Inside The Uffizi
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Inside The Uffizi
''Inside the Uffizi'' (german: In den Uffizien) is a 2021 German documentary film about the Uffizi museum in Florence. It was directed by Corinna Belz and Enrique Sánchez Lansch. Synopsis The film covers the Uffizi, a museum in Florence with more than 500 rooms, based on the House of Medici's collection of paintings. Attention is given to the institution's staff, including Eike Schmidt, a German art historian who became its director in 2015. Production Filming took place during a total of 50 days over a period of 2 years. Release ''Inside the Uffizi'' was released in Germany on 25 November 2021. Reception Birgit Rieger of ''Der Tagesspiegel'' compared ''Inside the Uffizi'' to ''Gerhard Richter Painting'', a film by Belz from 2011, and contrasted the distance with which the Uffizi personnel is portrayed to the intimacy of the previous film. Simon Hauck of ''Kino-Zeit'' said ''Inside the Uffizi'' contains joy and fascination, has the form of an " art-film essay" and in its best ...
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Corinna Belz
Corinna Belz is a German documentary filmmaker. She is known for the films '' Gerhard Richter Painting'' (2011), '' Peter Handke: In the Woods, Might Be Late'' (2016) and '' Inside the Uffizi'' (2021). Life and career Corinna Belz studied philosophy, art history and media studies in Cologne and Berlin. After her first film about Gerhard Richter's Cologne Cathedral Window (2007), Belz made the feature length documentary '' Gerhard Richter Painting'' (2011). In 2017, Richter and Belz developed the abstract film ''Moving Picture (946-3)'', for which Steve Reich wrote the composition "Reich/Richter". The piece was performed in New York City in 2019 by Ensemble Signal, at the Barbican Centre in London, Philharmonie de Paris and other European venues. Performances at the Walker Art Center, Soundstream Festival Toronto, Walt Disney Concert Hall and by the London Sinfonietta to follow in 2023. For an exhibition in Kyoto Kyoto (; Japanese language, Japanese: , ''Kyōto'' ), offici ...
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Metacinema
Metacinema, also meta-cinema, is a mode of filmmaking in which the film informs the audience that they are watching a work of fiction. Metacinema often references its own production, working against narrative conventions that aim to maintain the audience's suspension of disbelief. Elements of metacinema includes scenes where characters discuss the making of the film or where production equipment and facilities are shown. It is analogous to metafiction in literature. History Examples of metacinema date back to the early days of narrative filmmaking. In the 1940s, backstage musicals and comedies like ''Road to Singapore'' (Victor Schertzinger, 1940) and '' Hellzapoppin''' (H. C. Potter, 1941) exhibited a vogue for exploration of the medium of film at a time when Hollywood classicism dominated. Metacinema can be identified in art cinema of the 1960s like ''8½'' (Federico Fellini, 1963) or ''The Passion of Anna'' (Ingmar Bergman, 1969), and it can often be found in the self-reflexive ...
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Films Directed By Enrique Sánchez Lansch
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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