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In Sides
''In Sides'' is the fourth album by British electronic group Orbital, released in the UK on Internal on 29 April 1996. The album's title is a reference to the fact that the original vinyl LP release of the album was as a 3-LP vinyl box set, with one track per side of each disc. ''In Sides'' saw the band continue the process, begun on their previous album ''Snivilisation'', of moving away from making music for the rave scene towards more intricately crafted melodies and reflective, downtempo tracks. Gathering widespread acclaim not just from dance music magazines but also the UK's more traditional rock music papers such as ''NME'' and ''Melody Maker'', the album is considered by many reviewers and fans to be among Orbital's best work. The album spent 12 weeks in the UK charts in 1996, and reached a high of No. 5 in the week of its release. Recording The album was recorded at Orbital's rented studio space at The Strongroom in central London. It was mostly programmed and recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orbital (band)
Orbital are an English electronic music duo from Otford, Kent, England, consisting of brothers Phil and Paul Hartnoll. The band's name is taken from Greater London's orbital motorway, the M25, which was central to the early rave scene during the early days of acid house. Additionally, the cover art on three of their albums showcase stylised atomic orbitals. Orbital have been critically and commercially successful, known particularly for their live improvisation during shows. They were initially influenced by early electro and punk rock. Career Early years In 1989, Orbital recorded " Chime" on their father's 4 track tape deck, which they released on Oh Zone Records in December 1989 and re-released on FFRR Records a few months later. The track became a rave anthem, reaching number 17 in the UK charts and earning them an appearance on ''Top of the Pops'', during which they wore anti- Poll Tax T-shirts. According to Paul Hartnoll, the track was recorded "under the stairs" of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apple Inc
Apple Inc. is an American multinational technology company headquartered in Cupertino, California, United States. Apple is the largest technology company by revenue (totaling in 2021) and, as of June 2022, is the world's biggest company by market capitalization, the fourth-largest personal computer vendor by unit sales and second-largest mobile phone manufacturer. It is one of the Big Five American information technology companies, alongside Alphabet, Amazon, Meta, and Microsoft. Apple was founded as Apple Computer Company on April 1, 1976, by Steve Wozniak, Steve Jobs and Ronald Wayne to develop and sell Wozniak's Apple I personal computer. It was incorporated by Jobs and Wozniak as Apple Computer, Inc. in 1977 and the company's next computer, the Apple II, became a best seller and one of the first mass-produced microcomputers. Apple went public in 1980 to instant financial success. The company developed computers featuring innovative graphical user inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilda Swinton
Katherine Matilda Swinton (born 5 November 1960) is a British actress. Known for her roles in independent films and blockbusters, she has received various accolades, including an Academy Award and a British Academy Film Award, in addition to nominations for three Golden Globe Awards and five Screen Actors Guild Awards. In 2020, ''The New York Times'' ranked her as one of the greatest actors of the 21st century. Swinton began her career by appearing in the experimental films ''Caravaggio'' (1986), '' The Last of England'' (1988), ''War Requiem'' (1989), and '' The Garden'' (1990). Swinton won the Volpi Cup for Best Actress at the Venice Film Festival for her portrayal of Isabella of France in ''Edward II'' (1991). She next starred in Sally Potter's ''Orlando'' (1992), for which she was nominated for the European Film Award for Best Actress. She was nominated for a Golden Globe Award for her performance in '' The Deep End'' (2001). That followed with appearances in ''Vanilla Sk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Saint (Orbital Song)
"The Saint" is a theme tune for ''The Saint'' composed first as a whistled melody by author Leslie Charteris himself, before being expanded by Edwin Astley 1962, and later Brian Dee, Irving Martin, and Orbital in television and film versions. Orbital version English electronic music duo Orbital covered "The Saint" and released it as a single in April 1997. It is taken from the soundtrack to the film of the same name. The track is an updated version of Edwin Astley's theme music from the 1960s TV series ''The Saint'' and plays over a scene towards the end of the film. The single's B-side, "The Sinner", is an original composition developing elements of Orbital's arrangement from the A-side. "The Saint" was one of Orbital's biggest hit singles. It reached number three in Iceland and on the UK Singles Chart, their highest-placing song on that chart along with "Satan Live". In Ireland it peaked at number seven, and in Finland it reached number eight. The single also sold well in N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alison Goldfrapp
