In Your Own Sweet Way
   HOME
*





In Your Own Sweet Way
"In Your Own Sweet Way" is a 1955 jazz standard, and one of the most famous compositions by Dave Brubeck. It was written around 1952, but its copyright notice was dated 1955. Brubeck's wife Iola, for whom the song was written, later wrote a lyric for the song, which led to singers such as Carmen McRae recording it. Although an earlier live recording is known, "In Your Own Sweet Way" was first released on Brubeck's 1956 studio album ''Brubeck Plays Brubeck''. Composition "In Your Own Sweet Way" is written in the key of B flat major, and is a jazz ballad in thirty-two-bar form with an eight-bar Bridge (music), interlude typically played between each chorus. Author of the 1996 biography ''It's About Time: The Dave Brubeck Story'', Fred Hall, said that this jazz standard, like other standards, such as "Take Five," has been performed by "various Brubeck combinations" and many other artists. ''All Music Guide to Jazz'' notes the "contrasting lines" of the piece, In the liner notes to ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Dave Brubeck
David Warren Brubeck (; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, Metre (music), meters, and tonality, tonalities. Born in Concord, California, Brubeck was drafted into the US Army, but was spared from combat service when a International Red Cross and Red Crescent Movement, Red Cross show he had played at became a hit. Within the US Army, Brubeck formed one of the first racial integration, racially diverse bands. In 1951, Brubeck formed the Dave Brubeck Quartet, which kept its name despite shifting personnel. The most successful—and prolific—lineup of the quartet was the one between 1958 and 1968. This lineup, in addition to Brubeck, featured saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello. A U.S. Department of State-sponsored tour in 1958 featuring the band inspir ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Collectors' Items
''Collectors' Items'' is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" (two takes) and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker (credited under the pseudonym "Charlie Chan" due to contractual obligations) on tenor sax, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums. According to Ira Gitler's liner notes, the 1953 session was only the second time Parker had recorded on tenor saxophone. The CD edition's liner notes indicate the session was the only time Parker and Rollins recorded together. Davis describes the session with Parker in his autobiography ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Art Farmer
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player. As Farmer's reputation grew, he expanded from bebop into more experimental forms through working with composers such as George Russell and Teddy Charles. He went on to join Gerry Mulligan's quartet and, with Benny Golson, to co-found the Jazztet. Continuing to develop his own sound, Farmer switched from trumpet to the warmer flugelhorn in the early 1960s, and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

John Etheridge
John Michael Glyn Etheridge (born 12 January 1948) is an English jazz fusion guitarist, composer, bandleader and educator known for his eclecticism and broad range of associations in jazz, classical, and contemporary music. He is best known for his work with Soft Machine from 1975 to 1978, 1984 and 2004 to present. Biography Early life Etheridge began playing at 13, his early influences being Hank Marvin of The Shadows and Django Reinhardt. Although his father was a jazz pianist, he was primarily self-taught. In the mid 1960s he formed his first notable band, Rush Release, with Robert Lipson (the future drummer of Gracious!). The band was formed at the height of the British 'blues boom', with the emergence of guitarists such as Peter Green, Jeff Beck and, later, Jimi Hendrix. Etheridge played with Rush Release at London's Speakeasy Club in 1966, and on occasion would jam with other guitarists on the scene such as Eric Clapton. In 1967, Etheridge left London to study Histo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Keith Jarrett At The Blue Note
''Keith Jarrett at the Blue Note'' ''The complete recordings'' is a 6-CD box set live album by Keith Jarrett's Standards Trio recorded at the Blue Note Jazz Club in New York City in 1994 and released by ECM Records in October 1995. Totaling more than seven hours of music (applause included), the multi-CD box documents the "complete" performances of a three-day / double-set Friday to Sunday stand. Reception The Allmusic review by Scott Yanow awarded the set 5 stars, stating: "Never mind that this same group has already had ten separate releases since 1983; this box is still well worth getting.... Throughout the three nights at the Blue Note, the interplay among the musicians is consistently outstanding. Those listeners concerned about Jarrett's tendency to 'sing along' with his piano have little to fear for, other than occasional shouts and sighs, he wisely lets his piano do the talking."Yanow, SAllmusic review accessed August 16, 2011. Journalist Jon Pareles of ''The New York Tim ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Keith Jarrett
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music. His album, ''The Köln Concert'', released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll. In 2003, Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music. In 2004, he received the Léonie Sonning Music Prize. In February 2018, Jarrett suffered a stroke and has been unable to perform since. A second stroke, in May 2018, left ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Easy Livin' (Clare Fischer Album)
''Easy Livin is an album by composer/arranger/keyboardist Clare Fischer, a program of standards featuring both solo piano performances and piano-bass duets, recorded on August 8, 1963, given a limited release in 1966 (see original album cover below), and reissued in 1968 on the Revelation label. Track listing Composer credits and durations derived from album images. Side One # " In Your Own Sweet Way" ( Dave Brubeck) - 4:05 # "Glad to Be Unhappy" ( Richard Rodgers & Lorenz Hart) - 2:18 # "Aquarius" (João Donato) - 4:12 # "My Pretty Girl" (Charles Fulcher) - 2:14 # "Kerry Dancer" (Irish traditional) - 4:55 # "Goodbye" (Gordon Jenkins) 5:17 Side Two # "I'll Take Romance" (Ben Oakland & Oscar Hammerstein II) - 11:44 #" Easy Livin' ic" (Ralph Rainger & Leo Robin) - 10:44 Personnel *Clare Fischer - piano *Bobby West - bass (Side One, track 6; Side Two, tracks 1-2) References External links Album & album cover imagesat eBay eBay Inc. ( ) is an American multinational ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Incredible Jazz Guitar Of Wes Montgomery
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for an unusual technique of plucking the strings with the side of his thumb and his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy (Charles F.) and Monk (William H.) and with organist Melvin Rhyne. His recordings up to 1965 were oriented towards hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Biography Montgomery was born in Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with their father and attended Champion High School. His older brother Monk dropped ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Altered Chord
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed from the parallel key, and the most common is the use of secondary dominants. As Alfred Blatter explains, "An altered chord occurs when one of the standard, functional chords is given another quality by the modification of one or more components of the chord." For example, altered notes may be used as leading tones to emphasize their diatonic neighbors. Contrast this with chord extensions: In jazz harmony, chromatic alteration is either the addition of notes not in the scale or expansion of a hordprogression by adding extra non-diatonic chords.Arkin, Eddie (2004). ''Creative Chord Substitution for Jazz Guitar'', p. 42. . For example, "A C major scale with an added D ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]