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Ion (play)
''Ion'' (; grc, Ἴων, ''Iōn'') is an ancient Greek play by Euripides, thought to be written between 414 and 412 BC. It follows the orphan Ion in the discovery of his origins. As it unfolds the play is also the powerful story of his mother, Creusa, as she strives to guide her own life after having experienced terrible abuse at the hands of a god who is beyond her power (or that of any mortal). Euripides' retelling of this myth is a radical step forward among the Greek tragedies: while in other plays of classical Athens individuals often rail against the disasters that the Fates or the gods have caused to befall them, in this powerful play both Creusa and Ion actually challenge whether the gods have any right to govern the destinies of human beings. In the end, however, Euripides takes a step back from this precipitous development in human thought. Background Creusa, daughter of Erechtheus, was a noble native of Athens and daughter of the king. The god Apollo raped her in a ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euripides
Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy i ... of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the ''Suda'' says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (''Rhesus (play), Rhesus'' is suspect). There are many fragments (some substantial) of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declinedMoses Hadas, ''Ten Plays by Euripides'', Bantam Classic (2006), Introduction, p. ixhe became, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeolus (son Of Hellen)
In Greek mythology, Aeolus or Aiolos (; grc, Αἴολος , ) is a name shared by three mythical characters. These three personages are often difficult to tell apart, and even the ancient mythographers appear to have been perplexed about which Aeolus was which. Diodorus Siculus made an attempt to define each of these three (although it is clear that he also became muddled), and his opinion is followed here. * The first Aeolus was a son of Hellen and the eponymous founder of the Aeolian race. * The second Aeolus was a son of Poseidon, who led a colony to islands in the Tyrrhenian Sea. * The third Aeolus was a son of Hippotes who is mentioned in the ''Odyssey'' and the ''Aeneid'' as the ruler of the winds. All three men named Aeolus appear to be connected genealogically, although the precise relationship, especially regarding the second and third Aeolus, is often ambiguous as their identities seem to have been merged by many ancient writers. Aeolus was also the name of the foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur S
Arthur is a common male given name of Brythonic origin. Its popularity derives from it being the name of the legendary hero King Arthur. The etymology is disputed. It may derive from the Celtic ''Artos'' meaning “Bear”. Another theory, more widely believed, is that the name is derived from the Roman clan '' Artorius'' who lived in Roman Britain for centuries. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest datable attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th to 6th-century Briton general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward P
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. Peop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massachusetts Institute Of Technology
The Massachusetts Institute of Technology (MIT) is a private land-grant research university in Cambridge, Massachusetts. Established in 1861, MIT has played a key role in the development of modern technology and science, and is one of the most prestigious and highly ranked academic institutions in the world. Founded in response to the increasing industrialization of the United States, MIT adopted a European polytechnic university model and stressed laboratory instruction in applied science and engineering. MIT is one of three private land grant universities in the United States, the others being Cornell University and Tuskegee University. The institute has an urban campus that extends more than a mile (1.6 km) alongside the Charles River, and encompasses a number of major off-campus facilities such as the MIT Lincoln Laboratory, the Bates Center, and the Haystack Observatory, as well as affiliated laboratories such as the Broad and Whitehead Institutes. , 98 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Potter (translator)
Robert Potter (1721 – 9 August 1804) was an English clergyman of the Church of England and a translator, poet, critic and pamphleteer. He established the convention of using blank verse for Greek hexameters and rhymed verse for choruses. His 1777 English version of the plays of Aeschylus was frequently reprinted and the only one available for the next 50 years. Life Potter was born in Podimore, Somerset, the third son of John Potter (fl. 1676–1723), a prebendary of Wells Cathedral. He studied at Emmanuel College, Cambridge and graduated BA in 1742, when he was also ordained. He married the daughter of Rev. Colman of Hardingham, Norfolk. His children included a daughter, Sarah, referred to in a letter. Potter became curate of Cranworth, Reymerston and vicar of Little Melton, Melton Parva, but the combined emoluments of these were less than £50 a year. He later became curate of Scarning, Norfolk, as well as the master of the local Scarning#School, Seckar's School from 1761 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asylum (antiquity)
In ancient Greece and Rome, an asylum referred to a place where people facing persecution could seek refuge. These locations were largely religious in nature, such as temples and other religious sites. A similar concept, the Cities of Refuge, existed in the ancient Levant. Ancient Israel and Judah The Cities of Refuge were certain Levitical towns in the Kingdom of Israel and the Kingdom of Judah in which the perpetrators of accidental manslaughter could claim the right of asylum, though he would still have to stand trial. Outside of these cities, blood vengeance against such perpetrators was allowed by law. The Bible names six cities as being cities of refuge: Golan, Ramoth, and Bosor, on the east of the Jordan River, and Kedesh, Shechem, and Hebron on the western side.Joshua 20:7 Ancient Greece In ancient Greece the temples, altars, sacred groves, and statues of the gods generally possessed the privileges of protecting slaves, debtors, and criminals, who fled to them for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphrasis
The word ekphrasis, or ecphrasis, comes from the Greek for the written description of a work of art produced as a rhetorical or literary exercise, often used in the adjectival form ekphrastic. It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined. Thus, "an ekphrastic poem is a vivid description of a scene or, more commonly, a work of art." In ancient times, it might refer more broadly to a description of any thing, person, or experience. The word comes from the Greek ἐκ ''ek'' and φράσις ''phrásis'', 'out' and 'speak' respectively, and the verb ἐκφράζειν ''ekphrázein'', 'to proclaim or call an inanimate object by name'. The works of art described, or evoked, may be real or imagined; sometimes it is now hard to tell. Ancient ekphrastic writing can be useful evidence for art historians, especially where paintings are concerned, as virtually no original Greco-Roman examples survive. Ekphrasis has been consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgon
A Gorgon (Help:IPA/English, /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek language, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the term most commonly refers to three sisters who are described as having hair made of living, venomous Snake, snakes and horrifying visages that Petrifaction in mythology and fiction, turned those who beheld them to stone. Traditionally, two of the Gorgons, Stheno and Euryale (Gorgon), Euryale, were immortal, but their sister Medusa was not and was slain by the demigod and hero Perseus. Etymology The name derives from the Ancient Greek word (), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word (), which means a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia. Depictions Gorgons were a popular image in Greek myt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monody
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Chorus
A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a collective voice on the dramatic action. The chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. Etymology Historian H. D. F. Kitto argues that the term ''chorus'' gives us hints about its function in the plays of ancient Greece: "The Greek verb ''choreuo'', 'I am a member of the chorus', has the sense 'I am dancing'. The word ''ode'' means not something recited or declaimed, but 'a song'. The 'orchestra', in which a chorus had its being, is literally a 'dancing floor'." From this, it can be inferred that the chorus danced and sang poetry. Dramatic function Plays of the ancient Greek theatre always included a chorus that offered a variety of background and summary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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