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Inveni David, WAB 19
' (I have found David), WAB 19, is a sacred motet composed by Anton Bruckner in 1868. History Bruckner composed the motet on 21 April 1868 at the end of his stay in Linz. He wrote it for the 24th anniversary of the '. The first performance occurred on 10 May 1868 as offertory of a mass of Antonio Lotti.C. van Zwol, p. 705 The manuscript is archived at the ''Linzer Singakademie'' (''Frohsinn''-archive). The motet was first published in band III/2, pp. 239–244 of the Göllerich/Auer biography. It is put in Band XXI/23 of the '. Music The text is taken from Psalm 89 (). : The work is a setting of 46 bars in F minor for choir and 4 trombones. The last 16 bars consist of an '' Alleluja'', for which Bruckner drew his inspiration from the ''Hallelujah'' of Händel's ''Messiah'', on which he often improvised on the organ. Discography The first recording occurred in 1959: * Martin Koekelkoren, Mastreechter Staar, ''Royal Male Choir Mastreechter Staar'' – 45 rpm: Phi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motets By Anton Bruckner
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
August Göllerich
August Göllerich (2 July 185916 March 1923) was an Austrian pianist, conductor, music educator and music writer. He studied the piano with Franz Liszt, who made him also his secretary and companion on concert tours. Göllerich is known for studying the life and work of Anton Bruckner whose secretary and friend he was. He initiated and conducted concerts of Bruckner's music in Linz, and wrote an influential biography. Life Born in Linz, the son of the Wels town secretary and later member of the Reich Council and State Parliament and his wife Maria, née Nowotny, Göllerich grew up in middle-class circumstances. His father was a member of a liberal writers and literary association in Wels. Göllerich attended the Linz Realschule, which he completed with the Matura. He studied mathematics at the University of Vienna, as his father wished. In 1882, he attended the Bayreuth Festival. After his father's death in 1883, he devoted himself entirely to music, studying in Vienna the pia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MDR Rundfunkchor
MDR Rundfunkchor is the radio choir of the German broadcaster Mitteldeutscher Rundfunk (MDR), based in Leipzig, Saxony. Dating back to 1924, the choir became the radio choir of a predecessor of the MDR in 1946, then called Kammerchor des Senders Leipzig, or Rundfunkchor Leipzig. The present name was established in 1992. The choir has appeared internationally, and has made award-winning recordings. History The origin of the later MDR Rundfunkchor was a choir called Leipziger Oratorienvereinigung (Leipzig oratorio association), that appeared first on 14 December 1924 in a broadcast of the (MIRAG) of Haydn's ''Die Schöpfung'', conducted by Alfred Szendrei. A 1931 broadcast featured a Leipziger Solistenchor (Leipzig soloists choir). The choir was renamed on 1 July 1934, as Kammerchor des Reichssenders Leipzig, when the broadcaster became Reichssender Leipzig. In 1934, the future choirmaster Heinrich Werlé appeared frequently as guest conductor. From 1935 to 1940, Curt Kretzschmar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Ahmann
Philipp Ahmann (born 1974) is a German conductor, especially known as a choral conductor. He has been the director of the NDR Chor from 2008 to 2018. Since 2020, Ahmann is the MDR Rundfunkchor's artistic director. Career Ahmann studied conducting at the Musikhochschule Köln with Marcus Creed. He began to work with radio choirs in 2005 and has worked with the SWR Vokalensemble, the WDR Rundfunkchor Köln and the Rundfunkchor Berlin. In 2008 he was appointed director of the NDR Chor in Hamburg and created a concert series of the choir. From 2013 to 2016, he was also first guest conductor of the MDR Rundfunkchor in Leipzig. He led recordings of the NDR Chor and the MDR Chor. As of January 2020, he is the artistic director of the MDR Rundfunkchor MDR Rundfunkchor is the radio choir of the German broadcaster Mitteldeutscher Rundfunk (MDR), based in Leipzig, Saxony. Dating back to 1924, the choir became the radio choir of a predecessor of the MDR in 1946, then called Kammerchor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan-Olof Stenlund
