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Il Baciccia
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Genoa
The Republic of Genoa ( lij, Repúbrica de Zêna ; it, Repubblica di Genova; la, Res Publica Ianuensis) was a medieval and early modern maritime republic from the 11th century to 1797 in Liguria on the northwestern Italian coast. During the Late Middle Ages, it was a major commercial power in both the Mediterranean Sea and the Black Sea. Between the 16th and 17th centuries it was one of the major financial centers in Europe. Throughout its history, the Genoese Republic established numerous colonies throughout the Mediterranean and the Black Sea, including Corsica from 1347 to 1768, Monaco, Southern Crimea from 1266 to 1475 and the islands of Lesbos and Chios from the 14th century to 1462 and 1566 respectively. With the arrival of the early modern period, the Republic had lost many of its colonies, and had to shift its interests and focus on banking. This decision would prove successful for Genoa, which remained as one of the hubs of capitalism, with highly developed banks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which had its statutes and privileges renewed at the much earlier date of 17 December 1478 by Pope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the develop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardinal Alessandro Farnese
Alessandro Farnese (5 October 1520 – 2 March 1589), an Italian cardinal and diplomat and a great collector and patron of the arts, was the grandson of Pope Paul III (who also bore the name ''Alessandro Farnese''), and the son of Pier Luigi Farnese, Duke of Parma, who was murdered in 1547. He should not be confused with his nephew, Alessandro Farnese, Governor of the Spanish Netherlands, grandson of Emperor Charles V and great-grandson of Pope Paul III. Early life Farnese was born at the family castle at Valentano in Tuscany on 7 October 1520 (current province of Viterbo), the son of Pierluigi Farnese, who was the son of Cardinal Alessandro Farnese (Pope Paul III); and Girolama Orsini, daughter of Ludovico Orsini, seventh Conte di Pitigliano, and Giulia Conti. They were married in Rome on 6 August 1519. Young Alessandro studied at Bologna along with his cousin, Guido Ascanio Sforza di Santa Fiora. He was a member of the Collegio Ancarano, which had been founded in the 15th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranuccio II Farnese, Duke Of Parma
Ranuccio II Farnese (17 September 1630 – 11 December 1694) was the sixth Duke of Parma and Piacenza from 1646 until his death nearly 50 years later and Duke of Castro from 1646 until 1649. Biography Birth and Succession Ranuccio was the eldest son of Odoardo Farnese, the fifth sovereign duke of Parma, and his Tuscan wife, Margherita de' Medici. After his father's sudden death, Ranuccio succeeded as duke. As he was a minor and had not yet reached his majority, he ruled the first two years of his reign under the regency of his uncle, Francesco Maria Farnese and his mother. Ranuccio belonged to the House of Farnese, whose duchy were founded by his patrilineal ancestor, Pope Paul III, formerly Alessandro Farnese. The Farnese Dukes had been ruling Parma and Piacenza since Pope Paul's illegitimate son Pier Luigi Farnese was given it as a possession. Pier Luigi was also Duke of Castro, a title he was bestowed upon by his father, after the latter created it from the lands recovered af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Courtois
Jacques Courtois or Giacomo Cortese, called il Borgognone or le Bourguignon (12 ?December 162114 November 1676) was a Franche-Comtois–Italian painter, draughtsman, and etcher. He was mainly active in Rome and Florence and became known as the leading battle painter of his age. He also created history paintings and portraits. He became a Jesuit later in life but continued to paint.Ann Sutherland Harris. "Cortese." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 February 2017 Life Jacques Courtois was born in Saint-Hippolyte, near Besançon (Franche-Comté) in present-day France, but at the time, a Spanish possession in Holy Roman Empire. He was the son of the obscure painter Jean-Pierre Courtois. Very little is known about Guillaume’s youth but it is assumed he received his initial training from his father. He had two younger brothers who also became painters Guillaume (Guglielmo Cortese) (1628 - 1679) and Jean-François (c. 1627-?). As his brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Paolo Oliva
