Ingrid Haubold
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Ingrid Haubold
Ingrid Haubold (born 1943) is a German operatic soprano. After beginning her career in Munich and continuing with German companies, she moved on to major international opera houses, appearing as Isolde in Wagner's '' Tristan und Isolde'' at the Teatro Real in Madrid in 1986, as Senta in '' Der fliegende Holländer'' at the Savonlinna Opera Festival, and in the title role of Beethoven's ''Fidelio'' at the Metropolitan Opera in New York City. Life and career Born in Berlin, Haubold first studied church music at the Musikhochschule Detmold. She then studied voice with Annelies Kupper at the Musikhochschule München. She was a scholarship holder of the Deutscher Bühnenverein. She became a member of the opera studio of the Bavarian State Opera, and also appeared at the Theater am Gärtnerplatz in the 1965/66 season. She was a member of the ensemble of the Landestheater Detmold from 1970, and of the Städtische Bühnen Bielefeld from 1972. After a break due to illness in 1978, sh ...
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Musikhochschule Detmold
A music school is an educational institution specialized in the study, training, and research of music. Such an institution can also be known as a school of music, music academy, music faculty, college of music, music department (of a larger institution), conservatory, conservatorium or conservatoire ( , ). Instruction consists of training in the performance of musical instruments, singing, musical composition, conducting, musicianship, as well as academic and research fields such as musicology, music history and music theory. Music instruction can be provided within the compulsory general education system, or within specialized children's music schools such as the Purcell School. Elementary-school children can access music instruction also in after-school institutions such as music academies or music schools. In Venezuela El Sistema of youth orchestras provides free after-school instrumental instruction through music schools called ''núcleos''. The term "music school" can also ...
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Landestheater Detmold
Landestheater Detmold is a theatre for operas, operettas, musicals, ballets, and stage plays in Detmold, North Rhine-Westphalia, Germany. It began as the Hochfürstliches Lippisches Hoftheater, founded in 1825 by the court of Lippe. The company has five venues in Detmold. With its guest appearances in more than a hundred locations in Germany and neighboring countries, the theatre company states that it is the largest touring company in Europe. History In 1820 Leopold II, Prince of Lippe, with the support of his mother Princess Pauline of Anhalt-Bernburg, Princess Pauline, decided to have a court theatre built in Detmold. He commissioned the architect . The groundbreaking ceremony took place on 18 April 1825. On 8 November 1825, the curtain of the Hochfürstliches Lippisches Hoftheater went up for the first time for Mozart's opera ''La clemenza di Tito'', after only seven months of construction. August Pichler was appointed director of the new theatre. The respected Pichler trou ...
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Die Frau Ohne Schatten
' (''The Woman without a Shadow''), Op. 65, is an opera in three acts by Richard Strauss with a libretto by his long-time collaborator, the poet Hugo von Hofmannsthal. It was written between 1911 and either 1915 or 1917. When it premiered at the Vienna State Opera on 10 October 1919, critics and audiences were unenthusiastic. Many cited problems with Hofmannsthal's complicated and heavily symbolic libretto. However, it is now a standard part of the operatic repertoire. Composition history Work on the opera began in 1911. Hofmannsthal's earliest sketches for the libretto are based on a piece by Goethe, ' (1795). Hofmannsthal handles Goethe's material freely, adding the idea of two couples, the emperor and empress who come from another realm, and the dyer and his wife who belong to the ordinary world. Hofmannsthal also drew on portions of ''The Arabian Nights'', ''Grimms' Fairy Tales'', and even quotes Goethe's ''Faust''. The opera is conceived as a fairy tale on the theme of lo ...
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Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ...
