Islamic Stucco
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Islamic Stucco
Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque (or vegetal), and calligraphic, as well as three-dimensional ''muqarnas''. Plaster of gypsum composition was extremely important in Islamic architectural decoration as the relatively dry climate throughout much of the Islamic world made it easy to use this cheap and versatile material in a variety of spaces. Stucco decoration was already used in ancient times in the region of Iran and the Greco-Roman Mediterranean. In Islamic architecture, stucco decoration appeared during the Umayyad period (late 7th–8th centuries) and underwent further innovations and generalization during the 9th c ...
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Iran
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmenistan to the north, by Afghanistan and Pakistan to the east, and by the Gulf of Oman and the Persian Gulf to the south. It covers an area of , making it the 17th-largest country. Iran has a population of 86 million, making it the 17th-most populous country in the world, and the second-largest in the Middle East. Its largest cities, in descending order, are the capital Tehran, Mashhad, Isfahan, Karaj, Shiraz, and Tabriz. The country is home to one of the world's oldest civilizations, beginning with the formation of the Elamite kingdoms in the fourth millennium BC. It was first unified by the Medes, an ancient Iranian people, in the seventh century BC, and reached its territorial height in the sixth century BC, when Cyrus the Great fo ...
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Classical Architecture
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the second world war, though it continues to inform many architects to this day. The term ''classical architecture'' also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture, or classical Mayan architecture. It can ...
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Khirbat Al-Mafjar
Hisham's Palace ( ar, قصر هشام '), also known as Khirbat al-Mafjar ( ar, خربة المفجر), is an important early Islamic archaeological site in the Palestinian city of Jericho, in the West Bank. Built by the Umayyad dynasty in the first half of the 8th century, it is one of the so-called Umayyad desert castles. It is located 3 km north of Jericho's city center, in an area governed by the Palestinian National Authority (PNA). Spreading over , the site consists of three main parts: a palace, an ornate bath complex, and an agricultural estate. Also associated with the site is a large park or agricultural enclosure (''ḥayr'') which extends east of the palace. The entire complex - palace, baths, and farm - was connected by an elaborate water system to nearby springs. Excavation history The site was discovered in 1873. The northern area of the site was noted, but not excavated, in 1894 by F. J. Bliss, but the major source of archaeological information comes from ...
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Mudéjar Art
Mudéjar art, also known as Mudéjar style, refers to a type of ornamentation and decoration used in the Iberian Peninsula, Iberian Christian kingdoms, primarily between the 13th and 16th centuries. It was applied to Romanesque architecture, Romanesque, Gothic art, Gothic, and Renaissance architectural styles as constructive, ornamental, and decorative motifs derived from those that had been brought to or developed in Al-Andalus. These motifs and techniques were also present in the art and crafts, especially Hispano-Moresque ware, Hispano-Moresque lustreware that was once widely exported across Europe from southern and eastern Spain at the time. The term ''Mudejar art'' was coined by the art historian José Amador de los Ríos, José Amador de los Ríos y Serrano in reference to the ''Mudéjars'' who played a leading role in introducing Islamic derived decorative elements into the Iberian Christian kingdoms. The Mudéjars were those Muslims who remained in the former areas of Al- ...
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