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Incredible Science Fiction
''Incredible Science Fiction'' was an American science fiction anthology comic published by EC Comics in 1955 and 1956, lasting a total of four issues. Creative team ''Incredible Science Fiction'' ran for four issues, boasting a number of skilled artists including Jack Davis, Wally Wood, Bernard Krigstein, Joe Orlando and Roy Krenkel. Three of its covers were done by Davis, with the final issue's cover by Wood. This comic is notable for having Jack Davis' only science fiction work for EC. Roy Krenkel also provided his only solo story for EC with issue 31's "Time to Leave". The story "Food For Thought" from issue 32 (which featured art predominantly from Al Williamson but also Roy Krenkel as well) was awarded best artwork for an individual science fiction story at the 1972 EC Fan-Addict Convention. History Origin ''Incredible Science Fiction'' was a retitled version of the comic ''Weird Science-Fantasy'', which changed its title in 1955. The comic changed its title with issu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wally Wood
Wallace Allan Wood (June 17, 1927 – November 2, 1981) was an American comic book writer, artist and independent publisher, widely known for his work on EC Comics's titles such as ''Weird Science (comic), Weird Science'', ''Weird Fantasy'', and ''Mad (magazine), MAD Magazine'' from its inception in 1952 until 1964, as well as for ''T.H.U.N.D.E.R. Agents'', and work for Warren Publishing's ''Creepy (magazine), Creepy''. He drew a few early issues of Marvel Comics, Marvel's ''Daredevil (Marvel Comics series), Daredevil'' and established the title character's distinctive red costume. Wood created and owned the long-running characters ''Sally Forth (Wally Wood comic strip), Sally Forth'' and ''Cannon (Wally Wood comic strip), Cannon''. He wrote, drew, and self-published two of the three graphic novels of his Masterpiece, magnum opus, ''The Wizard King (comic), The Wizard King'' trilogy, about Odkin son of Odkin before his death by suicide. Much of his early professional artwork is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Gaines
William Maxwell Gaines (; March 1, 1922 – June 3, 1992), was an American publisher and co-editor of EC Comics. Following a shift in EC's direction in 1950, Gaines presided over what became an artistically influential and historically important line of mature-audience comics. He published the satirical magazine '' Mad'' for over 40 years. He was posthumously inducted into the comic book industry's Will Eisner Comic Book Hall of Fame (1993) and the Jack Kirby Hall of Fame (1997). In 2012, he was inducted into the Ghastly Awards' Hall of Fame. Early life Gaines was born in Brooklyn, New York, to a Jewish household. His father was Max Gaines, who as publisher of the All-American Comics division of DC Comics was also an influential figure in the history of comics. The elder Gaines tested the idea of packaging and selling comics on newsstands in 1933, and Gaines accepted William Moulton Marston's proposal in 1941 for the first successful female superhero, Wonder Woman. As Worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Williamson
Alfonso Williamson (March 21, 1931 – June 12, 2010) was an American cartoonist, comic book artist and illustrator specializing in adventure, Western, science fiction and fantasy. Born in New York City, he spent much of his early childhood in Bogotá, Colombia before moving back to the United States at the age of 12. In his youth, Williamson developed an interest in comic strips, particularly Alex Raymond's ''Flash Gordon''. He took art classes at Burne Hogarth's Cartoonists and Illustrators School, there befriending future cartoonists Wally Wood and Roy Krenkel, who introduced him to the work of illustrators who had influenced adventure strips. Before long, he was working professionally in the comics industry. His most notable works include his science-fiction/ heroic-fantasy art for EC Comics in the 1950s, on titles including '' Weird Science'' and ''Weird Fantasy''. In the 1960s, he gained recognition for continuing Raymond's illustrative tradition with his work on the ''Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recursive Plotting
Recursive science fiction is a subgenre of science fiction, which itself takes the form of an exploration of science fiction within the narrative of the story. Analysis In the book ''Resnick at Large'', authors Mike Resnick and Robert J. Sawyer describe recursive science fiction as, "science fiction ''about'' science fiction". In the work, ''The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders'', Gary Westfahl comments, "Recursive fantasy fiction – that is, a fantasy about writing fantasy – is scarce;" one potential example of recursive fantasy, however, would be Patrick Rothfuss' ''The Kingkiller Chronicle.'' Examples Mike Resnick and Robert J. Sawyer cite ''Typewriter in the Sky'' by L. Ron Hubbard as an example of recursive science fiction. Barry N. Malzberg's novel ''Herovit's World'', about a hack science-fiction writer's struggle with the protagonist of his novels, is another. Gary Westfahl writes, "Luigi Pirandello's play ''Six C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemstone Publishing
Gemstone Publishing is an American company that publishes comic book price guides. The company was formed by Diamond Comic Distributors President and Chief Executive Officer Steve Geppi in 1994 when he bought Overstreet. Gemstone published licensed Disney comic books from June 2003 until November 2008. The company has also reprinted EC Comics of the 1950s. BOOM! Kids acquired all comic publishing licenses regarding Disney characters in the second half of 2009. Disney comics Gemstone's flagship publications were comic books featuring Disney characters; particularly the Donald Duck/Uncle Scrooge comics of such Duck artists as Carl Barks and Don Rosa, and the Mickey Mouse comics of Floyd Gottfredson, César Ferioli, and Romano Scarpa, among others. While popularly known as a reprint house, Gemstone's comics were actually dominated by stories that were new to United States audiences. Vintage material, though popular with readers, was not the majority of the content. Gemstone is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russ Cochran (publisher)
