Inhibition (album)
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Inhibition (album)
''Inhibition'' is the debut studio album by alternative rock band Dot Hacker. The album was released on May 1, 2012 on ORG Music label. The recording of ''Inhibition'' was completed in 2009, however the release was delayed until 2012 due to band members' other commitments, notably Josh Klinghoffer who joined the Red Hot Chili Peppers. Track listing Personnel ;Dot Hacker *Josh Klinghoffer – lead vocals, guitar, keyboards, synthesizers * Clint Walsh – guitar, backing vocals, synthesizers *Jonathan Hischke – bass guitar *Eric Gardner – drums ;Production *Chad Carlisle – Assistant engineer *Bernie Grundman – mastering *Adam Samuels – composer, engineer Engineers, as practitioners of engineering, are professionals who invent, design, analyze, build and test machines, complex systems, structures, gadgets and materials to fulfill functional objectives and requirements while considering the limit ..., mixing, producer *Vanessa Price – artwork *Jon Patrick F ...
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Dot Hacker
Dot Hacker is an American experimental rock band from California, formed in 2008. The band consists of Josh Klinghoffer (vocals, guitar, keyboards), Clint Walsh (guitar, keyboards, backing vocals), Jonathan Hischke (bass) and Eric Gardner (drums). Klinghoffer, Walsh and Gardner were all previously members of the touring incarnation of Gnarls Barkley, and were subsequently joined by Hella bassist Jonathan Hischke to create Dot Hacker. Prior to Klinghoffer joining the Red Hot Chili Peppers, the band recorded its debut album, ''Inhibition'', which was released on May 1, 2012. History After meeting multi-instrumentalist Josh Klinghoffer through his Hella bandmates Spencer Seim and Dan Elkan, bassist Jonathan Hischke moved to Los Angeles, California, in 2008, to begin work on a potential project that would include Klinghoffer, and fellow Gnarls Barkley touring musicians, Clint Walsh and Eric Gardner. Regarding the band, Hischke noted, "It’s this interesting thing, because it’s th ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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