Intents And Purposes
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Intents And Purposes
''Intents and Purposes'' is an album by American jazz trumpeter Bill Dixon, which was released in 1967 on RCA Victor. Despite critical acclaim at the time, it was soon out of print except for appearances in 1972 on Japanese RCA and later in 1976 on French RCA. The album was reissued on CD by International Phonograph in 2011.''Intents and Purposes''
at International Phonograph
The album's title is an example of a idiomatic expression.


Background

In 1966 Dixon premiered his composition "Pomegranate" at the Newport jazz festival wit ...
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Bill Dixon
William Robert “Bill” Dixon (October 5, 1925 – June 16, 2010) was an American composer, improviser, visual artist, activist, and educator. Dixon was one of the seminal figures in free jazz and late twentieth-century contemporary music. His was also a prominent voice arguing for artist's rights and insisting, through words and deeds, on the cultural and aesthetic richness of the African American music tradition. He played the trumpet, flugelhorn, and piano, often using electronic delay and reverb. Biography Dixon hailed from Nantucket, Massachusetts, United States. His family moved to Harlem, in New York City, in 1934. He enlisted in the Army in 1944; his unit served in Germany before he was discharged in 1946. His studies in music came relatively late in life, at the Hartnette Conservatory of Music (1946–1951), which he attended on the GI Bill. He studied painting at Boston University and the WPA Arts School and the Art Students League. From 1956 to 1962, he worked at t ...
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A Collective Improvisation
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it fro ...
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Alto Sax
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick L. He ...
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Byard Lancaster
Byard Lancaster (August 6, 1942 – August 23, 2012) was an avant-garde jazz saxophonist and flutist. Cook, Richard. (2005). ''Richard Cook's Jazz Encyclopedia.'' New York: Penguin Books. Allen, Clifford. (2005). ''Byard Lancaster: From A Love Supreme to The Sex Machine''. Retrieved January 5, 2008, from http://www.allaboutjazz.com/php/article.php?id=17125 Early life and education He attended two colleges, one for music, before attending the Berklee College of Music. He moved to New York City and participated in jam sessions which included saxophonist Archie Shepp and drummer Elvin Jones. Career In 1965, he recorded '' Sunny Murray Quintet'' with the album's eponymous musician in New York, performed in the Parisian Actuel festival with him in 1969, and continued to work in the drummer's groups throughout his career. By the 1970s, Lancaster had played with musicians such as McCoy Tyner, Khan Jamal, and Sun Ra, as well as some outside of jazz, such as blues pianist Memphis ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Jimmy Cheatham
James Rudolph Cheatham (June 18, 1924 – January 12, 2007) was an American jazz trombonist and teacher who played with Duke Ellington, Lionel Hampton, and Ornette Coleman. In 1978, Cheatham was invited to lead the jazz program at University of California, San Diego. In 1979 he began to direct the school's African American and jazz performance programs. He retired in 2005. Biography Born in Birmingham, Alabama Birmingham ( ) is a city in the north central region of the U.S. state of Alabama. Birmingham is the seat of Jefferson County, Alabama's most populous county. As of the 2021 census estimates, Birmingham had a population of 197,575, down 1% fr ..., it was while serving in the United States Army during and just after World War II, that Cheatham played in the 173rd Army Ground Force Band. Cheatham met his wife, Jean Evans, in 1956 in Buffalo, New York, when the local American Federation of Musicians, musicians' union chief called them separately to replace two mus ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Francis Davis
Francis Davis (born August 30, 1946) is an American author and journalist. He is best known as the jazz critic for ''The Village Voice'', and a contributing editor for ''The Atlantic Monthly''. He has also worked in radio and film, and taught courses on Jazz and Blues at the University of Pennsylvania. He was a 1994 recipient of the Pew Fellowships in the Arts. Life and career Davis was born in Philadelphia. He attended Temple University (1964–69); he emerged in the early 1980s as the jazz critic for ''The Philadelphia Inquirer''. Along with his jazz writing he has tackled a wide variety of subjects, such as '' Seinfeld'' and Johnny Cash, for whom he published what many fans consider the definitive appreciation, in ''The Atlantic Monthly''. Davis is characterized by his keen insights into the development of American style and culture, with asides in the first person who balance his theoretical certainty and a witty, human element. His articles and essays on figures such ...
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The Village Voice
''The Village Voice'' is an American news and culture paper, known for being the country's first alternative newsweekly. Founded in 1955 by Dan Wolf, Ed Fancher, John Wilcock, and Norman Mailer, the ''Voice'' began as a platform for the creative community of New York City. It ceased publication in 2017, although its online archives remained accessible. After an ownership change, the ''Voice'' reappeared in print as a quarterly in April 2021. Over its 63 years of publication, ''The Village Voice'' received three Pulitzer Prizes, the National Press Foundation Award, and the George Polk Award. ''The Village Voice'' hosted a variety of writers and artists, including writer Ezra Pound, cartoonist Lynda Barry, artist Greg Tate, and film critics Andrew Sarris, Jonas Mekas and J. Hoberman. In October 2015, ''The Village Voice'' changed ownership and severed all ties with former parent company Voice Media Group (VMG). The ''Voice'' announced on August 22, 2017, that it would cease p ...
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ...
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Bitches Brew
''Bitches Brew'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970 by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed ''In a Silent Way'' (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero. The album initially received a mixed critical and commercial response, but it gained momentum and became Davis' highest-charting album on the U.S. ''Billboard'' 200, peaking at No. 35. In 1971, it won a Grammy Award for Best Large Jazz Ensemble Album. In 1976, it became Davis' first gold album to be certified by the Recording Industry A ...
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