Dan-Olof Bertil Stenlund (born 25 October 1937 in Skellefteå) is a Swedish university professor and choir conductor. Life and work Dan-Olof Stenlund, was born in 1937 in Skellefteå, the son of the cantor Bertil Stenlund and his wife Esther Vikström. He studied at the Royal Swedish Academy of Music in Stockholm, piano, organ, cello and vocals and graduated as a church musician, accompanist and music educator, followed by studies in conducting with Eric Ericson, Leonard Bernstein and Sergiu Celibidache. Stenlund took the position of professor of choral conducting at the Royal Danish Academy of Music in Copenhagen at the age of 36 years. He is also a teacher of choral conducting at the Music Academy in Malmö, and a member of the Royal Academy of Music. From 1961 to 1974 he was active as a church musician at Engelbrekt Church in Stockholm. As an internationally sought-after conductor and choirmaster taught Dan-Olof Stenlund at the State Academy of Music in Malmö and directs th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NDR Chor
The NDR Chor (North German Radio Choir) is the choir of the German broadcaster Norddeutscher Rundfunk (NDR), based in Hamburg. It was founded in 1946, with Max Thurn as the first director of then 55 singers. The group has participated in premieres of contemporary music, such as the posthumous concert premiere of Schoenberg's opera ''Moses und Aron''. It is also known for a capella music, introduced by Helmut Franz such as a recording of all such works by Johannes Brahms. The current artistic director is Philipp Ahmann, who has held the position from 2008. NDR Chor, now a group of 28 singers, is one of the leading professional chamber choirs in Germany. History The NDR Chor was founded in Hamburg on 1 May 1946, then as choir of the Nordwestdeutscher Rundfunk (NWDR) and took its present name in 1956 when the broadcaster was split in NDR and WDR. Its first director was Max Thurn who accepted 55 singers from more than 2,000 applications by professional singers. During the first years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans-Christoph Rademann
Hans-Christoph Rademann (born 5 August 1965 in Dresden) is a German choral conductor, currently the director of the Dresdner Kammerchor and the Internationale Bachakademie Stuttgart. Career Born in Dresden, Rademann grew up in Schwarzenberg and received his first musical experiences in his father's church choir. As a teenager he was taught the violin and piano. From 1975 to 1983, he was a member of the Dresdner Kreuzchor. After completing school, he studied choral and orchestral conducting at the Musikhochschule Dresden until 1990. He acquired further experience in several classes with Helmuth Rilling and Philippe Herreweghe. Rademann has conducted the chamber choir Dresdner Kammerchor since its founding in 1985. During 1991–1999 he was artistic director of the Academy of Music in Dresden. From 1999 to 2004, Rademann served as choir director of the NDR Chor. With the start of the 2007/2008 season Rademann took over as chief conductor for RIAS Kammerchor; he had already condu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Flämig
Martin Flämig (19 August 1913, in Aue – 13 January 1998, in Dresden) was a German church musician, and the cantor of the Dresdner Kreuzchor from 1971 to 1991. Biography Martin Flämig studied since 1934 in Dresden with Alfred Stier and in Leipzig at the ''Kirchenmusikalisches Institut des Leipziger Konservatoriums'' with Karl Straube, Günther Ramin, and Johann Nepomuk David. He was since 1948 cantor at the Versöhnungskirche in Dresden and premiered there Willy Burkhard's oratorio ''Das Gesicht des Jesaja'' (The Vision of Isaiah), Ernst Krenek's ''Lamentationes Jeremiae Prophetae'' and Johannes Drießler's ''Dein Reich komme''.Martin Flämig Sächsische Biographie (Saxonian Biography, in German) In 1953 he was appointed professor of the |
Junge Kantorei
Junge Kantorei is a German choir established in 1968 by Joachim Carlos Martini. The choir is noted for its performances of Handel's works. It is based in Frankfurt, Heidelberg, and Marburg Marburg ( or ) is a university town in the German federal state (''Bundesland'') of Hesse, capital of the Marburg-Biedenkopf district (''Landkreis''). The town area spreads along the valley of the river Lahn and has a population of approximate ... and has released a number of recordings. Among them are the first-time recordings of Handel's pasticci oratorios ''Gideon'', ''Nabal'' und ''Tobit.'' Since 2014, Jonathan Hofmann is acting as the conductor of the choir. References {{Authority control 1968 establishments in Germany German choirs Musical groups established in 1968 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
