It's About Time (Lillix Song)
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It's About Time (Lillix Song)
"It's About Time" is a song by Canadian pop rock band Lillix. It was written by band members Louise Burns, Lacey-Lee Brass, and Tasha-Ray Evin along with the Matrix, who also produced the track. The song was serviced to American contemporary hit and hot adult contemporary radio stations on March 24, 2003. "It's About Time" became a moderate radio hit in the United States in mid-2003, peaking at number 33 on the '' Billboard'' Mainstream Top 40 in June and reaching number 32 on the '' Radio & Records'' CHR/Pop Top 50 in May. The music video features the band playing the song and having fun together. Critical reception '' Billboard'' reviewer Chuck Taylor described the track's style as similar to the music of Canadian rock singer Avril Lavigne, whom the Matrix had also produced songs for. He called the song a "super-catchy pop melody wrapped in a slightly edgy grit-and-grimace rock package. Brian Boone of Popdose said of the song, "Okay, so maybe it's not great. But it’s good, ...
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Lillix
Lillix () was a pop rock band from Cranbrook, British Columbia, Canada, formed in 1997 when the early members were in high school. The band was originally an all-girl group under the name Tigerlily composed of guitarist Tasha-Ray Evin, keyboardist Lacey-Lee Evin, bassist Louise Burns, and drummer Sierra Hills. In 2001 the band was signed by Maverick Records and changed their name to Lillix as there was another band called Tigerlily. Hills left in 2002 and was replaced by Kim Urhahn, and later by Alicia Warrington, a future ''WWE NXT'' ring announcer under the name Alicia Taylor. Urhahn has been among a rare group of left-handed female drummers. The band was considered on hiatus from late 2006 through 2009 due to the folding of their label, Maverick Records, and officially disbanded after the release of their independent third album in 2010. Their debut album ''Falling Uphill'' was an international success, selling more than half a million copies worldwide. Career 2001–06: ...
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Chuck Taylor (music Journalist)
Chuck Taylor (born September 28, 1962 in Lynchburg, Virginia, United States) is an American music journalist. He served as a reporter, senior writer, columnist and senior editor at ''Billboard'' magazine from 1995 to 2009. There, he held the titles of Senior Editor/Talent, Senior Writer, Radio Editor, host of the Billboard Radio Countdown (online), columnist of AirWaves and, Single Reviews Editor since 1998; as well as Managing Editor of Top 40/AC for affiliated publication Billboard Radio Monitor, and senior editor/features and AC format editor for Billboard sister Radio & Records. Life Taylor graduated from James Madison University (journalism and speech/English), then worked in metro Washington, DC, for 11 years, including writing gigs at the ''Washington Business Journal'' and ''Radio World,'' as well as a stint as Editor for Clark Construction Group (Washington's leading construction firm), before relocating to New York in the fall of 1995 to begin his career at Billboard. ...
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Stephen Marcussen
Stephen Marcussen is the founder and chief mastering engineer at Marcussen Mastering in Hollywood, California, United States. He has been mastering music since 1979. Biography Marcussen's introduction to music recording happened in 1976 when, at the age of 19, he was offered a janitor position at Studio 55, record producer Richard Perry's Los Angeles recording studio. At Studio 55, Marcussen received an education in all facets of music recording and sound production. By the end of his Studio 55 tenure, he had earned his first album credits as an assistant engineer, working on The Manhattan Transfer's ''Pastiche'', Boz Scaggs's ''Middle Man'', and The Pointer Sisters's ''Special Things''. Marcussen began his mastering career in 1979 at a newly opened mastering facility, Precision Lacquer (later renamed "Precision Mastering"), in Los Angeles. He spent almost 20 years (1979 – February 1999) at Precision Lacquer/Mastering mastering albums for artists that included Stevie Wonder, ...
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Tom Lord-Alge
Tom Lord-Alge (born January 17, 1963) is an American music engineer and mixer. He began his career at The Hit Factory in New York. Subsequently, he was the resident mixer at what used to be known as "South Beach Studios", located on the ground floor of the Marlin Hotel. Lord-Alge received two Grammy Awards for his work on Steve Winwood's ''Back in the High Life'' (1986), and '' Roll with It'' (1988), both winning in the 'Best Engineered Recording – Non-Classical' category. His third Grammy was for Santana's ''Supernatural'' (1999), which won Album of the Year. Lord-Alge has mixed records for U2, Simple Minds, The Rolling Stones, Pink, Peter Gabriel, OMD, Sarah McLachlan, Dave Matthews Band, Blink-182, Avril Lavigne, Hanson, Sum 41, Live, Manic Street Preachers, New Found Glory, Story of the Year and Marilyn Manson, among others. Career After doing live sound engineering for some time, Lord-Alge joined his older brother Chris at Unique Recording in New York City in 19 ...