Alison Elizabeth Margaret Goldfrapp (born 13 May 1966) is an English musician and record producer, known as the vocalist of English electronic music duo Goldfrapp. Early life Goldfrapp was born on 13 May 1966, in Enfield, London, the youngest of six children. Her mother, Isabella Barge, was a nurse. Her father, Nicholas Goldfrapp, had been an army officer, and worked in advertising. Goldfrapp's surname is of German origin. While Goldfrapp was growing up, her family moved frequently, eventually settling in Alton, Hampshire, where Goldfrapp attended the independent Alton Convent School. She sang in a choir at the school and has said that she loved being in a school with nuns. However, she was forced to leave at age 11 after failing the senior exam, and attended the local comprehensive school, Amery Hill School. She moved into a squat in London aged 16. At 24 years old, she attended Middlesex University where she studied fine art and mixed media. Career In 1994, she featured on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-6
The Roland Jupiter-6 (JP-6) is a discontinued synthesizer, manufactured and introduced by the Roland Corporation in January 1983. Background Although introduced as a less expensive ($2,500-$3,000 market price) alternative to the Roland Jupiter-8, its features include some capabilities not present in the JP-8, which makes the JP-6 a successor. The Jupiter-6 is widely considered a workhorse among polyphonic analog synthesizers, capable of producing a wide variety of sounds, such as ambient drones, pads, lead synthesizer lines, unison basses and techy blips and buzzes. It is renowned for its reliability and ease, but with sophisticated programmability. The JP-6 has 12 analog oscillators (2 per voice), and is bitimbral, allowing its keyboard to be "split" into two sounds - one with 4 voices, and one with the remaining 2 voices (either "Split 4/2" or "Split 2/4" mode). "Whole Mode" is also available, dedicating all 6 voices to single (monotimbral) sound across the entire keyboard. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Xpander
The Oberheim Xpander () is an analog synthesizer launched by Oberheim in 1984 and discontinued in 1988. It is essentially a keyboardless, six-voice version of the Matrix-12 (released a year later, in 1985). Utilizing Oberheim's Matrix Modulation technology, the Xpander combined analog audio generation (VCOs, VCF and VCAs) with the flexibility of digital controls logic. The Xpander "Owner's Manual, First Edition" describes the technology as this: :"An analogy to the Matrix Modulation system might be all of those millions of wires that existed on the first modular synthesizers. As cumbersome as all of that wiring was, it allowed the user to connect any input to any output, resulting in sophistication and flexibility unmatched by any programmable synthesizer...until now." Architecture Analog Components Each of the six voices of the Xpander is completely independent. That is to say, each could be configured to create a different timbre - this is accomplished via the multi-patch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland SH-101
The Roland SH-101 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1986. Though it was something of a commercial failure during the time of its manufacture, it later became a staple of electronic music in the 1990s, particularly house music. Sound and features The SH-101 is monophonic, meaning it can only play one note at a time. It has a single oscillator (the Curtis CEM3340) and a sub-oscillator, a low-pass filter, a mixer allowing users to blend different waveforms plus a noise generator, and an arpeggiator and sequencer. An ADSR envelope generator controls the filter and VCA, and the filter, VCA, pitch and pulse width can be controlled with an LFO. Users can attach an optional handgrip with modulation controls and shoulder strap to play the SH-101 as a keytar, and it could also be powered via battery. According to MusicRadar, the SH-101 has "snappy and razor-sharp" bass, "squelchy and expressive" leads, and a "piercing yet smooth" filter. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARP 2600
The ARP 2600 is a semi-modular analog subtractive audio synthesizer produced by ARP Instruments, Inc. History Developed by a design team headed by ARP namesake Allen R. Pearlman and engineer Dennis Colin, the ARP 2600 was introduced in 1971 as the successor to ARP's first instrument, the ARP 2500, at a retail price of US$2600. Unlike other modular systems of the time, which required modules to be purchased individually and wired by the user, the 2600 was semi-modular with a fixed selection of basic synthesizer components internally pre-wired, with clear text labels and front panel screen printed graphics indicating the function of different sections of controls, and the signal flow between them. The 2600 was thus ideal for musicians new to synthesis, due to its ability to be operated either with or without patch cords. On its initial release it was heavily marketed to high schools and universities. Features and architecture The ARP 2600 features three VCOs, a 4-pole (24 dB ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogue Synthesizer
An analog (or analogue) synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically. The earliest analog synthesizers in the 1920s and 1930s, such as the Trautonium, were built with a variety of vacuum-tube (thermionic valve) and electro-mechanical technologies. After the 1960s, analog synthesizers were built using operational amplifier (op-amp) integrated circuits, and used potentiometers (pots, or variable resistors) to adjust the sound parameters. Analog synthesizers also use low-pass filters and high-pass filters to modify the sound. While 1960s-era analog synthesizers such as the Moog used a number of independent electronic modules connected by patch cables, later analog synthesizers such as the Minimoog integrated them into single units, eliminating patch cords in favour of integrated signal routing systems. History 1900–1920 The earliest mention of a "synthetic harmoniser" using electricity appears to be in 1906, cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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