Il Palazzo Incantato
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Il Palazzo Incantato
''Il Palazzo incantato'' (''The Enchanted Palace'') or ''Il Palagio d’Atlante, overo La Guerriera Amante'' (''The Palace of Atlantes, or The Warrior Woman in Love''), or also ''Lealtà con valore'' (''Loyalty with Bravery'') is an opera in a prologue and three acts by the Italian composer Luigi Rossi. The libretto, by Giulio Rospigliosi, the future Pope Clement IX, is based on Ariosto's '' Orlando furioso''. It was first performed in Rome in a lavish production at the Teatro delle Quattro Fontane (Palazzo Barberini) on 22 February 1642. Rossi was criticised for giving too much music to his friend, the castrato Marc'Antonio Pasqualini, who played Bradamante, at the expense of the other roles. Some of the highly complicated stage machinery failed to work during the performance. Revived by Opera Dijon in a January 2021 online production. Roles Synopsis The magician Atlante captures Christian and pagan knights and ladies in his enchanted palace of illusions. Orlando, Ferraù and ...
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Luigi Rossi - Il Palazzo Incantato - Allegoria Et Argomento Dell Attione
is a fictional character featured in video games and related media released by Nintendo. Created by Japanese video game designer Shigeru Miyamoto, Luigi is portrayed as the younger fraternal twin brother and sidekick of Mario, Nintendo's mascot. Luigi appears in many games throughout the Mario (franchise), ''Mario'' franchise, oftentimes accompanying his brother. Luigi first appeared in the 1983 Game & Watch game ''List of LCD games featuring Mario#Mario Bros., Mario Bros.'', where he is the character controlled by the second player. He would retain this role in many future games, including ''Mario Bros.'', ''Super Mario Bros.'', ''Super Mario Bros. 3'', ''Super Mario World'', among other titles. He was first available as a primary character in ''Super Mario Bros. 2''. In more recent appearances, Luigi's role became increasingly restricted to spinoffs, such as the ''Mario Party'' and ''Mario Kart'' series; however, he has been featured in a starring role in ''Nelsonic Industr ...
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Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the S ...
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Bradamante
Bradamante (occasionally spelled Bradamant) is a fictional knight heroine in two epic poems of the Renaissance: ''Orlando Innamorato'' by Matteo Maria Boiardo and ''Orlando Furioso'' by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art. In ''Orlando Innamorato'' and ''Orlando Furioso'' Bradamante, a female Christian knight in the service of Charlemagne, is the sister of Rinaldo and the daughter of Duke Amon, the duke of Dordognes. She falls in love with a Saracen warrior named Ruggiero, but she refuses to marry him unless he converts from Islam. An expert in combat, she wields a magical lance that unhorses anyone it touches, and rescues Ruggiero from being imprisoned by the wizard Atlantes. She is described as wearing white, with a white shield and a crest of a pennon. She is one of the French warriors fighting during a Saracen invasion into France. She is in the middle of fighting a Saracen warrior, Rod ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Loreto Vittori
Loreto Vittori (5 September 1600 (baptized) – 23 April 1670) was an Italian castrato and composer. From 1622 until his death, he was a mezzo-soprano singer in the papal chapel in Rome. Life Vittori was born in Spoleto and educated in Rome. He then worked as a singer in Loreto and Spoleto. In 1618 Vittori was placed under the protection of the Medici family. He moved to Rome in 1621, first in the service of Cardinal Ludovico Ludovisi, nephew of Pope Gregory XV, and in 1632 in the service of Cardinal Antonio Barberini, nephew of the future Urban VIII. He died in Rome, aged 69. Vittori sang at the premiere of ''Lo Sposalizio di Medoro et Angelica'' by Jacopo Peri and Marco da Gagliano in 1619, possibly as Angelica. He was Saint Ursula in ''La Regina Sant'Orsola'' by Marco da Gagliano in 1624. Back in Rome, the man was Falsirena in '' La Catena d'Adone'' by Domenico Mazzocchi in 1626. In 1628, Vittori took an unknown role in '' La Flora, ovvero Il natal de' fiori'' (''Flora ...
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Angelica (character)
Angelica is a princess in the epic poem ''Orlando innamorato'' by Matteo Maria Boiardo. She reappears in the saga's continuation, ''Orlando furioso'' by Ludovico Ariosto, and in various later works based on the two original ''Orlando'' pieces. The narratives are part of the Matter of France, a cycle of legendary history stories based on the adventures of Charlemagne and his paladins. ''Orlando Innamorato'' In ''Orlando Innamorato'', Angelica is introduced as the daughter of Galafrone, the king of "Cathay", or "China". But this seeming inconsistency can be resolved. Boiardo considered Cathay to be a city, and "Cathay was a city in India inferior or Serica" according to the Mappamondo Borgiano. She comes to Charlemagne's court with her brother Argalia (who assumes the identity of a knight named Uberto dal Leòne). (tr.), ''Orlando in Love'', I.i. and p. 671. note to I.i.25. All the knights are smitten with her, especially the cousins Orlando (character), Orlando (Roland) and Rena ...
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Odoardo Ceccarelli
Odoardo Ceccarelli ( 1600 – 7 March 1668) was an Italian singer, composer, and writer prominent in the Sistine Chapel Choir and the Barberini court. Described from the beginning of his career as both a tenor and a bass, he created roles in several operas, including Fileno in Michelangelo Rossi's ''Erminia sul Giordano'' and Orlando in Luigi Rossi's ''Il palazzo incantato''. Life and career Ceccarelli was born in Bevagna. His father Pannonio was a meat carver. His grandfather Alfonso was a notorious doctor and genealogist who was executed in 1581 for falsifying documents. The first record of his activity in Rome is from 1620 when he was listed as a choir member at the church of Santo Spirito in Sassia. In 1622 he entered the Collegium Germanicum. He remained resident there for a year, but continued to sing in the choir of Sant'Apollinare, the Collegium's church, on multiple occasions up to 1645. During his time with the choir he trained with Giacomo Carissimi who trained sever ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Orlando (character)
Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamorato'' and ''Orlando Furioso'' (by Matteo Maria Boiardo and Ludovico Ariosto respectively), are even further ...
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Dizionario Biografico Degli Italiani
The ''Dizionario Biografico degli Italiani'' ( en, Biographical Dictionary of the Italians) is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and completed in 2020. It includes about 40,000 biographies of distinguished Italians. The entries are signed by their authors and provide a rich bibliography. History The work was conceived in 1925, to follow the model of similar works such as the German ''Allgemeine Deutsche Biographie'' (1912, 56 volumes) or the British '' Dictionary of National Biography'' (from 2004 the ''Oxford Dictionary of National Biography''; 60 volumes). It is planned to include biographical entries on Italians who deserve to be preserved in history and who lived at any time during the long period from the fall of the Western Roman Empire to the present. As director of the Treccani, Giovanni Gentile entrusted the task of coordinating the work of drafting to Fortunato Pintor, who was soon joined by Arsenio Frugoni ...
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Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ...
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Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ...
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