Intellectual Sacrifice And Other Mimetic Paradoxes
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Intellectual Sacrifice And Other Mimetic Paradoxes
''Intellectual Sacrifice and Other Mimetic Paradoxes'' is a 2018 book about sacrifice by Paolo Diego Bubbio, in which the author examines Rene Girard’s mimetic theory The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923-2015). The name of the theory derives from the philosophical .... This book collects Bubbio's most significant writings on the topic, and is presented as his intellectual journey over two decades (from 1999 to 2019) through mimetic theory. Content The first part is a revised translation of a short book originally published in Italian in 1999: the central thesis here is that philosophy and religion can be regarded as subjects involved in a mimetic rivalry on the intellectual level. In the chapters of the second part of the book, Bubbio addresses several topics developing the dialogue between Girard’s mimetic theory and the Post- ...
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Diego Bubbio
Paolo Diego Bubbio (born 18 May 1974) is an Italian philosopher and Associate Professor of Philosophy at Western Sydney University. He is known for his research on post-Kantian philosophy, philosophical hermeneutics and philosophy of religion (in particular the notion of sacrifice). He is the editor of the "Contemporary Studies in Idealism" book series for Lexington Books. Career Bubbio was born in Turin, Piedmont. He studied philosophy at the University of Turin, where he attended the lectures of Gianni Vattimo and graduated with a Laurea Magistrale in 1997, with a thesis on René Girard and the philosophy of religion. He then obtained a doctorate in philosophical hermeneutics from the University of Turin in 2003, with a dissertation on the notion of sacrifice in contemporary philosophy. After his PhD, Bubbio worked as ''assegnista di ricerca'' (contract researcher) and as ''professore a contratto'' (adjunct professor) at the University of Turin. In 2003/2004, he was Research Fe ...
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Sacrifice
Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly existed before that. Evidence of ritual human sacrifice can also be found back to at least pre-Columbian civilizations of Mesoamerica as well as in European civilizations. Varieties of ritual non-human sacrifices are practiced by numerous religions today. Terminology The Latin term ''sacrificium'' (a sacrifice) derived from Latin ''sacrificus'' (performing priestly functions or sacrifices), which combined the concepts ''sacra'' (sacred things) and ''facere'' (to do or perform). The Latin word ''sacrificium'' came to apply to the Christian eucharist in particular, sometimes named a "bloodless sacrifice" to distinguish it from blood sacrifices. In individual non-Christian ethnic religions, terms translated as "sacrifice" include the Indic ' ...
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Mimetic Theory
The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923-2015). The name of the theory derives from the philosophical concept mimesis, which carries a wide range of meanings. In mimetic theory, mimesis refers to human desire, which Girard thought was not linear but the product of a mimetic process in which people imitate models who endow objects with value. Girard called this phenomenon "mimetic desire", and described mimetic desire as the foundation of his theory: "Man is the creature who does not know what to desire, and he turns to others in order to make up his mind. We desire what others desire because we imitate their desires." Mimetic theory posits that mimetic desire leads to natural rivalry and eventually to scapegoating - Girard called this the scapegoat mechanism Scapegoating is the practice of singling out a person or group for unmerite ...
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Michigan State University Press
Michigan State University Press is the scholarly publishing arm of Michigan State University. Scholarly publishing at the university significantly predates the establishment of its press in 1947. By the 1890s the institution's Experiment Stations began issuing a broad range of influential publications in the natural sciences (including a beautifully illustrated Birds of Michigan in 1892) and as early as 1876, professor A.J. Cook commissioned a Lansing printer to issue his popular Manual of the Apiary, which ran through numerous editions and remained in print for nearly half a century. Located on the MSU campus in East Lansing East Lansing is a city in the U.S. state of Michigan. Most of the city lies within Ingham County with a smaller portion extending north into Clinton County. At the 2020 Census the population was 47,741. Located directly east of the state capital ..., the press publishes principally in the areas of the humanities, sciences, and social sciences, with special ...
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Paolo Diego Bubbio
Paolo Diego Bubbio (born 18 May 1974) is an Italian philosopher and Associate Professor of Philosophy at Western Sydney University. He is known for his research on post-Kantian philosophy, philosophical hermeneutics and philosophy of religion (in particular the notion of sacrifice). He is the editor of the "Contemporary Studies in Idealism" book series for Lexington Books. Career Bubbio was born in Turin, Piedmont. He studied philosophy at the University of Turin, where he attended the lectures of Gianni Vattimo and graduated with a Laurea Magistrale in 1997, with a thesis on René Girard and the philosophy of religion. He then obtained a doctorate in philosophical hermeneutics from the University of Turin in 2003, with a dissertation on the notion of sacrifice in contemporary philosophy. After his PhD, Bubbio worked as ''assegnista di ricerca'' (contract researcher) and as ''professore a contratto'' (adjunct professor) at the University of Turin. In 2003/2004, he was Researc ...
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Mimesis
Mimesis (; grc, μίμησις, ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, nonsensuous similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self. The original Ancient Greek term ''mīmēsis'' ( grc, μίμησις, label=none) derives from ''mīmeisthai'' ( grc, μιμεῖσθαι, label=none, 'to imitate'), itself coming from ''mimos'' ( μῖμος, 'imitator, actor'). In ancient Greece, ''mīmēsis'' was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted ''mimesis'', or imitation Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "developm ...
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Sacrifice In The Post-Kantian Tradition
''Sacrifice in the Post-Kantian Tradition: Perspectivism, Intersubjectivity, and Recognition'' is a 2014 book about sacrifice by the philosopher Paolo Diego Bubbio, in which the author provides a historical and theoretical analysis of the development of the concept of sacrifice through the works of Kant, Karl Solger, Hegel, Kierkegaard, and Nietzsche. Summary Bubbio's main thesis is that there is a strong interrelation between the kenotic conception of sacrifice and the tradition of Kantian and post-Kantian idealism. In other words, this conception of sacrifice can be seen in the works of most of the thinkers of the post-Kantian tradition. Bubbio argues that the very possibility of a “realm of reason” made up by values and norms depends on the recognition of “the other” as another human being. Particularly he emphasizes the reciprocal connection of the Hegel's recognition-theoretic approach and his emphasis on kenotic sacrifice, both of which are evidence of his bel ...
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2018 Non-fiction Books
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ...
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Books About Sacrifice
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a b ...
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