In-ear Monitor
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In-ear Monitor
In-ear monitors (IEMs) are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. They are also used by television presenters in order to receive vocal instructions, info, and breaking news announcements from a producer that only the presenter hears. They are often custom fitted for an individual's ears to provide comfort and a high level of noise reduction from ambient surroundings. Their origins as a tool in live music performance can be traced back to the mid-1980s. A stage monitor system is any system that provides a mix of audio sources to a performer on stage. Traditionally, loudspeakers were placed on the stage directed toward the performers. These loudspeakers can have disadvantages. First, floor wedges greatly increase the onstage volume, in some cases to potential hearing damage levels. Second, while floor wedges can be placed in front ...
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IEM Receiver Packs
IEM can refer to: * ''I.E.M.'' (album) * Inborn error of metabolism * In-ear monitors, devices used by musicians, audio engineers and audiophiles to listen to music * Incredible Expanding Mindfuck (Music) * Information Engineering Methodology * Innovative Emergency Management * Institute of Electronic Music and Acoustics (Institut für Elektronische Musik und Akustik), part of the University of Music and Performing Arts, Graz * Institute of Engineering and Management * Integrated Enterprise Modeling * Institute of Engineering in Medicine, part of the University of California, San Diego * Institute for Experimental Mathematics, a central scientific facility of the University of Duisburg-Essen * Intel Extreme Masters, a series of international esports tournaments * International emergency medicine * Internet Explorer Mobile * Ion evaporation model, a model explaining electrospray ionization in mass spectrometry * Iowa Electronic Markets * Internal Energy Market, of the Europe ...
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Sound On Sound
''Sound on Sound'' is an independently owned monthly music technology magazine published by SOS Publications Group, based in Cambridge, United Kingdom. The magazine includes product tests of electronic musical performance and recording devices, and interviews with industry professionals. Due to its technical focus, it is predominantly aimed at the professional recording studio market as well as artist project studios and home recording enthusiasts. All news and articles printed in the magazine since January 1994 have also been published online via its website, often including rich media content such as video and audio files that correspond to the content of individual articles. The articles printed in the magazine before January 1994 can be found on the Mu:zines website. History The magazine was conceived, created and founded by brothers Ian and Paul Gilby in 1985, and was originally launched in 1985 on the UK Channel 4 television programme, '' The Tube'', championing the conve ...
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Studio Monitor
Studio monitors are loudspeakers in speaker enclosures specifically designed for professional audio production applications, such as recording studios, filmmaking, television studios, radio studios and project or home studios, where accurate audio reproduction is crucial. Among audio engineers, the term ''monitor'' implies that the speaker is designed to produce relatively flat (linear) phase and frequency responses. In other words, it exhibits minimal emphasis or de-emphasis of particular frequencies, the loudspeaker gives an accurate reproduction of the tonal qualities of the source audio ("uncolored" or "transparent" are synonyms), and there will be no relative phase shift of particular frequencies—meaning no distortion in sound-stage perspective for stereo recordings. Beyond stereo sound-stage requirements, a linear phase response helps impulse response remain true to source without encountering "smearing". An unqualified reference to a ''monitor'' often refers to a ''ne ...
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MMCX Connector
Micro-miniature coaxial (MMCX) connectors are coaxial RF connectors similar to MCX but smaller. They conform to the European CECC 22000 specification. MMCX connectors are rated to 500 mating cycles. The connectors have a lock-snap mechanism allowing 360-degree rotation and usually have a 50 Ω impedance. They offer broadband capability from DC to 6 GHz. MMCX connectors are seen on Wi-Fi PCMCIA cards as antenna connectors or as connectors for external GPS antennas on small devices like PDAs or GPS receivers, or on mobile phones to connect external GSM-Antennas. They are also used by various brands of in-ear monitors to connect the cable to the individual earpieces. This allows for the cables to be replaced or swapped. They were developed in the 1990s. MMCX is also used in some video transmitters for First-Person View (FPV) radio control piloting. This makes swapping antennas and repairing easier than the U.FL connectors. See also * MCX connector - Micro coaxial * T ...
