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Iranian Modern And Contemporary Art
A cursory glance at the history of art reveals that social, political and economic conditions have always played a major role in the emergence of new artistic currents and styles. As an example ''Flight'' by Morteza Katouzian is showing the marginalized people who have no freedom as result of political changes. In Iran, the social and political developments of the 1940s radically altered the evolution of this country's plastic arts and entirely altering its natural path. History The modern art movement in Iran had its genesis in the late 1940s and early 1950s. This was the period after the death of famous Persian painter, Kamal-ol-molk (1852–1940) and thus symbolically the end of a rigid adherence to academic painting. The College of Fine Arts at Tehran University (now University of Tehran) served as an important place for students interested in modern art. The earliest College of Fine Arts students graduated in 1946, this group included Javad Hamidi, Shokouh Riazi, Jalil Ziap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmenistan to the north, by Afghanistan and Pakistan to the east, and by the Gulf of Oman and the Persian Gulf to the south. It covers an area of , making it the 17th-largest country. Iran has a population of 86 million, making it the 17th-most populous country in the world, and the second-largest in the Middle East. Its largest cities, in descending order, are the capital Tehran, Mashhad, Isfahan, Karaj, Shiraz, and Tabriz. The country is home to one of the world's oldest civilizations, beginning with the formation of the Elamite kingdoms in the fourth millennium BC. It was first unified by the Medes, an ancient Iranian people, in the seventh century BC, and reached its territorial height in the sixth century BC, when Cyrus the Great fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mansoor Ghandriz
Mansoor Ghandriz ( fa, منصور قندریز; 2 March 1936 – 26 February 1966) was an Iranian painter and printmaker. He used Iranian forms in modern art and was one of the pioneers of the Saqqakhaneh movement. Ghandriz is best known for his abstract paintings of mythical creatures. Biography Mansoor Ghandriz was born on 2 March 1936 in Tabriz, Pahlavi Iran. While still in high school, Ghandriz was drawn to the progressive realist paintings of Ilya Repin (1844–1930) and Russian-Armenian seascape artist Ivan Aivazovsky (1817–1900). Starting in 1954 he attended Jalil Ziapour's Tehran School of Decorative Arts (); followed by study at the College of Decorative Arts at Tehran University (now University of Tehran). He had studied painting under Shokouh Riazi at the College of Decorative Arts. While in college, he was introduced to European modernism, and he delved into the tradition of Russian realists and European classical and figurative art. After college he turned to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fereshteh Daftari
Fereshteh/ Fereshtah (also transliterated as Freshteh or Ferishteh or Freshta, fa, فرشته ''fereshteh'' / ''fereshtah'' ) is a feminine given name of Persian origin meaning angel, one of the most popular names in the Persian-speaking world. The etymology of the word is traced to Sanskrit preṣyatā प्रेष्यता and Avestan fraēšta-, messenger which led to Persian فرشته • ferešte. For phonological reasons, it is usually transcribed as Fereshtah or Freshta in the Persian spoken in Afghanistan and Tajikistan. Brief history of Fereshteh street In the early 1320s (1940 AD), Mr Mohammad Ali Masoudi, a journalist, publisher, member of parliament (Majles) and finally a senator in the Iranian Senate, Mr Masoudi built a summer house with a large garden on a dirt road named Doctor Namdar, which was off ValiAsr (Pahlavi) and went by the name of Doctor Namdar. Mr. Masoudi had two daughters, Maryam and Fereshteh and he changed part of the street name to Feres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Layla S
"Layla" is a song written by Eric Clapton and Jim Gordon, originally recorded by Derek and the Dominos, as the thirteenth track from their only studio album, ''Layla and Other Assorted Love Songs'' (1970). Its contrasting movements were composed separately by Clapton and Gordon. The piano part has also been controversially credited to Rita Coolidge, Gordon's girlfriend at the time. The song was inspired by a love story that originated in 7th-century Arabia and later formed the basis of '' The Story of Layla and Majnun'' by the 12th-century Persian poet Nizami Ganjavi, a copy of which Ian Dallas had given to Clapton. The book moved Clapton profoundly, because it was the tale of a young man who fell hopelessly in love with a beautiful young girl, went crazy and so could not marry her. The song was further inspired by Clapton's secret love for Pattie Boyd, the wife of his friend and fellow musician George Harrison. After Harrison and Boyd divorced, Clapton and Boyd eventually marri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism (book), Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West Essentialism, essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of Imperialism, imperial power. Implicit in this fabrication, writes Said, is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postcolonialism
Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. More specifically, it is a critical theory analysis of the history, culture, literature, and discourse of (usually European) imperial power. Postcolonialism encompasses a wide variety of approaches, and theoreticians may not always agree on a common set of definitions. On a simple level, through anthropological study, it may seek to build a better understanding of colonial life—based on the assumption that the colonial rulers are unreliable narrators—from the point of view of the colonized people. On a deeper level, postcolonialism examines the social and political power relationships that sustain colonialism and neocolonialism, including the social, political and cultural narratives surrounding the colonizer and the colonized. This approach may overlap with stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalism (book)
''Orientalism'' is a 1978 book by Edward W. Said, in which the author establishes the term "Orientalism" as a critical concept to describe the West's commonly contemptuous depiction and portrayal of The East, i.e. the Orient. Societies and peoples of the Orient are those who inhabit the places of Asia, North Africa, and the Middle East. Said argues that Orientalism, in the sense of the Western scholarship about the Eastern World, is inextricably tied to the imperialist societies who produced it, which makes much Orientalist work inherently political and servile to power. According to Said, in the Middle East, the social, economic, and cultural practices of the ruling Arab elites indicate they are imperial satraps who have internalized a romanticized version of Arab Culture created by French, British and later, American, Orientalists. Examples used in the book include critical analyses of the colonial literature of Joseph Conrad, which conflates a people, a time, and a place into o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Said
Edward Wadie Said (; , ; 1 November 1935 – 24 September 2003) was a Palestinian-American professor of literature at Columbia University, a public intellectual, and a founder of the academic field of postcolonial studies.Robert Young, ''White Mythologies: Writing History and the West'', New York & London: Routledge, 1990. Born in Mandatory Palestine, he was a citizen of the United States by way of his father, a U.S. Army veteran. Educated in the Western canon at British and American schools, Said applied his education and bi-cultural perspective to illuminating the gaps of cultural and political understanding between the Western world and the Eastern world, especially about the Israeli–Palestinian conflict in the Middle East; his principal influences were Antonio Gramsci, Frantz Fanon, Aimé Césaire, Michel Foucault, and Theodor Adorno. As a cultural critic, Said is known for the book ''Orientalism'' (1978), a critique of the cultural representations that are the bases o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tehran Museum Of Contemporary Art
Tehran Museum of Contemporary Art, (Persian: موزه هنرهای معاصر تهران), also known as TMoCA, is among the largest art museums in Tehran and Iran. It has collections of more than 3,000 items that include 19th and 20th century's world-class European and American paintings, prints, drawings and sculptures. TMoCA also has one of the greatest collections of Iranian modern and contemporary art. The museum was inaugurated by Empress Farah Pahlavi in 1977, just two years before the 1979 Revolution. TMoCA is considered to have the most valuable collections of modern Western masterpieces outside Europe and North America. Background According to Farah Pahlavi, the former Empress of Iran, the idea for this museum happened when she was in conversation with artist Iran Darroudi during a gallery opening in the 1970s and Darroudi mentioned she wished there was a place to show work more permanently. The Tehran Museum of Contemporary Art museum was supposed to be a place t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neohistorism
New Classical architecture, New Classicism or the New Classical movement is a contemporary movement in architecture that continues the practice of Classical architecture. It is sometimes considered the modern continuation of Neoclassical architecture, even though other styles might be cited as well, such as Gothic, Baroque, Renaissance or even non-Western styles - often referenced and recreated from a postmodern perspective as opposed to being strict revival styles. The design and construction of buildings in ever-evolving classical styles continued throughout the 20th and 21st centuries, even as modernist and other non-classical theories broke with the classical language of architecture. The new classical movement is also connected to a surge in new traditional architecture, that is crafted according to local building traditions and materials. Development In Britain during the 1950s and 1960s, a handful of architects continued to design buildings in a neoclassical style, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