Russ Cochran (; July 3, 1937 – February 23, 2020) was a publisher of EC Comics reprints, Disney comics, and books on Hopalong Cassidy, Chet Atkins, Les Paul, and vacuum tubes. He was a publisher for over 30 years, after quitting his job as a physics professor. His EC Comics reprints included the black-and-white '' The Complete EC Library'', the four-color '' EC Annuals'', and the full-color hardcover EC Archives. In 1982, he was awarded an Inkpot Award. Cochran was associated with Another Rainbow Publishing, Gladstone Publishing, and Gemstone Publishing. EC Comics reprints Cochran's reprints (which have been released through a number of publishers, including Cochran himself) were compiled primarily from copies of the original artwork pages (complemented when necessary by scans of the original printed comics), which were owned by EC Publisher William Gaines. Cochran befriended Gaines and also handled the resale of the original artwork to collectors via mail-auction catalogs duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weird Fantasy
''Weird Fantasy'' is an American dark fantasy and science fiction anthology comic that was part of the EC Comics line in the early 1950s. The companion comic for ''Weird Fantasy'' was '' Weird Science''. Over a four-year span, ''Weird Fantasy'' ran for 22 issues, ending with the November–December 1953 issue. Publication history The bi-monthly science-fiction comic, published by Bill Gaines and edited by Al Feldstein, replaced romance comic '' A Moon, A Girl... Romance'' with the May/June 1950 issue. Although the title and format change took effect with issue 13, Gaines and Feldstein decided not to restart the numbering in order to save money on second class postage. The Post Office took note, and starting with issue #6, all the issues were numbered correctly. Because of this, "''Weird Fantasy'' #13" could refer to either the May/June 1950 issue or the actual 13th issue of the title, published in 1952. The same confusion exists for issues #14–17, #17 being the last issue publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comics Code
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA allowed the comic publishers to self-regulate the content of comic books in the United States. The code was voluntary; there was no law requiring its use, although some advertisers and retailers looked to it for reassurance. Some publishers including Dell, Western, and Classics Illustrated never used it. Its code, commonly called "the Comics Code", lasted until the early 21st century. The CC formation followed a moral panic centered around a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book ''Seduction of the Innocent''. Members submitted comics to the CCA, which screened them for adherence to its code, then authorized the use of their seal on the cover if the book was found to be in compliance. At the height of its influence, it was a ''de facto'' censor for the entire U.S. comic book industry. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EC Comics
Entertaining Comics, more commonly known as EC Comics, was an American publisher of comic books, which specialized in horror fiction, crime fiction, satire, military fiction, dark fantasy, and science fiction from the 1940s through the mid-1950s, notably the ''Tales from the Crypt'' series. Initially, EC was owned by Maxwell Gaines and specialized in educational and child-oriented stories. After Max Gaines' death in a boating accident in 1947, his son William Gaines took over the company and began to print more mature stories, delving into genres of horror, war, fantasy, science-fiction, adventure, and others. Noted for their high quality and shock endings, these stories were also unique in their socially conscious, progressive themes (including racial equality, anti-war advocacy, nuclear disarmament, and environmentalism) that anticipated the Civil Rights Movement and dawn of 1960s counterculture. In 1954–55, censorship pressures prompted it to concentrate on the humor mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weird Science-Fantasy
''Weird Science-Fantasy'' was an American science fiction-fantasy anthology comic, that was part of the EC Comics line in the early 1950s. Over a 14-month span, the comic ran for seven issues, starting in March 1954 with issue #23 and ending with issue #29 in May/June 1955. Origin The comic, published by Bill Gaines and edited by Al Feldstein, was a merger of two previous bi-monthly titles, '' Weird Science'' and ''Weird Fantasy'', which ran from 1950 to 1953, both ending at issue #22. Because of the losses suffered from those two comics, Gaines and Feldstein combined the two into a single comic, published quarterly and priced at 15 cents. The price would be lowered back down to 10 cents after the first two issues. The comic reverted to a bi-monthly schedule with issue #27 in January/February 1955. In the summer of 1955, there was yet another title change as ''Weird Science-Fantasy'' became '' Incredible Science Fiction'' for the final four issues. Artists and writers Cover il ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Krenkel
Roy Gerald Krenkel (July 11, 1918 – February 24, 1983), who often signed his work RGK, was an American illustrator who specialized in fantasy and historical drawings and paintings for books, magazines and comic books. Influences and study His artwork revealed the strong influence of artist Norman Lindsay, in addition to Franklin Booth, Joseph Clement Coll and J. Allen St. John. In 1939, he was attending Cooper Union's Art School. Before World War II he studied with George Bridgman at the Art Students League of New York. During the War he served as a Private in the U.S. Army in the Philippines. His enlistment papers of January 23, 1942, record him as living in Queens, as having graduated high school, and as single, without dependents, employed as an actor. After the War, Krenkel attended Burne Hogarth's classes at the Cartoonists and Illustrators School, which became the School of Visual Arts. There he met a group of young cartoonists, including Joe Orlando, Frank Fraze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
