|
In The Land Of Hi-Fi (Sarah Vaughan Album)
''In the Land of Hi-Fi'' is a 1955 studio album by the American jazz singer Sarah Vaughan. It was recorded October 25–27, 1955, in New York City. Alternate takes from these sessions, featuring a young Cannonball Adderley, were compiled on ''The Complete Sarah Vaughan On Mercury, Vol. 1 - Great Jazz Years 1954-1956''. Track listing #" Over the Rainbow" ( Harold Arlen, E.Y. "Yip" Harburg) – 3:30 #" Soon" (George Gershwin, Ira Gershwin) – 2:37 #"Cherokee" (Ray Noble) – 2:32 #"I'll Never Smile Again" (Ruth Lowe) – 2:35 #"Don't Be on the Outside" ( George Kelly, Mayme Watts, Sidney Wyche) – 3:01 #"How High the Moon" ( Morgan Lewis, Nancy Hamilton) – 2:36 #"It Shouldn't Happen to a Dream" ( Duke Ellington, Don George, Johnny Hodges) – 3:20 #"Sometimes I'm Happy" (Vincent Youmans, Irving Caesar) – 2:57 #" Maybe" (G. Gershwin, I. Gershwin) – 2:34 #"An Occasional Man" (Ralph Blane, Hugh Martin) – 2:33 #"Why Can't I?" ( Richard Rodgers, Lorenz Hart) – 2:54 #"O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Vaughan
Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer. Nicknamed "Sassy" and "Jazz royalty, The Divine One", she won two Grammy Awards, including the Lifetime Achievement Award, and was nominated for a total of nine Grammy Awards. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century". Early life Vaughan was born in Newark, New Jersey, to Asbury "Jake" Vaughan, a carpenter by trade who played guitar and piano, and Ada Vaughan, a laundress who sang in the church choir, migrants from Virginia. The Vaughans lived in a house on Brunswick Street in Newark for Vaughan's entire childhood. Jake was deeply religious. The family was active in New Mount Zion Baptist Church at 186 Thomas Street. Vaughan began piano lessons at the age of seven, sang in the church choir, and played piano for rehearsals and services. She developed an early love for popular music on records and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cherokee (Ray Noble Song)
"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). Structure The composition has a 64-bar AABA construction. The A-section harmony is straightforward by the standards of 1930s songs, but the B-section is more sophisticated. This is because "it cadences (via ii-7–V7–I progressions) into the keys of B Major, A Major and G Major before moving toward the B tonic." Recordings "Cherokee" has been recorded over the years by many jazz musicians and singers. Charlie Barnet and His Orchestra's 1939 version reached No. 15 on the pop charts; he later re-recorded it in Hi Fi stereo for Everest Records in 1958. It was later recorded by Charlie Parker, the Count Basie Orchestra, Duke Ellington, Sarah Vaughan (1955), Dakota Staton (1958), Art Tatum and Keely Smit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oh, Kay!
''Oh, Kay!'' is a musical with music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse. It is based on the play ''La Présidente'' by Maurice Hennequin and Pierre Veber. The plot revolves around the adventures of the Duke of Durham and his sister, Lady Kay, English bootleggers in Prohibition Era America. Kay finds herself falling in love with a man who seems unavailable. The show is remembered for its enduring song, " Someone to Watch Over Me". The musical opened on Broadway in 1926, starring Gertrude Lawrence and Victor Moore, and ran for 256 performances. The musical then opened in London's West End in 1927, starring Lawrence and John Kirby, where it ran for 213 performances. Background Producers Alex A. Aarons and Vinton Freedley imagined ''Oh, Kay!'' as a Princess Theatre-style show, with a contemporary setting, simple sets, and a farcical story. Gertrude Lawrence, who had been featured in the André Charlot revues of 1924 and 1925, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Caesar
Irving Caesar (born Isidor Keiser, July 4, 1895 – December 18, 1996) was an American lyricist and theater composer who wrote lyrics for numerous song standards, including " Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and " Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame. Biography Caesar, the son of Morris Keiser, a Romanian Jew, was born in New York City, United States. His older brother Arthur Caesar was a successful Hollywood screenwriter. The Caesar brothers spent their childhood and teen years in Yorkville, the same Manhattan neighborhood where the Marx Brothers were raised. Caesar knew the Marx Brothers during his childhood. He was educated at Chappaqua Mountain Institute in Chappaqua, New York. In his career, Caesar collaborated with a wide variety of composers and songwriters, including Rudolf Friml, George Gershwin, Sigmund Romberg, Victor Herbert, Ted Koehler and Ray Hender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sometimes I'm Happy
