Invisibility
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Invisibility
Invisibility is the state of an object that cannot be seen. An object in this state is said to be ''invisible'' (literally, "not visible"). The phenomenon is studied by physics and perceptual psychology. Since objects can be seen by light in the visible spectrum from a source reflecting off their surfaces and hitting the viewer's eye, the most natural form of invisibility (whether real or fictional) is an object that neither reflects nor absorbs light (that is, it allows light to pass through it). This is known as transparency, and is seen in many naturally occurring materials (although no naturally occurring material is 100% transparent). Invisibility perception depends on several optical and visual factors. For example, invisibility depends on the eyes of the observer and/or the instruments used. Thus an object can be classified as "invisible to" a person, animal, instrument, etc. In research on sensorial perception it has been shown that invisibility is perceived in cyc ...
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Cloak Of Invisibility
A cloak of invisibility is an item that prevents the wearer from being seen. In folklore, mythology and fairy tales, a cloak of invisibility appears either as a magical item used by duplicitous characters or an item worn by a hero to fulfill a quest. It is a common theme in Welsh and Germanic folklore, and may originate with the cap of invisibility seen in ancient Greek myths. The motif falls under "D1361.12 magic cloak of invisibility" in the Stith Thompson motif index scheme. In folklore Cloaks of invisibility are magical items found in folklore and fairy tales. Such cloaks are common in Welsh mythology; a "Mantle of Invisibility" is described in the tale ''Culhwch and Olwen'' (c. 1100) as one of King Arthur's most prized possessions.Stephens (1998) p. 479 The mantle is described again, and in more detail, in the ''Breuddwyd Rhonabwy,'' and is later listed as one of the Thirteen Treasures of the Island of Britain. A similar mantle appears in the Second Branch of the Mab ...
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Gunther Uhlmann
Gunther Alberto Uhlmann Arancibia (9 February 1952, Chile) is a mathematician whose research focuses on inverse problems and imaging, microlocal analysis, partial differential equations and invisibility. Education and career Uhlmann studied mathematics as an undergraduate at the Universidad de Chile in Santiago, gaining his Licenciatura degree in 1973. He continued his studies at MIT where he received a PhD in 1976. He held postdoctoral positions at MIT, Harvard and NYU, including a Courant Instructorship at the Courant Institute in 1977–1978. In 1980, he became Assistant Professor at MIT and then moved in 1985 to the University of Washington. He has been the Walker Family Professor at the University of Washington since 2006. During 2010-2012 he was on leave at the University of California, Irvine, as the Excellence in Teaching Endowed Chair. Uhlmann was Finnish Distinguished Professor 2012–2017. He is currently also the Si-Yuan Professor at the Institute for Advanced Studi ...
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Theories Of Cloaking
Theories of cloaking discusses various theories based on science and research, for producing an electromagnetic cloaking device. Theories presented employ transformation optics, event cloaking, dipolar scattering cancellation, tunneling light transmittance, sensors and active sources, and acoustic cloaking. A cloaking device is one where the purpose of the transformation is to hide something, so that a defined region of space is invisibly isolated from passing electromagnetic fields (see Metamaterial cloaking) or sound waves. Objects in the defined location are still present, but incident waves are guided around them without being affected by the object itself. Along with this basic "cloaking device", other related concepts have been proposed in peer reviewed, scientific articles, and are discussed here. Naturally, some of the theories discussed here also employ metamaterials, either electromagnetic or acoustic, although often in a different manner than the original demonstrati ...
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Transformation Optics
Transformation optics is a branch of optics which applies metamaterials to produce spatial variations, derived from coordinate transformations, which can direct chosen bandwidths of electromagnetic radiation. This can allow for the construction of new composite artificial devices, which probably could not exist without metamaterials and coordinate transformation. Computing power that became available in the late 1990s enables prescribed quantitative values for the permittivity and permeability, the constitutive parameters, which produce localized spatial variations. The aggregate value of all the constitutive parameters produces an effective value, which yields the intended or desired results. Hence, complex artificial materials, known as metamaterials, are used to produce transformations in optical space. The mathematics underpinning transformation optics is similar to the equations that describe how gravity warps space and time, in general relativity. However, instead of ...
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Active Camouflage
Active camouflage or adaptive camouflage is camouflage that adapts, often rapidly, to the surroundings of an object such as an animal or military vehicle. In theory, active camouflage could provide perfect concealment from visual detection. Active camouflage is used in several groups of animals, including reptiles on land, and cephalopod molluscs and flatfish in the sea. Animals achieve active camouflage both by color change and (among marine animals such as squid) by counter-illumination, with the use of bioluminescence. Military counter-illumination camouflage was first investigated during the Second World War for marine use. More recent research has aimed to achieve crypsis by using cameras to sense the visible background, and by controlling Peltier panels or coatings that can vary their appearance. In animals Active camouflage is used in several groups of animals including cephalopod molluscs, fish, and reptiles. There are two mechanisms of active camouflage in ani ...
