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Interpretations Of Fight Club
The 1999 American film ''Fight Club'', directed by David Fincher, presents social commentary about consumerist culture, especially the feminization of American culture and its effects on masculinity. The film has been the source of critical analysis. Academic Jans B. Wager describes the film as retro-noir, while Keith Gandal defines it as a "slumming trauma". Cultural critics Henry Giroux and Imre Szeman assert that ''Fight Club'' focuses too much on consumerist culture as society's problem. Academic Robert von Dassanowsky describes ''Fight Club'' as an examination of European fascism. Genre classifications Retro-noir According to Jans B. Wager, ''Fight Club'' exhibits several film noir characteristics. The film's narrator is a male protagonist who provides a subjective voice-over. He is involved in "an erotic triangle" with "a female object of desire" (Marla Singer) and a male antagonist (Tyler Durden). The masculinity in the film differs from noir films by focusing on the upper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fight Club
''Fight Club'' is a 1999 American film directed by David Fincher and starring Brad Pitt, Edward Norton, and Helena Bonham Carter. It is based on the 1996 novel of the same name by Chuck Palahniuk. Norton plays the unnamed narrator, who is discontented with his white-collar job. He forms a "fight club" with soap salesman Tyler Durden (Pitt), and becomes embroiled in a relationship with a mysterious woman, Marla Singer (Bonham Carter). Palahniuk's novel was optioned by Fox 2000 Pictures producer Laura Ziskin, who hired Jim Uhls to write the film adaptation. Fincher was selected because of his enthusiasm for the story. He developed the script with Uhls and sought screenwriting advice from the cast and others in the film industry. It was filmed in and around Los Angeles from July to December 1998. He and the cast compared the film to '' Rebel Without a Cause'' (1955) and ''The Graduate'' (1967), with a theme of conflict between Generation X and the value system of advertising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Structural Violence
Structural violence is a form of violence wherein some social structure or social institution may harm people by preventing them from meeting their basic needs. The term was coined by Norwegian sociologist Johan Galtung, who introduced it in his 1969 article "Violence, Peace, and Peace Research". Some examples of structural violence as proposed by Galtung include institutionalized racism, sexism, and classism, among others. Structural violence and direct violence are said to be highly interdependent, including family violence, gender violence, hate crimes, racial violence, police violence, state violence, terrorism, and war. It is very closely linked to social injustice insofar as it affects people differently in various social structures. Definitions Galtung According to Johan Galtung, rather than conveying a physical image, ''structural violence'' is an "avoidable impairment of fundamental human needs." Galtung contrasts structural violence with " classical violence:" vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoliberalism
Neoliberalism (also neo-liberalism) is a term used to signify the late 20th century political reappearance of 19th-century ideas associated with free-market capitalism after it fell into decline following the Second World War. A prominent factor in the rise of conservative and libertarian organizations, political parties, and think tanks, and predominantly advocated by them, it is generally associated with policies of economic liberalization, including privatization, deregulation, globalization, free trade, monetarism, austerity, and reductions in government spending in order to increase the role of the private sector in the economy and society. The defining features of neoliberalism in both thought and practice have been the subject of substantial scholarly debate. As an economic philosophy, neoliberalism emerged among European liberal scholars in the 1930s as they attempted to revive and renew central ideas from classical liberalism as they saw these ideas diminish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-discovery
A "journey of self-discovery" refers to a travel, pilgrimage, or series of events whereby a person attempts to determine how they feel, personally, about spiritual issues or priorities,Film-inspired holidays: The Journey of self-discovery ,''The Guardian'', 9 October 2010 rather than following the opinions of family, friends, neighborhood or . The topic of self-discovery has been associated with . A related term is "finding oneself". There are different stages of finding oneself. Cultures from around the world have developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Welcome To The Dollhouse
''Welcome to the Dollhouse'' is a 1995 American Coming-of-age story, coming-of-age black comedy film written and directed by Todd Solondz. An independent film, it won the Grand Jury Prize at the 1996 Sundance Film Festival and launched the careers of Solondz and Heather Matarazzo. The story follows the unpopular middle schooler Dawn as she goes to extreme lengths trying to earn the respect of her vicious fellow students and her disinterested family. Dawn reappears in two of Solondz's other films, ''Palindromes (film), Palindromes'' and ''Wiener-Dog (film), Wiener-Dog''. Plot Eleven-year-old Dawn Wiener is a shy and unpopular seventh-grader living in a middle-class suburban community in New Jersey. Her older brother Mark is a nerdy high school student who plays clarinet in a garage band and shuns girls in order to prepare for college. Her younger sister Missy is spoiled and manipulative; she pesters Dawn and dances around the house in a tutu. Her mother Marj is a shrewish woman wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kids (film)
''Kids'' is a 1995 American coming-of-age drama film directed by Larry Clark and written by Harmony Korine. It stars Leo Fitzpatrick, Justin Pierce, Chloë Sevigny, and Rosario Dawson, all in their film debuts. Set in 1995, Fitzpatrick, Pierce, Sevigny, Dawson, and other newcomers portray a group of teenagers in New York City. They are characterized as hedonists, who engage in sexual acts and substance abuse, throughout the course of a single day. Ben Detrick of the ''New York Times'' has described the film as "''Lord of the Flies'' with skateboards, nitrous oxide and hip-hop... There is no thunderous moral reckoning, only observational detachment." The film was deemed controversial upon its release in 1995 and caused public debate over its artistic merit. It received an NC-17 rating from the MPAA, but was released without a rating. Critical response was mixed, and the film grossed $20.4 million on a $1.5 million budget. Plot A boy named Telly and a 12-year-old girl are kiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gummo
''Gummo'' is a 1997 American experimental drama film written and directed by Harmony Korine, starring Jacob Reynolds, Nick Sutton, Jacob Sewell, and Chloë Sevigny. The film is set (but was not filmed) in Xenia, Ohio, a Midwestern American town that had been previously struck by a devastating tornado. The loose narrative follows several main characters who find odd and destructive ways to pass time, interrupted by vignettes depicting other inhabitants of the town. Korine's directorial debut, the film was shot in Nashville, Tennessee, on a budget of $1.3 million. ''Gummo'' was not given a large theatrical release and failed to generate large box office revenues. The film generated substantial press for its graphic content and stylized, loosely woven narrative. Plot A young boy named Solomon narrates the events of the tornado that devastated the small town of Xenia, Ohio. A mute adolescent boy, known as Bunny Boy, wears only pink bunny ears, shorts, and tennis shoes on an ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
