two locally successful mixtapes, at the peak of the Bay Area's hyphy movement, the group's song " Vans" became a surprise hit. The song was ranked as the fifth best of 2006 by ''Rolling Stone'' magazine. The strength of "Vans" led the group to release the '' Skateboards 2 Scraper ...
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Documentary Film
A documentary film or documentary is a non-fictional film, motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a Recorded history, historical record". Bill Nichols (film critic), Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are Educational film, educational, observational and docufiction. Documentaries are very Informational listening, informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social media platfor ...
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Film Preservation
Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible. For many years the term "preservation" was synonymous with "duplication" of film. The goal of a preservationist was to create a durable copy without any significant loss of quality. In more modern terms, film preservation includes the concepts of handling, duplication, storage, and access. The archivist seeks to protect the film and share its content with the public. Film preservation is not to be confused with film revisionism, in which long-completed films are modified with the insertion of outtakes or new musical scores, the addition of sound effects, black-and-white film being colorized, older soundtracks converted to Do ...
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