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Iron City (album)
''Iron City'' is an album by American jazz guitarist Grant Green featuring performances said to be recorded in 1967 and first released on the Cobblestone label in 1972.Grant Green discography accessed September 17, 2010 While "Big" John Patton is credited on the sleeve, anecdotal evidence from drummer Ben Dixon and Patton himself has suggested it was Larry Young actually playing on the record. Reception The |
Grant Green
Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer. Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group featuring a Hammond organ and drummer. Apart from fellow guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Maria
Antônio Maria de Araújo Morais, known as Antônio Maria (17 March 1921—15 October 1964), was a Brazilian writer of pop music lyrics as well as radio sports commentator, poet, composer, and chronicler.Luiz Artur Ferraretto, ''E o rádio? : novos horizontes midiáticos'' Luciano Klöckner (Org.) - Page 75 "MORAIS, Antônio Maria Araújo de. Crônicas de Antônio Maria. São Paulo: Editora Paz e Terra, 1996. SANTOS, Joaquim Ferreira dos. Feliz 1958: o ano que não devia terminar. Rio de Janeiro: Editora Record, 1997." Career At 17 he got his first job presenting a musical program at Pernambuco's Radio club. In 1940, he arrived in Rio de Janeiro, "with four changes of clothing and five quid in the pocket", to work as a sports commentator for Radio Ipanema. The job didn't last long and he went back to Recife, where he married Maria Gonçalves Ferreira in May 1944. By 1948, he was back in Rio. His family now increased by a son and daughter, Rita and Antônio Maria Filho, he took a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobblestone Records Albums
Cobblestone is a natural building material based on cobble-sized stones, and is used for pavement roads, streets, and buildings. Setts, also called Belgian blocks, are often casually referred to as "cobbles", although a sett is distinct from a cobblestone by being quarried or shaped to a regular form, whereas cobblestone is generally of a naturally occurring form and is less uniform in size. Use in roading Cobblestones are typically either set in sand or similar material, or are bound together with mortar. Paving with cobblestones allows a road to be heavily used all year long. It prevents the build-up of ruts often found in dirt roads. It has the additional advantage of immediately draining water, and not getting muddy in wet weather or dusty in dry weather. Shod horses are also able to get better traction on stone cobbles, pitches or setts than tarmac or asphalt. The fact that carriage wheels, horse hooves and even modern automobiles make a lot of noise when rolling ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Guitar
Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars. In the early 1930s, jazz musicians sought to amplify their sound to be heard over loud big bands. When guitarists in big bands switched from acoustic to semi-acoustic guitar and began using amplifiers, it enabled them to play solos. Jazz guitar had an important influence on jazz in the beginning of the twentieth century. Although the earliest guitars used in jazz were acoustic and acoustic guitars are still sometimes used in jazz, most jazz guitarists since the 1940s have performed on an electrically amplified guitar or electric guitar. Traditionally, jazz electric guitarists use an archtop with a relatively broad hollow sound-box, violin-style f-holes, a " floating bridge", and a magnetic pickup. Solid body guitars, mass-produced since the early 1950s, are also used. Jazz guitar playing styles include '' c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Adderley
Nathaniel Carlyle Adderley (November 25, 1931 – January 2, 2000) was an American jazz trumpeter. He was the younger brother of saxophonist Julian "Cannonball" Adderley, whom he supported and played with for many years. Adderley's composition "Work Song" (1960) is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it. Early life Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball. When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in 1946. He and Cannonball played with Ray Charles in the early 1940s in Tallahassee and in amateur gigs around the area. Adderley attended Florida University, majoring in sociology with a minor in music. He switched to cornet in 1950. From 1951 to 1953, he served in the army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Song (Adderley Song)
"Work Song" is a work song and jazz standard by American trumpeter Nat Adderley and writer Oscar Brown Jr. It was first featured in Adderley's 1960 studio album of the same name, which was met with high praise and acclaim.Yanow, S. Allmusic Reviewaccessed February 17, 2010. "Work Song" is one of Adderley's best known compositions. The song was originally only an instrumental, but Oscar Brown Jr. included lyrics in a cover released the following year on his album, ''Sin & Soul''. Background "Work Song" was inspired by Nat Adderley's childhood experience of seeing a group of convict laborers singing while they worked on a chain gang, paving the street in front of his family’s home in Florida. Musical composition The song is a 16 bar form in F minor. It is a minor blues. The Penguin Guide to Jazz states: Work Song' is the real classic, of course, laced with a funky blues feel but marked by some unexpectedly lyrical playing." In a musical analysis of Adderley's improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional Spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''Allmusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from their parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Higginbotham
Tommy Tucker (born Robert Higginbotham; March 5, 1933 – January 22, 1982) was an American blues singer-songwriter and pianist. He is best known for the 1964 hit song, "Hi-Heel Sneakers", that went to No. 11 on the ''Billboard'' Hot 100 chart, and peaked at No. 23 in the UK Singles Chart. Early life Tucker was born Robert Higginbotham, to Leroy and Mary Higginbotham, the fifth of eleven children, in Springfield, Ohio, United States. Career Tucker released "Hi-Heel Sneakers" in 1964, which was a hit both in the US and the UK. He released an album, also entitled ''Hi-Heel Sneakers'', on Checker Records that same year. His follow-up single, "Long Tall Shorty", was less successful. Musicians that played on his albums and singles included Louisiana Red, Willie Dixon and Donny Hathaway. In the 1970s, he began releasing previously unissued material on the English label Red Lightnin'. This was combined with his work for Big Bear Records, featuring on their American Blues Legends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-Heel Sneakers
"Hi-Heel Sneakers" (often also spelled "High Heel Sneakers") is a blues song written and recorded by Tommy Tucker in 1963. Blues writer Mary Katherine Aldin describes it as an uptempo twelve-bar blues, with "a spare, lilting musical framework", and a strong vocal. The song's rhythmic approach has also been compared to that of Jimmy Reed. Tucker's lyrics recall the time he spent as a Golden Gloves boxer in the 1950s: Background and recording The song came out of Tucker's association with producer Herb Abramson, who was a co-founder of Atlantic Records. Abramson operated A-1 Sound Studios in New York, where many popular R&B artists recorded; he leased Tucker's recording to Checker Records, which released it as a single in 1964. Although writers cite a 1963 recording date, there is conflicting information about the studio location. Aldrin puts it in Chicago, while the Blues Foundation locates it in New York City. The song's distinctive guitar parts are provided by Dean Young. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Down Moses
"Go Down Moses" is a spiritual phrase that describes events in the Old Testament of the Bible, specifically Exodus 5:1: "And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", in which God commands Moses to demand the release of the Israelites from bondage in Egypt. This phrase is the title of one of the most well known African American spirituals of all time. The song discusses themes of freedom, a very common occurrence in spirituals. In fact, the song actually had multiple messages, discussing not only the freedom of the Israelites, but also the freedom of runaway enslaved people, and many enslavers outlawed this song because of those very messages. The opening verse as published by the Jubilee Singers in 1872: The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament. For enslaved African Americans, the story was very powe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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