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Victor Indrizzo
Victor Indrizzo (born September 23, 1967) is an American session musician, primarily known for playing the drums, as well as a songwriter and producer. Indrizzo was born in Freeport, Long Island, New York. He has toured, recorded and worked with a variety of artists, including Samiam, A'Me Lorain (to whom he was married), Scott Weiland, Chris Cornell, Queens of the Stone Age, Beck, Macy Gray, Daniel Lanois, Lizzo, Willie Nelson, Avril Lavigne, Dave Gahan"Dave Gahan"
''Pop Matters'', Mike Prevatt, September 8, 2003
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Corky James
Corky James (born February 10, 1954) is a Los Angeles-based session guitarist and bassist who has appeared on a considerable number of music albums and motion picture soundtracks. His genres encompass rock, pop, country, singer-songwriter, and film scores, and James operates an active recording studio in Los Angeles. Working with artists such as Avril Lavigne, Jordin Sparks, Demi Lovato, and Paul Stanley, he has played on hit singles that have reached No. 1 worldwide including "Sk8er Boi" and "I'm with You". He has also played on hit singles that reached the Billboard Hot 100 Airplay charts including: " Why Can't I?", " (There's Gotta Be) More To Life", and "No Air", Early life James was born in Washington, D.C. on February 10, 1954, and grew up in nearby Arlington, Virginia, and went by his birth name, "Jimmy McCorkle", until 1972. The third of four children, both his parents exposed him and his siblings to music at a young age; his mother played both piano and organ, while hi ...
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The Matrix (production Team)
The Matrix is an American-British songwriting and record production team, consisting of Lauren Christy, Scott Spock, and Graham Edwards. In 1999, the production team took on their first project, the Jackson Mendoza song "Venus or Mars"; it was intended to be a one-off project. Christy, Spock, and Edwards enjoyed the songwriting and production process, which prompted them to form a production team. The team chose their name, the Matrix, as they wanted to remain in the background and allow the artists they work with to further stand out. The Matrix's breakthrough came in 2002 with the release of Avril Lavigne's debut studio album '' Let Go'', in which they co-wrote and produced five songs. Three of the songs became top ten singles on the ''Billboard'' Hot 100 chart (" Complicated", "Sk8er Boi", and " I'm with You") and their work with Lavigne collectively earned them seven Grammy Award nominations in 2003 and 2004. The success of these songs caused the Matrix to become a sought ...
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Graffiti
Graffiti (plural; singular ''graffiti'' or ''graffito'', the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed Graffito (archaeology), since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire. Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City Subway nomenclature, New York City subway system and Philadelphia in the early 1970s to ...
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Jukebox
A jukebox is a partially automated music-playing device, usually a coin-operated machine, that will play a patron's selection from self-contained media. The classic jukebox has buttons, with letters and numbers on them, which are used to select a specific record. Some may use compact discs instead. Disc changers are similar devices that are intended for home use, are small enough to fit in a shelf, may hold up to hundreds of discs, and allow discs to be easily removed, replaced, and inserted by the user. History Coin-operated music boxes and player pianos were the first forms of automated coin-operated musical devices. These devices used paper rolls, metal disks, or metal cylinders to play a musical selection on an actual instrument, or on several actual instruments, enclosed within the device. In the 1890s, these devices were joined by machines which used recordings instead of actual physical instruments. In 1889, Louis Glass and William S. Arnold invented the nickel-in-th ...
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Arcade Game
An arcade game or coin-op game is a coin-operated entertainment machine typically installed in public businesses such as restaurants, bars and amusement arcades. Most arcade games are presented as primarily games of skill and include arcade video games, Pinball machines, electro-mechanical games, redemption games or merchandisers. Types Broadly, arcade games are nearly always considered games of skill, with only some elements of games of chance. Games that are solely games of chance, like slot machines and pachinko, often are categorized legally as gambling devices and, due to restrictions, may not be made available to minors or without appropriate oversight in many jurisdictions. Arcade video games Arcade video games were first introduced in the early 1970s, with ''Pong'' as the first commercially successful game. Arcade video games use electronic or computerized circuitry to take input from the player and translate that to an electronic display such as a monitor or telev ...
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Basketball
Basketball is a team sport in which two teams, most commonly of five players each, opposing one another on a rectangular Basketball court, court, compete with the primary objective of #Shooting, shooting a basketball (ball), basketball (approximately in diameter) through the defender's hoop (a basket in diameter mounted high to a Backboard (basketball), backboard at each end of the court, while preventing the opposing team from shooting through their own hoop. A Field goal (basketball), field goal is worth two points, unless made from behind the 3 point line, three-point line, when it is worth three. After a foul, timed play stops and the player fouled or designated to shoot a technical foul is given one, two or three one-point free throws. The team with the most points at the end of the game wins, but if regulation play expires with the score tied, an additional period of play (Overtime (sports), overtime) is mandated. Players advance the ball by bouncing it while walking ...
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Boombox
A boombox is a transistorized portable music player featuring one or two cassette tape recorder/players and AM/FM radio, generally with a carrying handle. Beginning in the mid 1980s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. A boombox is a device typically capable of receiving radio stations and playing recorded music (usually cassettes or CDs usually at a high volume). Many models are also capable of recording onto cassette tapes from radio and other sources. In the 1990s, some boomboxes were available with minidisc recorders and players. Designed for portability, boomboxes can be powered by batteries as well as by line current. The boombox was introduced to the American market during the late 1970s. The desire for louder and heavier bass led to bigger and heavier boxes; by the 1980s, some boomboxes had reached the size of a suitcase. Some larger boomboxes even contained vertically mounted record turntab ...
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