Giovanni Paolo Oliva (4 October 1600 – 26 November 1681) was the eleventh Superior General of the Society of Jesus. Biography Oliva was born at Genoa in 1600, and in 1616 he entered the Society of Jesus. A famous pulpit orator, he was an Apostolic Preacher of the Palace under Popes Innocent X, Alexander VII, Clement IX, and Clement X. In 1661, during the disease of the Superior General Goschwin Nickel, the General Congregation XI elected him vicar-general with the right of succession. His chief aim was to remove all causes of dissension and of personal friction between his institute and other religious orders, towards which he showed himself most reverent and yielding. He extended and increased the missions, creating new ones outside of Europe, especially in Japan. His book of forty-odd sermons for Lent, and his work of six folio volumes, ''In Selecta Scripturae Loca Ethicae Commentationes'', demonstrate his scholarship and piety. Remembering what had happened to Cardinal Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratory Of Saint Philip Neri
The Confederation of Oratories of Saint Philip Neri ( la, Confoederatio Oratorii Sancti Philippi Nerii) abbreviated CO and commonly known as the Oratorians is a Catholic society of apostolic life of Pontifical Right for men (priests and lay-brothers) who live together in a community bound together by no formal vows but only with the bond of charity. Founded in Rome in 1575 by Philip Neri, today it has spread around the world, with over 70 Oratories and some 500 priests. The post-nominal initials commonly used to identify members of the society are "CO" (''Congregatio Oratorii''). The abbreviation "Cong. Orat." is also used. Unlike a religious institute (the members of which take vows and are answerable to a central authority) or a monastery (the monks of which are likewise bound by vows in a community that may itself be autonomous and answerable directly to the Pope), the Oratorians are made up of members who commit themselves to membership in a particular, independent, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiesa Nuova In Vallicella
Santa Maria in Vallicella, also called Chiesa Nuova, is a church in Rome, Italy, which today faces onto the main thoroughfare of the Corso Vittorio Emanuele and the corner of Via della Chiesa Nuova. It is the principal church of the Oratorians, a religious congregation of secular priests, founded by St Philip Neri in 1561 at a time in the 16th century when the Counter Reformation saw the emergence of a number of new religious organisations such as the Society of Jesus (Jesuits), the Theatines and the Barnabites. History By tradition, St. Gregory the Great built the first church on the site. By the 12th century, it was dedicated to ''Santa Maria in Vallicella'' ("Our Lady in the Little Valley"). In 1575, Pope Gregory XIII recognised Neri's group as a religious Congregation and gave them the church and its small attached convent. St. Philip Neri, helped by Cardinal Pier Donato Cesi and Pope Gregory XIII, had the church rebuilt, starting in 1575. When Pierdonato died, his brother ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatines
The Theatines officially named the Congregation of Clerics Regular ( la, Ordo Clericorum Regularium), abreviated CR, is a Catholic order of clerics regular of Pontifical Right for men founded by Archbishop Gian Pietro Carafa in Sept. 14, 1524. Its members add the nominal letters C.R. after their names to indicate their membership in the Congregation. Foundation The order was founded by Saint Cajetan (Gaetano dei Conti di Thiene), Paolo Consiglieri, Bonifacio da Colle, and Giovanni Pietro Carafa (afterwards Pope Paul IV). Carafa was Bishop of Chieti; Chieti (Theate) is a city of the Abruzzi in Central Italy, from which the congregation adopted its specific name, to distinguish it from other congregations (Barnabites, Somaschi, Caracciolini, etc.) modelled upon it. The Theatines combined the pursuit of evangelical perfection traditional among religious orders with apostolic service generally expected of diocesan clergy. It was Caraffa who wrote the constitutions of the order. Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant'Andrea Della Valle
Sant'Andrea della Valle is a minor basilica in the rione of Sant'Eustachio of the city of Rome, Italy. The basilica is the general seat for the religious order of the Theatines. It is located at Piazza Vidoni, at the intersection of Corso Vittorio Emanuele (facing facade) and Corso Rinascimento. Overview A church was initially planned when, in 1582, Donna Costanza Piccolomini d'Aragona, duchess of Amalfi and descendant of the family of Pope Pius II, bequeathed her palace and the adjacent church of San Sebastiano in central Rome to the Theatine order for construction of a new church. Since Amalfi's patron was Saint Andrew, the church was planned in his honor. Work initially started around 1590 under the designs of Giacomo della Porta and Pier Paolo Olivieri, and under the patronage of Cardinal Gesualdo. With the previous patron's death, direction of the church passed to Cardinal Alessandro Peretti di Montalto, nephew of Pope Sixtus V. Work restarted by 1608, financed by what w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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