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Camouflage
Camouflage is the use of any combination of materials, coloration, or illumination for concealment, either by making animals or objects hard to see, or by disguising them as something else. Examples include the leopard's spotted coat, the battledress of a modern soldier, and the leaf-mimic katydid's wings. A third approach, motion dazzle, confuses the observer with a conspicuous pattern, making the object visible but momentarily harder to locate, as well as making general aiming easier. The majority of camouflage methods aim for crypsis, often through a general resemblance to the background, high contrast disruptive coloration, eliminating shadow, and countershading. In the open ocean, where there is no background, the principal methods of camouflage are transparency, silvering, and countershading, while the ability to produce light is among other things used for counter-illumination on the undersides of cephalopods such as squid. Some animals, such as chameleons and o ...
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Illusion Optics
Illusion optics is an electromagnetic theory that can change the optical appearance of an object to be exactly like that of another virtual object, i.e. an illusion, such as turning the look of an apple into that of a banana. Invisibility is a special case of illusion optics, which turns objects into illusions of free space. The concept and numerical proof of illusion optics was proposed in 2009 based on transformation optics in the field of metamaterials.Lai, Y.; Ng, J.; Chen, H. Y.; Han, D. Z.; Xiao, J. J.; Zhang, Z. Q.; Chan, C. T. (2009). "Illusion Optics: The Optical Transformation of an Object into Another Object". Physical Review Letters 102 (25): 253902. . . It is a scientific disproof of the idiom 'Seeing is Believing'.Pendry, J. (2009). "Optics: All smoke and metamaterials". Nature 460: 579. . Illusion optics proves that the optical responses or properties of a space containing any objects can be changed to be exactly those of a virtual space but containing arbitrary virt ...
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Metamaterial
A metamaterial (from the Greek word μετά ''meta'', meaning "beyond" or "after", and the Latin word ''materia'', meaning "matter" or "material") is any material engineered to have a property that is not found in naturally occurring materials. They are made from assemblies of multiple elements fashioned from composite materials such as metals and plastics. The materials are usually arranged in repeating patterns, at scales that are smaller than the wavelengths of the phenomena they influence. Metamaterials derive their properties not from the properties of the base materials, but from their newly designed structures. Their precise shape, geometry, size, orientation and arrangement gives them their smart properties capable of manipulating electromagnetic waves: by blocking, absorbing, enhancing, or bending waves, to achieve benefits that go beyond what is possible with conventional materials. Appropriately designed metamaterials can affect waves of electromagnetic radiation or ...
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Meta Material
A metamaterial (from the Greek word μετά ''meta'', meaning "beyond" or "after", and the Latin word ''materia'', meaning "matter" or "material") is any material engineered to have a property that is not found in naturally occurring materials. They are made from assemblies of multiple elements fashioned from composite materials such as metals and plastics. The materials are usually arranged in repeating patterns, at scales that are smaller than the wavelengths of the phenomena they influence. Metamaterials derive their properties not from the properties of the base materials, but from their newly designed structures. Their precise shape, geometry, size, orientation and arrangement gives them their smart properties capable of manipulating electromagnetic waves: by blocking, absorbing, enhancing, or bending waves, to achieve benefits that go beyond what is possible with conventional materials. Appropriately designed metamaterials can affect waves of electromagnetic radiation or ...
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Chroma Key
Chroma key compositing, or chroma keying, is a visual-effects and post-production technique for compositing (layering) two images or video streams together based on colour hues ( chroma range). The technique has been used in many fields to remove a background from the subject of a photo or video – particularly the newscasting, motion picture, and video game industries. A colour range in the foreground footage is made transparent, allowing separately filmed background footage or a static image to be inserted into the scene. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as colour keying, colour-separation overlay (CSO; primarily by the BBC), or by various terms for specific colour-related variants such as green screen or blue screen; chroma keying can be done with backgrounds of any colour that are uniform and distinct, but green and blue backgrounds are more commonly used because they differ most di ...
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Stealth Technology
Stealth technology, also termed low observable technology (LO technology), is a sub-discipline of military tactics and passive and active electronic countermeasures, which covers a range of methods used to make personnel, aircraft, ships, submarines, missiles, satellites, and ground vehicles less visible (ideally invisible) to radar, infrared, sonar and other detection methods. It corresponds to military camouflage for these parts of the electromagnetic spectrum (i.e., multi-spectral camouflage). Development of modern stealth technologies in the United States began in 1958, where earlier attempts to prevent radar tracking of its U-2 spy planes during the Cold War by the Soviet Union had been unsuccessful. Designers turned to developing a specific shape for planes that tended to reduce detection by redirecting electromagnetic radiation waves from radars. Radiation-absorbent material was also tested and made to reduce or block radar signals that reflect off the surfaces of air ...
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Transparency And Translucency
In the field of optics, transparency (also called pellucidity or diaphaneity) is the physical property of allowing light to pass through the material without appreciable scattering of light. On a macroscopic scale (one in which the dimensions are much larger than the wavelengths of the photons in question), the photons can be said to follow Snell's law. Translucency (also called translucence or translucidity) allows light to pass through, but does not necessarily (again, on the macroscopic scale) follow Snell's law; the photons can be scattered at either of the two interfaces, or internally, where there is a change in index of refraction. In other words, a translucent material is made up of components with different indices of refraction. A transparent material is made up of components with a uniform index of refraction. Transparent materials appear clear, with the overall appearance of one color, or any combination leading up to a brilliant spectrum of every color. The opposit ...
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