|
Impressions (Buck Hill Album)
''Impressions'' is a live album by saxophonist Buck Hill which was recorded at the North Sea Jazz Festival in 1981 and released on the SteepleChase label.Fitzgerald, MJazzdiscography: Buck Hill Leader Entry accessed March 20, 2019 Reception The AllMusic review by Scott Yanow stated "This particular LP, recorded at the same Northsea Jazz Festival that had already resulted in ''Easy to Love'', features Hill in 1981 leading a quartet ... The solos of Hill and Brown are excellent if not overly memorable, and the results are pleasing and swinging while being a little explorative in spots". Track listing # " Alone Together" (Arthur Schwartz, Howard Dietz) – 9:05 # "Penn Station" (Reuben Brown) – 10:50 # " Yesterdays" (Jerome Kern, Otto Harbach) – 11:58 # " Impressions" (John Coltrane) – 8:45 # "Spaces" (Brown) – 7:54 Additional track on CD release Personnel *Buck Hill – tenor saxophone *Reuben Brown – piano *Wilbur Little Wilbur "Doc" Little (March 5, 1928 – May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buck Hill (musician)
Roger Wendell "Buck" Hill (February 13, 1927 – March 20, 2017) was an American jazz tenor and soprano saxophonist. Hill began playing professionally in 1943 but held a day job as a mailman in his birthplace of Washington, D.C. for over thirty years. He played with Charlie Byrd in 1958-59, but was only occasionally active during the 1960s. He began recording extensively as a leader in the 1970s, but continued recording with others, such as an album with the Washington-area trumpeter Allan Houser in 1973. Hill died at his home in Greenbelt, Maryland, at the age of 90. A tribute mural, sponsored by the District of Columbia Department of Public Works MuralsDC project and donated by Snell Properties, featuring Hill playing a saxophone in his mailman uniform, was unveiled on August 27, 2019, which Washington, DC Mayor Muriel Bowser declared “Roger Wendell Buck Hill Day” in the city. The mural, at just over 70 feet, is the tallest tribute mural in the nation's capital. It is lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigrant parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SteepleChase Records Live Albums
Steeplechase may refer to: * Steeplechase (horse racing), a type of horse race in which participants are required to jump over obstacles * Steeplechase (athletics), an event in athletics that derives its name from the steeplechase in horse racing * Steeplechase (composition), a jazz standard by Bebop alto saxophonist Charlie Parker * Steeplechase (dog agility), an event in dog agility * Steeplechase (roller coaster) **Steeplechase (Blackpool Pleasure Beach) racing rollercoaster ** Steeplechase Park, a New York City amusement park from 1897 to 1964, named for its racing rollercoaster ** Steeplechase Pier, a former Atlantic City, New Jersey, Boardwalk attraction destroyed in the 1944 Great Atlantic Hurricane ** The Steeplechase, a former Kennywood Park attraction which existed for two seasons, 1903-1904. * ''Steeplechase'' (video game), a 1975 arcade game released by Atari * SteepleChase Records, a Danish jazz label * Steeplechase Building, in Las Vegas, part of the Boardwalk Hote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Hart
Billy Hart (born November 29, 1940) is an American jazz drummer and educator. He is known internationally for his work with Herbie Hancock's "Mwandishi" band in the early 1970s, as well with Shirley Horn, Stan Getz, and Quest, among others. Biography Hart was born in Washington, D.C. He grew up in close proximity of the Spotlite Club, where he first heard the music of Lee Morgan, Ahmad Jamal, and Miles Davis, among others. Early on in his career he performed with Otis Redding and Sam and Dave, then with Buck Hill. Although he studied mechanical engineering at Howard University, he left school early to tour with Shirley Horn, whom Hart credits with accelerating his musical development. He was a sideman with the Montgomery Brothers (1961), Jimmy Smith (1964–1966), and Wes Montgomery (1966–68). Following Montgomery's death in 1968, Hart moved to New York City, where he recorded with McCoy Tyner, Wayne Shorter, Joe Zawinul, and Pharoah Sanders (playing on his famed record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilbur Little
Wilbur "Doc" Little (March 5, 1928 – May 4, 1987) was an American jazz bassist known for playing hard bop and post-bop. Little originally played piano, but switched to double bass after serving in the military. In 1949 he moved to Washington, D.C., where he worked with "Sir" Charles Thompson, among others. After that, he was in J. J. Johnson's quintet from 1955 to 1958 and was also the bassist for the Tommy Flanagan Trio. He moved to the Netherlands in 1977 and lived there for the rest of his life. Discography As sideman With Tommy Flanagan *'' Overseas'' (Prestige, 1957) With Buck Hill *'' Easy to Love'' (SteepleChase, 1981 982 *'' Impressions'' (SteepleChase, 1981 983 With Freddie Hubbard *'' Jam Gems: Live at the Left Bank'' (Label M, 1965) With Elvin Jones *'' Live at the Village Vanguard'' (Enja, 1968) *'' Poly-Currents'' (Blue Note, 1969) *'' The Prime Element'' (Blue Note, 1969) *'' Coalition'' (Blue Note, 1970) With J. J. Johnson *'' J Is for Jazz'' (Columbia, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pro ..., bandleader and composer. He is among the most influential and acclaimed figures in the Jazz#Post-war jazz, history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of Modal jazz, modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressions (instrumental Composition)
"Impressions" is a jazz standard composed by John Coltrane. While Coltrane only recorded the composition twice in the studio—on June 20, 1962 and March 6, 1963, released on the posthumous '' Both Directions at Once: The Lost Album''—he recorded it many times live, beginning with his 1961 engagement at the Village Vanguard. These performances produced the third track on the 1963 album of the same name, as well as two further renditions available on ''The Complete 1961 Village Vanguard Recordings''. At least a dozen further live performances exist on various live albums up to 1965. Its chord sequence is identical to that of Miles Davis' "So What" (16 bars of D Dorian, 8 bars of E Dorian, and 8 bars of D Dorian). Both pieces originate in Ahmad Jamal's 1955 cover of Morton Gould's "Pavanne" Michael Brecker won the 1996 Grammy for Best Jazz Instrumental Solo for his performance on this piece, as recorded for the Grammy-winning jazz album by McCoy Tyner, ''Infinity''. Performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
