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Ignaz Seyfried
Ignaz Xaver, Ritter von Seyfried (15 August 1776 – 27 August 1841) was an Austrian musician, conductor and composer. He was born and died in Vienna. According to a statement in his handwritten memoirs he was a pupil of both Wolfgang Amadeus Mozart and Johann Georg Albrechtsberger. He edited Albrechtsberger's complete written works after his death, published by Tobias Haslinger. His own pupils included Franz von Suppé, Heinrich Wilhelm Ernst, Antonio Casimir Cartellieri, Joseph Fischhof and Eduard Marxsen who would later teach Brahms. As conductor In his youth Seyfried served as the assistant conductor for Emanuel Schikaneder's opera troupe at the Theater auf der Wieden in Vienna, becoming musical director in 1797 and serving (in its new building, the Theater an der Wien) until 1826. His memoirs offer accounts of the first production, under Schikaneder's auspices, of Mozart's '' The Magic Flute'', as well as a curious anecdote concerning the composer's death a few week ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seyfried
Seyfried is a surname of German origin and roughly translates to 'peaceful victory'. Notable persons with that surname include: * Alois Seyfried (1856–1938) Austro-Hungarian executioner * Amanda Seyfried (born 1985), American actress * David Seyfried-Herbert, 19th Baron Herbert (born 1952), British peer * Gerhard Seyfried (born 1948), German comic artist, cartoonist, and writer * Gordon Seyfried (born 1937), Major League Baseball pitcher * Ignaz von Seyfried (1776–1841), Austrian musician, conductor and composer * Josef Seyfried (1895–1956), Czech equestrian * Thomas Garcia Seyfried (born 1994), French footballer * Vincent F. Seyfried Vincent Francis Seyfried (April 18, 1918-April 14, 2012, aged 93) was an American historian of Long Island. His work between 1950 and 2010 includes eleven books on trolley systems in Queens and Long Island, twelve books on areas of Queens, a seven- ... (1918–2012), American historian See also * Seifried Helbling {{Surname, Seyfried ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singspiel
A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of opera. It is characterized by spoken dialogue, which is alternated with ensembles, songs, ballads, and arias which were often strophic, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of magic, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__ History Some of the first Singspiele were miracle plays in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English ballad operas. In 1736, the Prussian ambassador to England commissioned a translation of the ballad op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Fantasy (Beethoven)
The ''Fantasy'' for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the ''Choral Fantasy'', was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the ''Fantasy'' to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists, mixed chorus, an orchestra, and Beethoven himself as piano soloist. The ''Fantasy'' was designed to include all the participants in the program and thus unites all of these musical forces. The work is noted as a precursor to the later Ninth Symphony. Background, composition, and premiere The ''Fantasia'' was first performed at the ''Akademie'' of 22 December 1808, a benefit concert which also saw the premieres of the Fifth and Sixth Symphonies and the Fourth Piano Concerto as well as a performance of excerpts of the Mass in C major. To conclude this memorable concert program, Beethoven wanted a "brilliant finale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Hugh Pierson
Henry Hugh Pierson (12 April 1815 – 28 January 1873) was an English composer resident from 1845 in Germany. He was born Henry Hugh Pearson and his middle name is sometimes given as Hugo.Nicholas Temperley, "Henry Pierson", in ''New Grove Dictionary of Music and Musicians'', London: Macmillan, 1980, vol. 14, p. 739. His original name was Henry Hugh Pearson, in Germany he used Heinrich Hugo Pierson.''Collins Encyclopedia of Music'', 1984, p.422, He had success in his adopted country with his operas and songs but little in his own, and his music is now rarely performed. Life Pierson was the son of a clergyman, Hugh Nicholas Pearson. He was educated at Harrow School and Trinity College, Cambridge, where he studied counterpoint with Thomas Attwood Walmisley. From 1839 to 1844 he studied music in Germany; he also studied in Prague with Václav Tomášek. His amorous adventures included an apparent liaison with Mary Shelley, before he married in 1844. Although elected to a profe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günther Massenkeil
Günther Massenkeil (11 March 192617 December 2014) was a German musicologist, academic teacher, writer and concert singer (baritone). His main field of research was sacred music of the 16th to 20th century. He served as director of the musicology department at the University of Bonn from 1966 to 1991. He became known beyond academia for his editing and supplementing of the eight-volume encyclopaedia, ''Das Große Lexikon der Musik''. Life Childhood and youth Massenkeil was born in Wiesbaden as son of Josef Massenkeil (1891–1987) and his wife Lotte, ''née'' Böhlen (1901–1997). His father came from a Rheingau family of teachers. He taught for many years as a student councillor in Wiesbaden and was a senior government and school councillor and finally director of the Humanistisches Gymnasium in Wiesbaden after the Second World War. He had studied classical philology and newspaper science and was active as a writer, especially in the field of the history of County of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Honegger
Marc Honegger (17 May 1926 – 8 September 2003) was a French musicologist and choirmaster. Biography A distant cousin of the Swiss-born composer Arthur Honegger, he studied at the Sorbonne, where he was a pupil of Paul-Marie Masson. He received a very complete musical training, studying piano with Santiago Riera (1942–1949), musical composition with Georges Migot (from 1946), and conducting with Ion Constantinesco (1947–1948). An assistant of Jacques Chailley at the Institut de Musicologie of the Sorbonne (1954–1958), then teaching assistant at the Strasbourg University (from 1958), he became full professor in 1970. He also taught in Canada. He directed the Institute of Musicology of the Marc Bloch University of Strasbourg from 1958 to 1983. He was also president of the (1977–1980) and vice-president of the International Musicological Society (1982–1992). Musicological research Honegger's research focused mainly on music of the 16th century. He supported two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fidelio
''Fidelio'' (; ), originally titled ' (''Leonore, or The Triumph of Marital Love''), Op. 72, is Ludwig van Beethoven's only opera. The German libretto was originally prepared by Joseph Sonnleithner from the French of Jean-Nicolas Bouilly, with the work premiering at Vienna's Theater an der Wien on 20 November 1805. The following year, Stephan von Breuning helped shorten the work from three acts to two. After further work on the libretto by Georg Friedrich Treitschke, a final version was performed at the Kärntnertortheater on 23 May 1814. By convention, both of the first two versions are referred to as ''Leonore''. The libretto, with some spoken dialogue, tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Bouilly's scenario fits Beethoven's aesthetic and political outlook: a story of personal sacrifice, heroism, and eventual triumph. With its underlying struggle for liberty and justice mirroring con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively tau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
