Introducing The Seekers Big Hits
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Introducing The Seekers Big Hits
''Introducing the Seekers Big Hits'' is the second compilation album by the Australian group The Seekers. The album was released in 1967 as a double LP. The album peaked at number 5 in Australia in 1967. Track listing Side A # "A World of Our Own" # " Sinner Man" # "Open Up Them Pearly Gates" # "Myra" # "With My Swag On My Shoulder" # "Waltzing Matilda" Side B # " Dese Bones G'wine Rise Again" # "When The Stars Begin to Fall" # "Run Come See" # "This Train" # "All My Trials" # " Just a Closer Walk with Thee" Side C # "Chilly Winds" # "Kumbaya" # "The Hammer Song" # " Wild Rover" # "Katy Cline" # " Lonesome Traveller" Side D # "I'll Never Find Another You" # " The Light From The Lighthouse" # "South Australia" # " Lemon Tree" # " The Wreck of the Old '97" # "Morningtown Ride "Morningtown Ride" is a lullaby, written and performed by Malvina Reynolds. It was covered by The Seekers and their recording reached No. 2 on the UK Singles Chart. The song tells ...
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The Seekers
The Seekers were an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were especially popular during the 1960s with their best-known configuration of Judith Durham on vocals, piano and tambourine; Athol Guy on double bass and vocals; Keith Potger on twelve-string guitar, banjo and vocals; and Bruce Woodley on guitar, mandolin, banjo and vocals. The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day", "Georgy Girl (song), Georgy Girl" and "The Carnival Is Over". Australian music historian Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop to be considered strictly folk and too folk to be rock". In 1967, they were named as joint "Australian of the Year, Australians of the Year" ...
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Just A Closer Walk With Thee
"Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, "We walk by faith, not by sight" and James 4:8, "Come near to God and He will come near to you." History The precise author of "A Closer Walk" is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall "slaves singing as they worked in the fields a song about walking by the Lord's side." Horace Boyer cites a story that repudiates this claim, stating, “On a train trip from Kansas City to Chicago, composer Kenneth ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Morningtown Ride
"Morningtown Ride" is a lullaby, written and performed by Malvina Reynolds. It was covered by The Seekers and their recording reached No. 2 on the UK Singles Chart. The song tells the comforting story of the journey through nighttime made by all the "little travellers" (children), on board a train, with the Sandman as guard. The Seekers version The song was performed by The Seekers with Bobby Richards and his Orchestra on the 1964 album ''Hide & Seekers'' (W&G Records WG-B-2362). It was subsequently re-recorded and released as a single in 1966 ( Columbia DB 8060), produced by Tom Springfield. The song spent 15 weeks on the UK Singles Chart chart, reaching No. 2 on 28 December 1966. In the United States, the song spent seven weeks on the ''Billboard'' Hot 100, reaching No. 44, while reaching No. 13 on ''Billboard''s Easy Listening chart. Charts Other versions *It was sung by The Limeliters, an American singing group led by Glenn Yarbrough, and appears on their 1962 album ''Th ...
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Wreck Of The Old 97
Wreck or The Wreck may refer to: Common uses * Wreck, a collision of an automobile, aircraft or other vehicle * Shipwreck, the remains of a ship after a crisis at sea Places * The Wreck (surf spot), a surf spot at Byron Bay, New South Wales, Australia Arts, entertainment, and media Films * ''The Wreck'' (1913 film), an Australian film * ''The Wreck'' (1927 film), an American film Music * The Wrecks, an American alternative rock band * Wreck (band), an American indie rock band * ''Wreck'' (album), a 2012 album by Unsane * "Wreck", a song by Gentle Giant from their album ''Acquiring the Taste'' Television * ''Wreck'' (TV series), British six-part comedy horror television series Other uses in arts, entertainment, and media * ''Wrecks'', one-man play by Neil LaBute *''The Wreck'', story by Guy de Maupassant Other uses * Wreck, a ceremony of initiation into the 40 et 8 club See also * Emergency wreck buoy, a navigation mark warning of a new wreck. * Rambling Wreck, a car tha ...
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Lemon Tree (Will Holt Song)
"Lemon Tree" is a folk song written by Will Holt in the late 1950s. Inspired by a Brazilian song, ''Meu limão meu limoeiro'', originally written in 1930. Background The tune is based on the Brazilian folk song '' Meu limão, meu limoeiro'', arranged by José Carlos Burle in 1937 and made popular by Brazilian singer Wilson Simonal. The song compares love to a lemon tree: "Lemon tree very pretty, and the lemon flower is sweet, but the fruit of the poor lemon is impossible to eat." Trini Lopez recording In 1965, Trini Lopez recorded the most successful version of the song which hit number twenty on the ''Billboard'' Hot 100 and number two on the ''Billboard'' Middle Road Singles chart. “I remember meeting Trini Lopez,” Holt told ''Portland Magazine'' in 2013. “He was a sweet guy, really charming. I heard his version of ‘Lemon Tree,’ and I thought, that's another take of the song.” Other recorded versions The song has also been recorded by: *Peter, Paul and Mary (19 ...