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Signal-to-noise Ratio
Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to the noise power, often expressed in decibels. A ratio higher than 1:1 (greater than 0 dB) indicates more signal than noise. SNR, bandwidth, and channel capacity of a communication channel are connected by the Shannon–Hartley theorem. Definition Signal-to-noise ratio is defined as the ratio of the power of a signal (meaningful input) to the power of background noise (meaningless or unwanted input): : \mathrm = \frac, where is average power. Both signal and noise power must be measured at the same or equivalent points in a system, and within the same system bandwidth. Depending on whether the signal is a constant () or a random variable (), the signal-to-noise ratio for random noise becomes: : \mathrm = \frac where E refers to the expected value, i.e. in this case ...
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Interruptible Foldback
Interruptible foldback (IFB), also known as interrupted foldback, interruptible feedback, or interrupt for broadcast, is a monitoring and cueing system used in television, filmmaking, video production, and radio broadcast for one-way communication from the director or assistant director to on-air talent or a remote location. The names are backronyms for the Telex IFB-XXX model line. Less common names for the system include program cue interrupt (PCI) and switched talkback. IFB is often facilitated using an earpiece that on-air persons wear to get cues, feedback or direction from their control rooms. The earpiece itself may also be referred to as an IFB. Sometimes IFB is accomplished by the director talking to off-camera personnel who visually cue the on-camera talent. The IFB is a special intercom circuit that consists of a mix-minus program feed sent to an earpiece worn by talent via a wire, telephone, or radio receiver (audio that is being "fed back" to talent) that can be inte ...
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Intercom
An intercom, also called an intercommunication device, intercommunicator, or interphone, is a stand-alone voice communications system for use within a building or small collection of buildings which functions independently of the public telephone network. Intercoms are generally mounted permanently in buildings and vehicles. Intercoms can incorporate connections to public address loudspeaker systems, walkie talkies, telephones, and other intercom systems. Some intercom systems incorporate control of devices such as signal lights and door latches. Intercoms are used on a wide variety of properties; from houses that only require one connection between a resident and the property's entrance to multi-unit apartments that require intercom hardware to be installed in every individual apartment. Some are equipped with video and its wiring (electrical installation) can be connected to the outside with a few pairs (4-6 pairs) while controlling an electric strike. The latest generations a ...
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Television Studio
A television studio, also called a television production studio, is an installation room in which video productions take place, either for the production of live television and its recording onto video tape or other media such as SSDs, or for the acquisition of raw footage for post-production. The design of a studio is similar to, and derived from, movie studios, with a few amendments for the special requirements of television production. A professional television studio generally has several rooms, which are kept separate for noise and practicality reasons. These rooms are connected via 'talkback' or an intercom, and personnel will be divided among these workplaces. Studio floor The studio floor is the actual stage on which the actions that will be recorded and viewed take place. A typical studio floor has the following characteristics and installations: * decoration and/or sets * professional video camera (sometimes one, usually several), typically mounted on pedestals * mic ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Decibels
The decibel (symbol: dB) is a relative unit of measurement equal to one tenth of a bel (B). It expresses the ratio of two values of a Power, root-power, and field quantities, power or root-power quantity on a logarithmic scale. Two signals whose level (logarithmic quantity), levels differ by one decibel have a power ratio of 101/10 (approximately ) or root-power ratio of 10 (approximately ). The unit expresses a relative change or an absolute value. In the latter case, the numeric value expresses the ratio of a value to a fixed reference value; when used in this way, the unit symbol is often suffixed with letter codes that indicate the reference value. For example, for the reference value of 1 volt, a common suffix is "#Voltage, V" (e.g., "20 dBV"). Two principal types of scaling of the decibel are in common use. When expressing a power ratio, it is defined as ten times the Common logarithm, logarithm in base 10. That is, a change in ''power'' by a factor of 10 corresp ...
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