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Interactive Theatre
Interactive theatre is a presentational or theatrical form or work that breaks the "fourth wall" that traditionally separates the performer from the audience both physically and verbally. In traditional theatre, performance is limited to a designated stage area and the action of the play unfolds without audience members, who function as passive observers. Conversely, in interactive theatre, the performance engages directly with audience members, making them active participants in the piece. Interactive theatre often goes hand in hand with immersive theatre, which brings the audience into the same playing space as the performers. They may be asked to hold props, supply performance suggestions (as in improvisational theatre), share the action's real-world (non-theatrical) setting (as in site-specific theatre and immersive theatre), or become characters in the performance. They may also be asked to participate in altering the course of the play by collectively voting to steer the plot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Presentational Acting And Representational Acting
Presentational acting and the related representational acting are opposing ways of sustaining the actor–audience relationship. With presentational acting, the actor acknowledges the audience. With representational acting, the audience is studiously ignored and treated as voyeurs. In the sense of actor-character relationship, the type of theatre that uses 'presentational acting' in the actor-audience relationship, is often associated with a performer using 'representational acting' in their actor-character methodology. Conversely, the type of theatre that uses 'representational acting' in the first sense is often associated with a performer using 'presentational acting' methodology. The actor–audience relationship In every theatrical performance the manner in which each individual actor treats the audience establishes, sustains or varies a particular kind of actor-audience relationship between them. In some plays all of the actors may adopt the same attitude towards the audienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drood
''The Mystery of Edwin Drood'' (or simply ''Drood'') is a musical based on the unfinished Charles Dickens novel. Written by Rupert Holmes, the show was the first ever Broadway musical with multiple endings (determined by audience vote). The musical won five Tony Awards out of eleven nominations, including Best Musical. Holmes received Tony awards for Best Book of a Musical and Best Original Score. The musical debuted as part of the New York Shakespeare Festival in August 1985, and following revision, transferred to Broadway, where it ran until May 1987. Two national tours and production in London's West End followed. The Roundabout Theatre Company revived the musical in 2012. History Inspiration The musical ''Drood'' is derived from two major inspirations: Charles Dickens' final (and unfinished) novel, ''The Mystery of Edwin Drood'', and the British pantomime and music hall traditions that reached the height of their popularity in the years following Dickens' death. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of The Oppressed
The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theorist Paulo Freire and his book ''Pedagogy of the Oppressed''. Boal's techniques use theatre as means of promoting social and political change in alignment originally with radical-left politics and later with centre-left ideology. In the Theatre of the Oppressed, the audience becomes active, such that as "spect-actors" they explore, show, analyse and transform the reality in which they are living. History Although it was first officially adopted in the 1970s, Theatre of the Oppressed, a term coined by Augusto Boal, is a series of theatrical analyses and critiques was first developed in the 1950s. Boal was an avid supporter of using interactive techniques, especially in the context of theatre. Many of his ideas are considered as "a new media p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Playback Theatre
Playback Theatre is an original form of improvisational theatre in which audience or group members tell stories from their lives and watch them enacted on the spot. History The first Playback Theatre company was founded in 1975 by Jonathan Fox and Jo Salas. Fox was a student of improvisational theatre, oral traditional storytelling, Jacob Moreno's psychodrama method and the work of educator Paulo Freire. Salas was a trained musician and activist. Both had served as volunteers in developing countries: Fox as a Peace Corps volunteer in Nepal, Salas with New Zealand's Volunteer Service Abroad in Malaysia. The original Playback Theatre Company made its home in Dutchess and Ulster Counties of New York State, just north of New York City. This group, while developing the basis of the Playback form, took it to schools, prisons, centers for the elderly, conferences, and festivals in an effort to encourage individuals from all walks of society to let their stories be heard. They also pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immersive Theater
Immersive theater differentiates itself from traditional theater by removing the stage and immersing audiences within the performance itself. Often, this is accomplished by using a specific location ('' site-specific''), allowing audiences to converse with the actors and interact with their surroundings ('' interactive''), thereby breaking the fourth wall. (Immersive theater and interactive theater are not necessarily synonymous; immersive theater may not have interactive elements in it at all, and interactive theater may not be immersive in the core sense.) In ''choose-your-own-adventure theater'', agency is given to the audience to participate in changing the narrative while the performance is taking place. ''Bespoke theater'', invented by ''Fondudes'', extends participation to pre-production so each show is customized per audience at script level. Modern forms of immersive theater have a wide range of definitions, all based upon the degree and type of engagement found between ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre For Early Years
Theatre for Early Years or TEY is a blanket term for Theatre, theatrical events designed for audiences of Preschool, pre-school children (aged under five or six years of age). TEY is considered to be a sub-category of Theatre for Young Audiences (TYA). TEY is known in the US as Theatre for the Very Young, or TVY. It has been defined as “professional theatre led by adults Performance, performing for an audience of Infant, babies from months old to toddlers approximately one and a half to two years old accompanied by a parent or adult companion. Babies usually sit on their caregiver's lap or in a stroller, and watch a Play (theatre), play - usually between 30 to 45 minutes long - designed especially for them”. In addition, performances for newborns, centring on Affectional bond, bonding and Attachment theory, attachment, and more Participatory theatre, participatory productions which invite children to enter the Stage (theatre), performance area for a time have become common. Even ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invisible Theater
