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Imaginary Day
''Imaginary Day'' is the ninth studio album by the Pat Metheny Group. It was released in 1997 by Warner Bros. Records. The album was strongly inspired by world music from Iran and Indonesia, and won the 1999 Grammy Award for Best Contemporary Jazz Album. The song "The Roots of Coincidence" won a Grammy Award for Best Rock Instrumental Performance; critic Richard Ginnell of AllMusic described the song as a dramatic departure for the group: " nout-and-out rock piece with thrash metal and techno-pop episodes joined by abrupt jump cuts." The album cover uses a simple pictographic Substitution cipher for the name of the group and the title of the album. History This album marks the final appearance of longtime drummer Paul Wertico, who would leave in 2001 before the recording of '' Speaking of Now'' to work on other projects. Track listing Personnel * Pat Metheny – acoustic and electric guitars, guitar synthesizer, 42-string Pikasso guitar * Lyle Mays – piano, keyboards * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Metheny Group
The Pat Metheny Group was an American jazz band founded in 1977. The core members of the group were guitarist, composer and bandleader Pat Metheny; and keyboardist and composer Lyle Mays, who was in the group at its inception. Other long-standing members included bassist and producer Steve Rodby, from 1981 to 2010, and drummer Antonio Sanchez, from 2002 to 2010. Vocalist Pedro Aznar and drummer Paul Wertico were also long-time members. In addition to a core quartet, the group was often joined by a variety of other instrumentalists expanding the size to six or eight musicians. History 1970s Founder Pat Metheny first emerged on the jazz scene in the mid-1970s with a pair of solo albums. First was ''Bright Size Life,'' released in 1976, a trio album with bass guitarist Jaco Pastorius and drummer Bob Moses. The next album, released in 1977, was ''Watercolors,'' featuring Eberhard Weber on bass, pianist Lyle Mays, and drummer Danny Gottlieb. In 1977, bassist Mark Egan joined Metheny ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Award For Best Contemporary Jazz Album
The Grammy Award for Best Contemporary Jazz Album was an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for works (songs or albums) containing quality contemporary jazz performances. Honors in several categories are presented at the ceremony annually by The Recording Academy to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". Originally called the Grammy Award for Best Contemporary Jazz Performance, the award was first presented to the Manhattan Transfer in 1992. From 1993 to 1994 the category was known as Best Contemporary Jazz Performance (Instrumental), from 1995 to 2000 the name changed to Best Contemporary Jazz Performance, and since 2001 the name of the category has been Best Contemporary Jazz Album. Until 2001, both albums and singles were eligible for this award. According to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Ledford
Mark Ledford (1960 – November 1, 2004) was an American trumpeter, singer, and guitarist. He was known for his multi-instrumentalism and his membership in the Pat Metheny Group. Music career Ledford grew up in Detroit and attended Berklee College of Music between 1978 and 1982. After he graduated, he took a job in advertising while doing session work with Stephanie Mills, Jon Hendricks, Special EFX, Michael Brecker, Kevin Eubanks, Don Byron, Living Colour, Prince, and Bill Evans. He would also later contribute to the soundtracks for the Spike Lee films ''Mo' Better Blues'' and ''Do the Right Thing''. In 1986, he began a working relationship with Pat Metheny, appearing live with the Pat Metheny Group and on recordings, such as '' Secret Story'' and ''Still Life (Talking)''. He also worked with Bobby McFerrin's a cappella group, Circle. Between 1990 and 1992, Ledford taught master classes in trumpet at the Banff Centre in Alberta, Canada. In 1998, he released a solo album, ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellophone
The mellophone is a brass instrument typically pitched in the key of F, though models in E, D, C, and G (as a bugle) have also historically existed. It has a conical bore, like that of the euphonium and flugelhorn. The mellophone is used as the middle-voiced brass instrument in marching bands and drum and bugle corps in place of French horns, and can also be used to play French horn parts in concert bands and orchestras. These instruments are used instead of French horns for marching because their bells face forward instead of to the back (or to the side), as dissipation of the sound becomes a concern in the open-air environment of marching. Tuning is done solely by adjusting the tuning slide, unlike the French horn where the pitch is affected by the hand position in the bell. Fingerings for the mellophone are the same as fingerings for the trumpet, alto (tenor) horn, and most valved brass instruments. Owing to its use primarily outside concert music, there is little solo litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Synthesizer