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Theater Saarbrücken
Theater Saarbrücken, officially Saarländisches Staatstheater since 1971, is the state theatre of Saarland in its capital Saarbrücken, Germany. It has several divisions (opera, drama, dance, concert) and offers annually around 30 new productions in around 700 events for more than 200,000 people. Its venues are ''Großes Haus'' (Big House), ''Alte Feuerwache'' (Old Fire Station), ''Congresshalle'' (Conference Hall) and ''sparte4'' (area 4). While theatre in Saarbrücken has a long history, the present main venue was completed in 1938, with plans commissioned by the Nazi regime. History Saarbrücken had several venues for theatre before the French Revolution, a theatre at the Schloss Saarbrücken, a comedy house from 1787, and an open-air theatre on the Ludwigsberg. August Wilhelm Iffland was director of the court theatres from 1786 to 1793. During the following period as part of Prussia, there was no venue for theatre. In 1897, the ''Saalbau'' was built as a concert hall. A m ...
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Der Ring Des Nibelungen
(''The Ring of the Nibelung''), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the '' Nibelungenlied''. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a ("preliminary evening"). It is often referred to as the ''Ring'' cycle, Wagner's ''Ring'', or simply ''The Ring''. Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the ''Ring'' cycle are, in sequence: * ''Das Rheingold'' (''The Rhinegold'') * '' Die Walküre'' (''The Valkyrie'') * '' Siegfried'' * '' Götterdämmerung'' (''Twilight of the Gods'') Individual works of the sequence are often performed separately, and indeed the operas contain dialogues that mention events in the previous operas, so that a viewer could watch any of them wi ...
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Lucerne Festival
Lucerne Festival is one of the leading international festivals in the world of classical music and presents a series of classical music festivals based in Lucerne, Switzerland. Founded in 1938 by Ernest Ansermet and Walter Schulthess, it currently produces three festivals per year. Since 1999, Michael Haefliger has been its Executive and Artistic Director. Each festival features resident orchestras and soloists alongside guest performances from international ensembles and artists. The central festival takes place in summer from mid-August to mid-September and offers a widely varied range of approximately 100 concerts and related events primarily at the Lucerne Culture and Congress Centre (KKL) designed by Jean Nouvel. History The festival started with the so-called "Concert de Gala" in the gardens of Richard Wagner's villa at Tribschen in 1938 conducted by Arturo Toscanini, who had formed an orchestra with members of different orchestras and soloists from around Europe. In ...
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Schwetzingen Festival
The Schwetzingen Festival (German: Schwetzinger Festspiele, now Schwetzinger SWR Festspiele) is an early summer festival of opera and other classical music presented each year from May to early June in Schwetzingen, Germany. In 1952, the broadcaster Süddeutscher Rundfunk founded the festival in the Schwetzingen area. It is located in a beautiful 250-year-old palace and park, Schwetzingen Castle, near the famous city of Heidelberg. The main venue is the historic Schlosstheater Schwetzingen. Nowadays, the successor organization is the Südwestrundfunk (SWR) and it organises many international concerts and music theatre events every year. List of major premieres and rediscoveries One of the festival's characteristics is the world premiere of a new opera, as well as at least one rediscovered opera from former centuries, performed on period instruments. Concerts Concerts have featured well-known artists such as Gidon Kremer, Jorge Bolet and Cecilia Bartoli, as well as young artis ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Teatro Regio (Turin)
The Teatro Regio (Royal Theatre) is a prominent opera house and opera company in Turin, Piedmont, Italy. Its season runs from October to June with the presentation of eight or nine operas given from five to twelve performances of each. Several buildings provided venues for operatic productions in Turin from the mid-16th century, but it was not until 1713 that a proper opera house was considered, and under the architect Filippo Juvarra planning began. However, the cornerstone was not laid until the reign of Charles Emmanuel III in 1738 after Juvarra's death. The work was supervised by Benedetto Alfieri until the theatre was completed and decorated by Bernardino Galliari. Teatro Regio, 1740 to 1936 The Teatro Regio (Royal Theatre) was inaugurated on 26 December 1740 with Francesco Feo's ''Arsace''. It was a sumptuously built facility, seating 1,500 and with 139 boxes located on five tiers plus a gallery. However, the theatre was closed on royal order in 1792 and it became a wareho ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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Die Walküre
(; ''The Valkyrie''), WWV 86B, is the second of the four music dramas that constitute Richard Wagner's ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs to represent people, ideas, and situations rather than the conv ...
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