"Sometimes I'm Happy" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was originally published in 1923 under the title "Come On And Pet Me," with lyrics by Oscar Hammerstein II and William Cary Duncan. Background It was originally intended for the Broadway musical ''Mary Jane McKane,'' but was cut before the show opened. The music was subsequently used, with new lyrics and title, in the short-lived 1925 musical ''A Night Out,'' and in the musical '' Hit the Deck,'' starring Stanley Holloway and opening in April 1927. The song was performed in '' Hit the Deck'' by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609. The best-selling versions were by King and Groody and by Roger Wolfe Kahn (with vocal by Franklyn Baur), also issued by Victor (catalog number 20599). Two other versions, a duet by Baur and Gladys Rice on Columbia Records (catalog number 998-D) and a vocal by Vaugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don George
Don R. George (August 27, 1909 – 1987) was an American lyricist of popular music. His songs include " The Yellow Rose of Texas" " I Ain't Got Nothin' But the Blues" (1937), "I'm Beginning to See the Light" (1944) and " Everything but You" (1945). George has also written lyrics for film songs. He was a personal friend and occasional lyricist of jazz composer Duke Ellington Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ..., whom he followed closely from 1943 until Ellington's death in 1974. It was with Ellington that he wrote many of hist best-known songs. George wrote a 1981 biography of Ellington titled ''Sweet Man: The Real Duke Ellington''. Notes External links * {{DEFAULTSORT:George, Don American lyricists 1909 births 1987 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgan Lewis (songwriter)
William Morgan "Buddy" Lewis, Jr. (26 December 1906 – 8 December 1968) was a writer of jazz songs, some of which were also recorded in the pop music genre. Lewis was born in Rockville, Connecticut and died in New York City. He wrote songs and Broadway theatre scores with lyricist Nancy Hamilton including "How High the Moon" and "The Old Soft Shoe". Selected work ;Songs * "At Last It's Love" * "Cause You Won't Play House" * "Fool for Luck" * "A House with a Little Red Barn" * "How High the Moon "How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue '' Two for the Show'', where it was sung by Alfred Drake and Frances Comstock. In ''Two for the S ..." * "I Only Know" * "If It's Love" * "A Lovely, Lazy Kind of Day" * "Oh, You're a Wonderful Person" * "The Old Soft Shoe" * "Teeter Totter Tessie" * "Two Can Dream the Same Dream" * "The Yoo Hoo Blues" ;Broadway theatre scores * ''New Face ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How High The Moon
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue '' Two for the Show'', where it was sung by Alfred Drake and Frances Comstock. In ''Two for the Show'', this was a rare serious moment in an otherwise humorous revue. Recordings The earliest recorded hit version was by Benny Goodman & His Orchestra, featuring vocalist Helen Forrest. It was recorded on February 7, 1940, and released by Columbia Records as catalog number 35391, with the flip side "Fable of the Rose". The Les Paul Trio recorded a version released as V-Disc 540B with a spoken introduction which was issued in November, 1945 by the U.S. War Department. In 1948, bandleader Stan Kenton enjoyed some success with his version of the tune. The recording, with a vocal by June Christy, was released by Capitol Records as catalog number 911 (with the flip side " Willow, Weep for Me") and 15117 (with the flip side "Interlude"). It re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Kelly (musician)
George Kelly (July 31, 1915 – May 24, 1998) was an American jazz tenor saxophonist and arranger born in Miami, Florida. Panama Francis was a sideman in Kelly's band in the 1930s; Kelly played in Francis's Savoy Sultans band in the 1970s, and had played in Al Cooper's band of the same name in the 1940s. Additionally, Kelly led his own bands and worked with other jazz artists such as Tiny Grimes, Rex Stewart and Cozy Cole. "Kelly had a strong tenor tone that looked back towards the swing era while he was clearly aware of later developments." Discography As leader/co-leader *''Stealing Apples'' (Dharma) *''Slide Kelly Slide/In the Mood'' (1976, Jazz Session) *''George Kelly in Cimiez'' (1979, Black & Blue) *''Fine and Dandy'' (1982, Barron) *''Cotton Club'' (1983) *''George Kelly Plays Don Redman'' (1984, Stash) *''Groove Move'' (1994, Jazzpoint) As sideman With Rex Stewart *''Rendezvous with Rex ''Rendezvous with Rex'' is an album by cornetist Rex Stewart which was recorded i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
