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In Person At Carnegie Hall
''In Person at Carnegie Hall'' was the seminal Irish folk group The Clancy Brothers and Tommy Makem's most successful album. It was recorded in Carnegie Hall on 17 March 1963 at their annual St. Patrick's Day concert. In the documentary, ''The Story of the Clancy Brothers and Tommy Makem'', Paddy Clancy said that this was the best album the group recorded. The album spent months on the American Top LPs chart and broke the top fifty albums in December 1963, an unprecedented occurrence for an Irish folk music recording at that time. It has never been out of print since its initial release. Two songs on the album, " The Juice of the Barley" and " Oro Se Do Bheatha Bhaile," were recorded during their previous Carnegie Hall concert from 3 November 1962. When it was first released in late 1963, only around a third of the concert appeared on the record. In 2009, the Legacy Edition was released, which contained the complete recording of the concert including banter and song introduction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clancy Brothers And Tommy Makem
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galway Bay (song)
"Galway Bay" is the name of at least two different songs. The first, "(My Own Dear) Galway Bay", is traditionally more popular and known in the Galway Bay area. The second song is more popular outside Ireland. "(My Own Dear) Galway Bay" This song is known alternatively as "Galway Bay", "My Own Dear Galway Bay", or "The Old Galway Bay". It was composed in London by Frank A. Fahy (1854–1935), a native of Kinvara, Co. Galway, on the shores of Galway Bay. It was originally written to air of "Skibbereen". One of the most renowned recordings of the later version was by the Irish singer Dolores Keane. "Galway Bay" A separate song was written by Dr. Arthur Colahan in Leicester in 1947 and popularised by Bing Crosby. Crosby recorded the song with Victor Young and his Orchestra on 27 November 1947, and changed some of the lyrics so as to be less political. It became a huge hit around the world with Irish emigrants, and reached the No. 3 position in the Billboard charts in the U.S. Cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrick Clancy
Patrick Michael Clancy (7 March 1922 – 11 November 1998), usually called Paddy Clancy or Pat Clancy, was an Irish folk singer best known as a member of the Clancy Brothers and Tommy Makem. In addition to singing and storytelling, Clancy played the harmonica with the group, which is widely credited with popularizing Irish traditional music in the United States and revitalizing it in Ireland. He also started and ran the folk music label Tradition Records, which recorded many of the key figures of the American folk music revival. Early years Clancy was one of eleven children and the eldest of four boys born to Johanna McGrath and Bob Clancy in Carrick-on-Suir, County Tipperary. During World War II he served as a flight engineer in the Royal Air Force in India; he also reportedly had been a member of the Irish Republican Army. After his demobilization, Clancy worked as a baker in London. In 1947 he emigrated to Toronto, Canada with his brother Tom Clancy. The following year, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liam Clancy
Liam Clancy ( ga, Liam Mac Fhlannchadha; 2 September 1935 – 4 December 2009) was an Irish folk singer from Carrick-on-Suir, County Tipperary. He was the youngest member of the influential folk group the Clancy Brothers, regarded as Ireland's first pop stars. They achieved global sales of millions and appeared in sold-out concerts at such prominent venues as Carnegie Hall and the Royal Albert Hall. Liam was generally considered to be the group's most powerful vocalist. Bob Dylan regarded him as the greatest ballad singer ever. In 1976, as part of the duo Makem and Clancy, he had a number one hit in Ireland with the anti-war song "And the Band Played Waltzing Matilda" (written by Scots-Australian Eric Bogle). Upon his death ''The Irish Times'' said his legacy was secured. Early life He was born at Carrick-on-Suir, County Tipperary, Ireland on 2 September 1935, the ninth and youngest surviving child (two died in childhood) of Robert Joseph Clancy and Joanna McGrath. As a child, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Whistling Gypsy
"The Whistling Gypsy", sometimes known simply as "The Gypsy Rover", is a well-known ballad composed and copyrighted by Dublin songwriter Leo Maguire in the 1950s. There are a number of similar traditional songs about a well-off woman's encounter with Gypsies, dating back at least as far as the early 19th century, known as "The Raggle Taggle Gypsy", "The Raggle Taggle Gypsies", "The Gypsy Laddie", "Nine Yellow Gypsies", "Gypsie Davie" and "Black Jack Davie" (Roud #1, Child 200). The story-line usually revolves around a woman leaving her home and her "wedded lord" to run off with one or more Gypsies, to be pursued by her husband. Dorothy Scarborough's 1937 book ''A Song Catcher In Southern Mountains: American Folk Songs of British Ancestry'' includes a lullaby called "Gypsy Davy", which Scarborough collected from two Virginia women who had learned the song from their respective grandmothers who in turn had learned it in Ireland. Scarborough's "Gypsy Davy" has a similar construction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brennan On The Moor
William "Willy" Brennan (also known as John) was an Irish Highwayman caught and hanged in Cork in either 1804Norman Cazden, Norman Studer, ''Folk songs of the Catskills'', State Univ of New York Press, 1983, pg 414 1809 or 1812, whose story was immortalised in the ballad "Brennan on the Moor". According to ''The Reminiscences of a Light Dragoon'' published in 1840, Brennan was hanged at Caher as witnessed by the author. Whilst no date is mentioned for the hanging, the author arrived in Ireland in 1808 or shortly afterwards, making an 1809 or later date for Brennan's demise more realistic. The reminiscences describe some of Brennan's exploits, his character, his partner-in-crime and ultimately his capture, trial and hanging. "Brennan on the Moor" The earliest version of the ballad dates to the middle 19th century, either the 1830s Steve Roud & Julia Bishop, eds. ''The New Penguin Book of English Folk Songs'' Penguin Classics, 2002 p.496 or to 1859, and various versions of the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wild Colonial Boy