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hidden Track
In the field of recorded music, a hidden track (sometimes called a ghost track, secret track or unlisted track) is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums. It is occasionally unclear whether a piece of music is 'hidden.' For example, " Her Majesty," which is preceded by fourteen seconds of silence, was originally unlisted on The Beatles' ''Abbey Road'' but is listed on current versions of the alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speaking Of Now
''Speaking of Now'' is the tenth studio album by the Pat Metheny Group. It was released in 2002 by Warner Bros. In 2003 the group was awarded the Grammy Award for Best Contemporary Jazz Album. ''Speaking of Now'' marks the first appearances of drummer Antonio Sánchez and multi-instrumentalist Cuong Vu as members of Metheny's band. Cameroonian musician Richard Bona also participated in the album's recording and tour, the latter of which particularly showcased his abilities on vocals and bass guitar. In 2003, as part of the album's promotion, a concert was recorded in Japan and released on DVD and the Group performed on the PBS series ''Austin City Limits''. Track listing There is an unnamed hidden track after track 5 that is a prelude to track 6. It has a duration of 28 seconds and some CD players will display a countdown from minus 28 to 0 seconds as it plays. To arrive at the track times listed above, which are taken from the liner notes, the actual track times are modifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Wertico
Paul Wertico (born January 5, 1953 in Chicago, Illinois) is an American drummer. He gained recognition as a member of the Pat Metheny Group from 1983 until 2001, leaving the group to spend more time with his family and to pursue other musical interests. Music career Groups After Pat Metheny heard the Simon and Bard Group with Wertico and bassist Steve Rodby, he invited both to join his band. During his time with Metheny, Wertico played on ten albums and four videos, appeared on television, and toured around the world. He won seven Grammy Awards (for "Best Jazz Fusion Performance," "Best Contemporary Jazz Performance," and "Best Rock Instrumental Performance"), magazine polls, and received several gold records. He formed the Paul Wertico Trio with John Moulder and Eric Hochberg and collaborated with Larry Coryell, Kurt Elling, and Jeff Berlin. From 2000 to 2007, he was a member of SBB, the platinum-record-winning Polish progressive rock band. Wertico was a member of the Larry C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Substitution Cipher
In cryptography, a substitution cipher is a method of encrypting in which units of plaintext are replaced with the ciphertext, in a defined manner, with the help of a key; the "units" may be single letters (the most common), pairs of letters, triplets of letters, mixtures of the above, and so forth. The receiver deciphers the text by performing the inverse substitution process to extract the original message. Substitution ciphers can be compared with transposition ciphers. In a transposition cipher, the units of the plaintext are rearranged in a different and usually quite complex order, but the units themselves are left unchanged. By contrast, in a substitution cipher, the units of the plaintext are retained in the same sequence in the ciphertext, but the units themselves are altered. There are a number of different types of substitution cipher. If the cipher operates on single letters, it is termed a simple substitution cipher; a cipher that operates on larger groups of letters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrash Metal
Thrash metal (or simply thrash) is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo.Kahn-Harris, Keith, ''Extreme Metal: Music and Culture on the Edge'', pp. 2–3, 9. Oxford: Berg, 2007, . The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead guitar work. The lyrical subject matter often includes criticism of The Establishment and concern over environmental destruction, and at times shares a disdain for Christian dogma with that of black metal. The language is typically direct and denunciatory, an approach borrowed from hardcore punk. The genre emerged in the early 1980s as musicians began fusing the double bass drumming and complex guitar stylings of the new wave of British heavy metal (NWOBHM) with the speed and aggression of hardcore punk. Philosophically, thrash metal developed as a backlash against both the conservatism of the Reagan Era and the much more moder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