Invisible theatre is a form of theatrical performance that is enacted in a place where people would not normally expect to see one, for example in the street or in a shopping centre. Performers disguise the fact that it is a performance from those who observe and who may choose to participate in it, thus leading spectators to view it as a real, unstaged event. The Brazilian theater practitioner Augusto Boal and Panagiotis Assimakopoulos developed the form during their time in Argentina in the 1960s as part of Boal's Theatre of the Oppressed, which focused on oppression and social issues. Invisible theatre developed in the context of increasingly repressive dictatorship in Brazil and Argentina. The purpose of invisible theatre was to show oppression in everyday life, in an everyday setting, without the audience or " spect-actors" knowing. Boal went on to develop forum theater. Invisible theatre in Argentina Invisible theatre was developed in Buenos Aires as public and participatory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Community Theatre
Community theatre refers to any theatrical performance made in relation to particular communities—its usage includes theatre made by, with, and for a community. It may refer to a production that is made entirely by a community with no outside help, or a collaboration between community members and professional theatre artists, or a performance made entirely by professionals that is addressed to a particular community. Community theatres range in size from small groups led by single individuals that perform in borrowed spaces to large permanent companies with well-equipped facilities of their own. Many community theatres are successful, non-profit businesses with a large active membership and, often, a full-time staff. Community theatre is often devised and may draw on popular theatrical forms, such as carnival, circus, and parades, as well as performance modes from commercial theatre. This type of theatre is ever-changing and evolving due to the influences of the community; the ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forum Theatre
Forum theatre is a type of theatre created by Brazilian theatre director Augusto Boal. It is one of the techniques under the umbrella term of Theatre of the Oppressed (TO). This relates to the engagement of spectators influencing and engaging with the performance as both spectators and actors, termed "spect-actors", with the power to stop and change the performance. As part of TO, the issues dealt with in forum theatre are often related to areas of social justice, with the aim of exploring solutions to oppression featured in the performance. History In the 1960s, Augusto Boal and his theatre company the Teatro de Arena de São Paulo travelled through some of the poorest places in Brazil, staging productions which urged action against various injustices and oppressors. These performances often ended with the actors exhorting their audiences of peasants to spill their own blood in this struggle. This continued until an encounter with a peasant who extended an invitation to the actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Script Writing
Script may refer to: Writing systems * Script, a distinctive writing system, based on a repertoire of specific elements or symbols, or that repertoire * Script (styles of handwriting) ** Script typeface, a typeface with characteristics of handwriting * Script (Unicode), historical and modern scripts as organised in Unicode glyph encoding Arts, entertainment, and media * Script (comics), the dialogue for a comic book or comic strip * Script (video games), the narrative and text of a video game * Manuscript, any written document, often story-based and unpublished * Play (theatre), the dialogue and stage directions for a theatrical production * Rob Wagner's ''Script'', a defunct literary magazine edited by Rob Wagner * Screenplay, the dialogue, action and locations for film or television * Scripted sequence, a predefined series of events in a video game triggered by player location or actions * The Script, an Irish band ** ''The Script'' (album), their 2008 debut album Computing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Design Theatre
A design is a plan or specification for the construction of an object or system or for the implementation of an activity or process or the result of that plan or specification in the form of a prototype, product, or process. The verb ''to design'' expresses the process of developing a design. In some cases, the direct construction of an object without an explicit prior plan (such as in craftwork, some engineering, coding, and graphic design) may also be considered to be a design activity. The design usually has to satisfy certain goals and constraints; may take into account aesthetic, functional, economic, or socio-political considerations; and is expected to interact with a certain environment. Typical examples of designs include architectural and engineering drawings, circuit diagrams, sewing patterns and less tangible artefacts such as business process models. Designing People who produce designs are called ''designers''. The term 'designer' generally refers to someone who works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josh Andrew Koenig
Joshua Andrew Koenig (; August 17, 1968 – February 16, 2010) was an American character actor, film director, editor, writer, and human rights activist. He was known for his role as Richard "Boner" Stabone in ''Growing Pains''. Early life Andrew Koenig was born August 17, 1968, the son of '' Star Trek'' actor Walter Koenig and Judy Levitt. Writer Harlan Ellison spoke of the young Koenig – by his given first name of Josh – as being the inspiration for his story "Jeffty Is Five". The story went on to win the 1977 Nebula Award and the 1978 Hugo Award for Best Short Story. Career From 1985 to 1989, Koenig played a recurring role as Richard "Boner" Stabone, best friend to Kirk Cameron's character Mike Seaver in the first four seasons of the ABC sitcom ''Growing Pains''. During the same period, he guest starred on episodes of the sitcoms ''My Sister Sam'' and ''My Two Dads'' as well as the drama ''21 Jump Street''. In the early 1990s he provided a voice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