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South Australia (song)
"South Australia" (Roud # 325) is a sea shanty, also known under such titles as "Rolling King" and "Bound for South Australia". As an original worksong it was sung in a variety of trades, including being used by the wool and later the wheat traders who worked the clipper ships between Australian ports and London. In adapted form, it is now a very popular song among folk music performers that is recorded by many artists and is present in many of today's song books. History as a shanty Information on the age, spread, and practical use of the shanty is relatively sparse. However, the evidence at hand does not suggest there is anything particularly or locally "Australian" about the song, contrary to how it has become popularly envisioned since the late 20th century. It was first noted by sea music author L.A. Smith, who collected it "from a coloured seaman at the ailors''Home'" in London and published it in her 1888 collection, ''The Music of the Waters''.Smith, Laura Alexandri ...
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Let Your Light Shine On Me
"Let Your Light Shine on Me" is a traditional gospel blues song, having been recorded by The Wiseman Quartet in 1923, by Ernest Phipps in 1928, and by Blind Willie Johnson in 1929. The song itself is also known as "Shine On Me", "Let It Shine on Me", "Light from the Lighthouse" and "Light from Your Lighthouse". Description Ernest Phipps' version, like almost all early renditions, starts in a slow tempo and is then reprised at a much faster tempo. Johnson's version was released on Columbia 14490-D together with "God Don't Never Change". He starts singing in his tenor voice, then drops into his 'growl' or false bass voice for the middle section. The chorus runs: The words appear to allude to the Gospel of Matthew at 5:16: "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven". "Lighthouse" was a popular metaphor for heavenly light. Performances The following recordings, which vary widely in character, are by ...
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I'll Never Find Another You
"I'll Never Find Another You" is a 1964 single by The Seekers, which reached No. 1 in the United Kingdom in February 1965. It was The Seekers' first UK-released single, and it was the second-best-selling of 1965 in the UK. The song was also popular in the United States, reaching peaks of No. 4 pop and No. 2 easy listening on the ''Billboard (magazine), Billboard'' Hot 100 charts. The track was written and produced by Tom Springfield, who was also responsible for most of The Seekers' subsequent hits. It received a 1967 US revival as a country music No. 1 by Sonny James. In July 2018, the tune was featured in a Westpac bank TV advertisement in Australia, covered by Julia Jacklin. The song was added to the National Film and Sound Archive of Australia's Sounds of Australia registry in 2011. Chart performance The Seekers Sonny James See also * List of best-selling singles of the 1960s in the United Kingdom References

UK Singles Chart number-one singles Number-one ...
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Lonesome Traveller (Lee Hays Song)
Lonesome Traveller is a 1950 skiffle song written by Lee Hays and recorded by Pete Seeger and The Weavers in that year. The lyrics begin "I'm just a lonely and a lonesome traveller.." Versions * Lonnie Donegan - "Lonesome Traveller" / "Times Are Getting Hard Boys" - Metronome (1958) * The Tarriers - "Lonesome Traveller" / "East Virginia" - London (1958) * Charles Blackwell - "Lover And His Lass" / "Lonesome Traveller" - Triumph (1960) * The Limeliters 1960 debut album, ''The Limeliters'', on Elektra Records. They also did live versions on their albums ''The London Concert'' (1963), ''Reunion'' (1973), ''The Chicago Tapes'' (1976, released in 2001), ''Alive! In Concert'' (1985), ''Harmony'' (1987) and ''The Limeliters (Live) - An Evening With The Chad Mitchell Trio: Live At The Birchmere'' (1995). * Trini Lopez - "Kansas City" / "Lonesome Traveller" Reprise (1963) * The Au Go Go Singers (1964) * The Seekers (1965) * Marianne Faithfull (1965) * Esther & Abi Ofarim recorded the son ...
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Wild Rover
"The Wild Rover" (Roud 1173) is a very popular and well-travelled folk song. Many territories have laid claim to have the original version. History In 2015 the English Folk Song and Dance periodical "Folk Music Journal" vol 10 No 5 had an article by Brian Peters. He claims that the origin of the song was a seventeenth century English Broadside written by Thomas Lanfiere. This evolved into several distinct versions. They have been found in England, Scotland, Ireland and North America. Shortly afterwards it became popular in Australia. The song tells the story of a young man who has been away from his hometown for many years. When he returns to his former alehouse, the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and he intends to return to his home and settle down. Other overview or significant versions According to Professor T. M. Devine in his book ''The Scottish Nation 1700 - ...
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If I Had A Hammer
"If I Had a Hammer (The Hammer Song)" is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963. The Weavers released the song under the title "The Hammer Song" as a 78 rpm single in March 1950 on Hootenanny Records, 101-A, backed with "Banks of Marble". Early versions The song was first performed publicly by Pete Seeger and Lee Hays on June 3, 1949, at St. Nicholas Arena in New York City at a testimonial dinner for the leaders of the Communist Party of the United States, who were then on trial in federal court, charged with violating the Smith Act by advocating the overthrow of the U.S. government. It was not particularly successful in commercial terms when it was first release ...
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