"The Wild Colonial Boy" is a traditional anonymously penned Irish-Australian folk ballad which tells the story of a bushranger in early History of Australia#Colonisation, colonial Australia who dies during a gunfight with local police. Versions of the ballad give different names for the bushranger involved: some based on real individuals and some apparently fictional. A common theme is romanticisation of the bushranger's battle against colonial authority. According to a report in ''The Argus (Melbourne), The Argus'' in November 1880, Ann Jones, the innkeeper of the Glenrowan, Victoria, Glenrowan Hotel, had asked her son to sing the ballad when the Kelly gang were at her hotel in June that year. Identity of the bushranger Versions of the ballad depict bushrangers with the first name of "Jack" and surnames such as "Dolan," "Doolan," "Duggan" and "Donahue." It is unclear if the ballad originally referred to an actual person. One possible origin is Jack Donahue (also spelled Donohoe) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonnie Charlie
"Bonnie Charlie", also commonly known as "Will ye no come back again?", is a Scots poem by Carolina Oliphant (Lady Nairne), set to a traditional Scottish folk tune. As in several of the author's poems, its theme is the aftermath of the Jacobite Rising of 1745, which ended at the Battle of Culloden. Written well after the events it commemorates, it is not a genuine Jacobite song, like many other songs that were "composed in the late eighteenth and nineteenth centuries, but ... passed off as contemporary products of the Jacobite risings." Lady Nairne came from a Jacobite family, and Prince Charles had stopped to dine at Nairne House on 4 September 1745, during the march to Edinburgh. Her father was exiled the year after, but the family "hoarded" a number of objects "supposedly given to him by Prince Charles." The song, especially its melody, is widely and traditionally used as a song of farewell – often in association with ''Auld Lang Syne'', and generally with no particular Jaco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kelly Of Killanne
John Kelly (Kelly of Killanne) (1773 – c. 25 June 1798) lived in the town of Killanne in the parish of Rathnure, west of Enniscorthy, in County Wexford in Ireland, and was a United Irish leader who fought in the Irish Rebellion of 1798. Kelly was obviously well known to rebel and loyalist alike during the short duration of the Wexford Rebellion but almost nothing is known of him outside this time. He was one of the leaders of the rebel victory at the Battle of Three Rocks which led to the capture of Wexford town but was later seriously wounded while leading a rebel column at the Battle of New Ross. Robert Gogan describes how Kelly was under orders from the Wexford commander Bagenal Harvey to attack the military outposts around New Ross but on no account to attack the town itself. The rebels outnumbered the government forces and so Harvey sent a messenger to give them an opportunity to surrender. The messenger was shot while carrying a white flag. This angered the rebels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Moonshiner
"The Moonshiner" is a folk song with disputed origins. It is catalogued as Roud Folk Song Index No. 4301. Some believe that the song originated in America, then was later made famous in Ireland, while others claim that it was the other way around. The Clancy Brothers stated on their recording that the song is of Irish origin, but again, this is disputed. Delia Murphy was singing it in Ireland from the late 1930s. However, its first American appearance was recorded in Carl Sandberg's 1927 ''The American Songbag'', which credits the Combs family of Kentucky for the collection of the song going at least as far back as the turn of the century. The minor key arrangement is credited therein to Alfred George Wathall.Carl Sandburg, ''The American Songbag'', pp. 142-143 https://archive.org/details/americansongbag029895mbp/page/n169/mode/2up In 1963, Bob Dylan recorded "Moonshiner", which was released on ''The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991''. While this bears res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie's Wedding
"Mairi's Wedding" (also known as Marie's Wedding, the Lewis Bridal Song, or gd, Màiri Bhàn "Blond Mary") is a Scottish folk song originally written in Gaelic by John Roderick Bannerman (1865–1938) for Mary C. MacNiven (1905–1997) on the occasion of her winning the gold medal at the National Mòd in 1934. In 1959, James B. Cosh devised a Scottish country dance to the tune, which is 40 bars, in reel time. Origins J. R. Bannerman, who composed the original song, was born in South Uist but left aged seven for Glasgow, where he later joined the General Post Office (GPO) as a telegraph boy and rose to become general superintendent. He was brought up in the Glasgow Gaelic community where most social activities were conducted in Gaelic and he developed a lifelong interest in the songs and literature of that culture.Bannerman J.M, Fowler, J. ''Bannerman;the memoirs of Lord Bannerman of Kildonan''. Aberdeen, Impulse Books, 1972. His son, John MacDonald Bannerman, became a well kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irish Rover
"The Irish Rover" is an Irish folk song about a magnificent though improbable sailing ship that reaches an unfortunate end. It has been recorded by numerous artists, some of whom have made changes to the lyrics over time. The song describes a gigantic ship with "twenty-three masts" (versions by The Dubliners and The Pogues claim twenty-seven), a colourful crew and varied types of cargo in enormous amounts. The verses grow successively more extravagant about the wonders of the great ship. The seven-year voyage culminates in a disastrous end, after the ship suffers a measles outbreak, killing all but the narrator and the captain's dog. The ship then strikes a rock, turning "nine times around" and sinking. The captain's dog drowns in the incident, and the narrator is the only survivor, "the last of the ''Irish Rover''," leaving no one else alive to contradict the tale. History According to the 1966 publication ''Walton's New Treasury of Irish Songs and Ballads 2'', the song is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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