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International Documentation Of Electroacoustic Music
The International Documentation of Electroacoustic Music (EMDoku) is an extensive online database, which contains detailed information on over 51000 works, 11000 authors as well as media (CD, DVD, tape, etc.), labels and studios. Electroacoustic music is understood as an umbrella term for tape music, acousmatic music, electronic music, musique concrète, field recordings, computer music, radio art, sound art, sound installations, live electronics etc., and includes performances and venues such as concert hall, radio, film, installation, media and internet. In addition to music and media science research, the documentation is intended to enable historically informed performance practice and interpretation research. It is considered as an "essential initiative" for the preservation of electroacoustic music. History On the occasion of the project ''Berlin Kulturstadt Europas, E88'', Folkmar Hein, head of the electronic studios of the TU Berlin, initiated the work on this documentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tape Music
Jack Dangers (born John Stephen Corrigan, 11 January 1965) is an English electronic musician, DJ, producer, and remixer best known for his work as the primary member of Meat Beat Manifesto. He lives in San Francisco. Career Prior to founding Meat Beat Manifesto together in 1987, Jack Dangers and Jonny Stephens were members of a short-lived group Perennial Divide. While Stephens remained a member for several years, Jack Dangers is the only person credited as a member of the band on every Meat Beat Manifesto release. In addition to his career with Meat Beat Manifesto, Jack Dangers has also contributed other projects. Along with Ben Stokes (DHS-(Dimensional Holofonic Sound)) and Mike Powell and he is a part of unusual breakbeat combo known simply as Tino. Tino's material is released through their independent label, Tino Corp. Another collaboration called Loop Finder General was announced at one time, but the only recording that has surfaced under this name is a track on '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acousmatic Music
Acousmatic music (from Greek ἄκουσμα ''akousma'', "a thing heard") is a form of electroacoustic music that is specifically ''composed'' for presentation using speakers, as opposed to a live performance. It stems from a compositional tradition that dates back to the introduction of musique concrète (a form of musique expérimentale) in the late 1940s. Unlike musical works that are realised using sheet music exclusively, compositions that are purely acousmatic (in listening terms) often exist solely as fixed media audio recordings. The compositional practice of acousmatic music features acousmatic sound as a central musical aspect. Other aspects traditionally thought of as 'musical' such as melody, harmony, rhythm, metre may be present but more often consideration is given to sound-based characteristics such as timbre and spectrum. Compositional materials can include sounds derived from musical instruments, voice, electronically generated sound, audio that has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Field Recording
Field recording is the term used for an audio recording produced outside a recording studio, and the term applies to recordings of both natural and human-produced sounds. It also applies to sound recordings like electromagnetic fields or vibrations using different microphones like a passive magnetic antenna for electromagnetic recordings or contact microphones. For underwater field recordings, a field recordist uses hydrophones to capture the sounds and/or movements of whales, or other aquatic organisms. These recordings are very useful for sound designers. Field recording of natural sounds, also called phonography (a term chosen to illustrate its similarities to photography), was originally developed as a documentary adjunct to research work in the field, and foley work for film. With the introduction of high-quality, portable recording equipment, it has subsequently become an evocative artform in itself. In the 1970s, both processed and natural phonographic recordings, (p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century. History Much of the work on computer music has drawn on the relationship between music and mathematics, a relationship which has been noted since the Ancient Greeks described the "harmony of the spheres". Musical melodies were first generated by the computer originally named the CSIR Mark 1 (later renamed CSIRAC) in Australia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Art
Radio art is an aural art form made with sound. Artists use radio technology (i.e. radio transmission, airwaves) to communicate artistic compositions for interpretation – exposing their audience to alternate means to experiencing their art through sound verses visualization. Scope Radio Art contributes to new media art - a digitally driven art movement growing in response to the informative technological revolution we live in. “From the artist's point of view radio is an environment to be entered into and acted upon, a site for various cultural voices to meet, converse, and merge in. These artists cross disciplines, raid all genres and recontextualize them into hybrids.” The radio medium can be used in ways which are different from what it was intended for.A contemporary look on radio art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Art
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates." In Western art, early examples include Luigi Russolo's ''Intonarumori'' or noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experimental theatre. Origin of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Installation
Sound art is an artistic activity in which sound is utilized as a primary medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates." In Western art, early examples include Luigi Russolo's ''Intonarumori'' or noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experimental theatre. Origin of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Live Electronics
Live electronic music (also known as live electronics) is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace. History 1800s–1940s Early electronic instruments Early electronic instruments intended for live performance, such as Thaddeus Cahill's Telharmonium (1897) and instruments developed between the two world wars, such as the Theremin (1919), Spharophon (1924), ondes Martenot (1928), and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preservation (library And Archival Science)
In Library science, library and archival science, preservation is a set of preventive conservation activities aimed at prolonging the life of a record, book, or object while making as few changes as possible. Preservation activities vary widely and may include monitoring the condition of items, maintaining the temperature and humidity in collection storage areas, writing a plan in case of emergencies, digitizing items, writing relevant metadata, and increasing accessibility. Preservation, in this definition, is practiced in a library or an archive by a librarian, archivist, or other professional when they perceive a record is in need of maintenance. Preservation should be distinguished from interventive Conservation and restoration of books, manuscripts, documents and ephemera, conservation and restoration, which refers to the treatment and repair of individual items to slow the process of decay, or restore them to a usable state. Preventive conservation is occasionally used int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
