Imperial Fritillaries In A Copper Vase
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Imperial Fritillaries In A Copper Vase
''Imperial Fritillaries in a Copper Vase'' is an oil painting on canvas created by the post-impressionist painter Vincent van Gogh in Paris, 1887. The painting is now part of the collection of the Musée d'Orsay in Paris, France. This work was made at a time of the life of Van Gogh when he first encountered influences from Impressionists and became aware of light and color, implementing it in his paintings. This painting presages some of his most famous subsequent works, and stands out from other still lifes because of the implementation of mixed techniques and complementary colors. Description ''Imperial Fritillaries in a Copper Vase'' is an oil painting on canvas measuring 73.5 by 60.5 cm which was painted in Paris in 1887. It depicts a bouquet of golden imperial fritillaries in a copper vase, the shiny patina of which (surrounded by lavender highlights) "reflects the color of the flowers as the motted wall stands out with a combination of blue, green and yellow shades" ...
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Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Jacob Baart De La Faille
Jacob Baart de la Faille (1 June 1886, Leeuwarden – 7 August 1959, Heemstede) compiled the first ''catalogue raisonné'' of the work of Vincent van Gogh, published in 1928. The catalogue was revised and republished by an editorial committee in 1970, and this version is considered to be the definitive catalogue of van Gogh's work. His catalogue numbers are preceded by an 'F': thus F612 refers to ''The Starry Night''. Shortly after the publication of the original catalogue, de la Faille became involved in a major fraud affair concerning the Berlin art dealer Otto Wacker. De la Faille had certified the authenticity of 30 paintings which were later determined to be fakes. Biography Jacob-Baart de la Faille was born to a Dutch father, Cornelis Baart de la Faille, and a Belgian mother, Henriette Adriana Krayenhoff. At the University of Utrecht he majored in law, not in art.Dr Jacob Baart de la Faille 1886–1959, in: Hammacher, ed., 1970, p. 39 Writings * J.-B. de La Faille: ''L ...
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Jan Hulsker
Jan Hulsker (2 October 1907, The Hague – 9 November 2002, Vancouver) was a Dutch art historian especially noted for his work on Vincent van Gogh. He studied Dutch literature in Leiden and was promoted with a thesis on the author Aart van der Leeuw. In 1953, he was appointed to the Ministerie van Cultuur, Recreatie en Maatschappelijk werk, in charge of the art department. In 1959, he became general director in charge of culture at large (directeur-generaal voor culturele zaken). The establishment of the Vincent van Gogh Foundation and the Van Gogh Museum in Amsterdam were among his major tasks. From the 1950s, Hulsker contributed to Van Gogh research, concentrating on the dating of Van Gogh's correspondence. In 1973, Hulsker's most important study was published, ''Van Gogh door Van Gogh'', which has not been translated from the Dutch. He is the author of an acknowledged ''catalogue raisonné'' of Van Gogh's work, published in 1978, revised in 1989 and again in 1996. His catalo ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ...
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Post-impressionist
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ...
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Imperial Fritillary
''Fritillaria imperialis'', the crown imperial, imperial fritillary or Kaiser's crown, is a species of flowering plant in the lily family Liliaceae, native to a wide stretch from the Anatolian plateau of Turkey, Iraq and Iran (i.e. Kurdistan) to Afghanistan, Pakistan, Northern India and the Himalayan foothills. It is also widely cultivated as an ornamental and reportedly naturalized in Austria, Sicily, and Washington State, USA. The common names and also the epithet ''"imperialis"'', literally "of the emperor", refer to the large circle of golden flowers, reminiscent of an emperor's crown. Description ''Fritillaria imperialis'' grows to about in height, and bears lance-shaped, glossy leaves at intervals along the stem. It bears a prominent whorl of downward facing flowers at the top of the stem, topped by a 'crown' of small leaves, hence the name. While the wild form is usually orange-red, various colours are found in cultivation, ranging from nearly a true scarlet through or ...
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The Starry Night
''The Starry Night'' ( nl, De sterrennacht) is an oil-on-canvas painting by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, ''The Starry Night'' is one of the most recognizable paintings in Western art. The asylum In the aftermath of the 23 December 1888 breakdown that resulted in the self-mutilation of his left ear, Van Gogh voluntarily admitted himself to the Saint-Paul-de-Mausole lunatic asylum on 8 May 1889. Housed in a former monastery, Saint-Paul-de-Mausole catered to the wealthy and was less than half full when Van Gogh arrived, allowing him to occupy not only a second-story bedroom but also a ground-fl ...
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Bedroom At Arles
''Bedroom at Arles'' is a 1992 oil and Magna on canvas painting by Roy Lichtenstein based on the ''Bedroom in Arles'' series of paintings by Vincent van Gogh. He painted it in July 1992. It is the only quotation of another painting that Lichtenstein did of an interior. It is located on the Fitzhugh Farm in Maryland in the Robert and Jane Meyerhoff Collection. History , the painting was part of the Robert and Jane Meyerhoff Collection housed at Fitzhugh Farm located an hour and a half north of Washington, DC. After Andrew Mellon and the original founders, the Meyerhoffs are the largest donors to the National Gallery of Art. The painting was on display at the National Gallery of art from October 1, 2009 through May 2, 2010. Drawings for the painting were donated by Lichtenstein's heirs and the Lichtenstein Foundation to the National Gallery of art in 2005. Details Lichtenstein has updated the original work by van Gogh with contemporary chairs and replaced casual shirts with busi ...
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Sunflowers (Van Gogh Series)
''Sunflowers'' (original title, in French: ''Tournesols'') is the title of two series of still life paintings by the Dutch painter Vincent van Gogh. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase. In the artist's mind, both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later van Gogh hoped to welcome and impress Gauguin again with ''Sunflowers'', now part of the painted ''Décoration for the Yellow House'' that he prepared for the guestroom of his home in Arles, where Gauguin was supposed to stay. After Gauguin's departure, van Gogh imagined the two major versions as wings of the ''Berceuse Triptych'', and finally, he included them in his Les XX in Bruxelles exhibit. The Paris ''Sunflowers'' Little is known of Van Gogh's activities during the two years he lived with his brother, The ...
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Montmartre
Montmartre ( , ) is a large hill in Paris's northern 18th arrondissement. It is high and gives its name to the surrounding district, part of the Right Bank. The historic district established by the City of Paris in 1995 is bordered by Rue Caulaincourt and Rue Custine on the north, the Rue de Clignancourt on the east and the Boulevard de Clichy and Boulevard de Rochechouart to the south, containing . Montmartre is primarily known for its artistic history, the white-domed Basilica of the Sacré-Cœur on its summit, as well as a nightclub district. The other church on the hill, Saint Pierre de Montmartre, built in 1147, was the church of the prestigious Montmartre Abbey. On 15 August 1534, Saint Ignatius of Loyola, Saint Francis Xavier and five other companions bound themselves by vows in the Martyrium of Saint Denis, 11 Rue Yvonne Le Tac, the first step in the creation of the Jesuits. Near the end of the 19th century and at the beginning of the 20th, during the Belle Époqu ...
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Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionism, Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today an ...
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