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In All Languages
''In All Languages'' is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on ''In All Languages'' had two renditions, one by each group. The double album was originally released by Caravan of Dreams, which also issued the title as a single cassette or compact disc. Coleman's record label, Harmolodic, re-issued ''In All Languages'' in 1997 through a marketing and distribution deal with Verve Records. Recording and music For the album, Coleman recorded both his original quartet and his newer Prime Time band in the same studio within the same period. '' Option'' magazine remarked that ''In All Languages'' showcases the differences between his original quartet's free jazz and the harmolodic funk of his Prime Time band. Geoffrey Himes of ...
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Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ...
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Electric Instrument
An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener. An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano, except that with an electronic keyboard, the keyboard itself does not make any sound. An electronic keyboard sends a signal to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions into a music controller (input device) and a music synthesizer, ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ...
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Avant-garde Jazz
Avant-garde jazz (also known as avant-jazz and experimental jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. It originated in the early 1950s and developed through to the late 1960s. Originally synonymous with free jazz, much avant-garde jazz was distinct from that style. History 1950s Avant-garde jazz originated in the mid- to late 1950s among a group of improvisors who rejected the conventions of bebop and post bop in an effort to blur the division between the written and the spontaneous. Ornette Coleman and Cecil Taylor led the way, soon to be joined by John Coltrane. Some would come to apply it differently from free jazz, emphasizing structure and organization by the use of composed melodies, shifting but nevertheless predetermined meters and tonalities, and distinctions between soloists and accompaniment. 1960s In Chicago, the Association for the Advancement of Creative Musicians began pursuing their own variety of ...
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JazzTimes
''JazzTimes'' is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Sabin as the newsletter ''Radio Free Jazz'' to complement his record store. Coverage After a decade of growth in subscriptions, deepening of writer pools, and internationalization, ''Radio Free Jazz'' expanded its focus and, at the suggestion of jazz critic Leonard Feather, changed its name to ''JazzTimes'' in 1980. Sabin's Glenn joined the magazine staff in 1984. In 1990, ''JazzTimes'' incorporated exclusive cover photography and higher quality art and graphic design. The magazine reviews audio and video releases concerts, instruments, music supplies, and books. It also includes a guide to musicians, events, record labels, and music schools. David Fricke, whose writing credits include ''Rolling Stone'', '' Melody Maker'' and ''Mojo'', also contributes to the magazine. Web traffic JazzTimes.com was redesigned in 2019. Among its most popular s ...
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Geoffrey Himes
Geoffrey Himes is an American music critic who has written weekly for ''the Washington Post'' since 1977. He also wrote for '' No Depression'' as a contributing editor in its first print era in the late 1990s to the early 2000s and has written for '' Paste'' since 2004. He has written lyrics for songs that have been recorded by multiple artists, including Billy Kemp & the Paradise Rockers and Mojo Filter. He has won the Deems Taylor Award from the American Society of Composers, Authors and Publishers four times (in 2002, 2005, 2014, and 2016). Books *''Born in the U.S.A.'' (a book about Bruce Springsteen's album of the same name; part of the 33⅓ series) (Bloomsbury Publishing Bloomsbury Publishing plc is a British worldwide publishing house of fiction and non-fiction. It is a constituent of the FTSE SmallCap Index. Bloomsbury's head office is located in Bloomsbury, an area of the London Borough of Camden. It has a U ..., 2005) References Living people The Washingto ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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Option (music Magazine)
''Option'' (subtitled ''Music Alternatives'', then ''Music Culture'') was a music magazine based in Los Angeles, California, US. It covered independent, underground and alternative music and multiple musical genres for an international subscription base. Its print run began in 1985 and ended in 1998. History Originally called ''OPtion'', it, along with ''Sound Choice'', were the dual successors to the earlier music magazine '' OP'', published by John Foster and the Lost Music Network and known for its diverse scope and the role it played in providing publicity to DIY musicians in the midst of the cassette culture. When Foster ended ''OP'' after only twenty-six issues, he held a conference, offering the magazine's resources to parties interested in carrying on; attendant journalist David Ciaffardini went on to start ''Sound Choice'', while Scott Becker, alongside Richie Unterberger, founded ''Option''. Whereas ''Sound Choice'' was described as a low-budget and "chaotic" publication ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Verve Records
Verve Records is an American record label owned by Universal Music Group (UMG). Founded in 1956 by Norman Granz, the label is home to the world's largest jazz catalogue, which includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz, Bill Evans, Billie Holiday, and Oscar Peterson, among others. It absorbed the catalogues of Granz's earlier label, Clef Records, founded in 1946; Norgran Records, founded in 1953; and material which was previously licensed to Mercury Records. Verve also served as the original home of rock acts such as The Velvet Underground, Frank Zappa and the Mothers of Invention. The restructured Verve Records is now part of the Verve Label Group (VLG), a subsidiary of Universal Music Group. This company is also home to historic imprints including Verve Forecast, Impulse! and Decca Records. History Norman Granz created Verve to produce new recordings by Ella Fitzgerald, whom he managed; the first album the label released was ''Ella Fitzge ...
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Harmolodics
Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. It is associated with avant-garde jazz and free jazz, although its implications extend beyond these limits. Coleman also used the name "Harmolodic" for both his first website and his record label. Description Coleman defined harmolodics as "the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group". Applied to the particulars of music, this means that "harmony, melody, speed, rhythm, time and phrases all have equal position in the results that come from the placing and spacing of ideas". (see: aspects of music) Harmolodics seeks to free musical compositions from any ...
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