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Iggy Shevak
Robert Coleman Shevak, better known as Iggy Shevak, was an American jazz musician who played string bass with several leading jazz figures in the 1940s and 1950s. Shevak is also credited on recordings as Robert Shevak, Bob Shevak, Roger Shevak, Iggy Shevack, and as Richard Shevak. After playing in bands in New York in the late 1930s and early 1940s, Shevak moved to Los Angeles in the late 1940s. Shevak was married to the singer Betty Bennett, who later joined him in Claude Thornhill's band before they both moved on to join Alvino Rey's band. New York In April 1939, he was recording with a band led by Jack Jenney, backing vocalist Louise Tobin, with Hugo Winterhalter, Peanuts Hucko, and Bunny Bardach, among others. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in , solo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Porcino
Al Porcino (May 14, 1925 – December 31, 2013) was an American lead trumpeter. He was born in New York, United States. Porcino began playing professionally in 1943, and played in many of the big bands of the 1940s and 1950s, including those of Georgie Auld, Louis Prima, Jerry Wald, Tommy Dorsey, Gene Krupa, and Chubby Jackson. He played with Woody Herman in 1946, 1949-1950, 1954, and 1972. He also did two stints with Stan Kenton, in 1947-48 and 1954-55. In the 1950s, he played with Pete Rugolo, Count Basie, Elliot Lawrence, and Charlie Barnet. In 1957, he moved to Los Angeles, where he worked as a studio musician. While there he played in the Terry Gibbs Dream band from 1959 to 1962. In the 1960s, he often played in orchestras backing vocalists, and also played with Buddy Rich in 1968, Thad Jones and Mel Lewis in 1969-70. In the 1970s, he formed his own big band, who recorded behind Mel Torme, in addition to their own work. In the 1970s, Porcino moved to Germany, leading big band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hampton Hawes
Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir ''Raise Up Off Me'', which won the Deems-Taylor Award for music writing in 1975. Early life Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster's church pianist. Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three. Later life and career Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 18, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Harper
Herbert Harper (2 July 1920 — 21 January 2012) was an American jazz trombonist of the West Coast jazz school. Born in Salina, Kansas, he played swing music with Benny Goodman and Charlie Spivak in the 1940s and 1950s. Working on the West Coast jazz scene, he performed with such musicians as Stan Kenton, Bill Perkins and Maynard Ferguson, among others. In June 1949, he was a member of the band backing Billie Holiday on her ''Just Jazz'' radio broadcast for AFRS in Los Angeles. Jazzdisco.org. Retrieved 10 June 2013. Other band members were (trumpet), |
Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savoy Records
Savoy Records is an American record company and label established by Herman Lubinsky in 1942 in Newark, New Jersey. Savoy specialized in jazz, rhythm and blues, and gospel music. In September 2017, Savoy was acquired by Concord Bicycle Music. History In the 1940s, Savoy recorded some of the biggest names in jazz: Charlie Parker, Erroll Garner, Dexter Gordon, J. J. Johnson, Fats Navarro, and Miles Davis. In 1948, it began buying other labels: Bop, Discovery, National, and Regent. It also reissued music from Jewel Records. In the early 1960s, Savoy briefly recorded several avant-garde jazz artists. These included Paul Bley, Ed Curran, Bill Dixon, Mark Levin, Charles Moffett, Perry Robinson, Joseph Scianni, Archie Shepp, Sun Ra, Marzette Watts, and Valdo Williams. After Lubinsky's death in 1974, Clive Davis, then manager of Arista Records, acquired Savoy's catalogue. After that, Joe Fields of Muse Records purchased the catalogue from Arista. In 1986, Malaco Records acquired Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shelly Manne
Sheldon "Shelly" Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical background of hundreds of Hollywood films and television programs. Family and origins Manne's father Max Manne and uncles were drummers. In his youth he admired many of the leading swing drummers of the day, especially Jo Jones and Dave Tough. Billy Gladstone, a colleague of Manne's father and the most admired percussionist on the New York theatrical scene, offered the teenage Shelly tips and encouragement. From that time, Manne rapidly developed his style in the clubs of 52nd Street in New York in the late 1930s and 1940s. His first professional job with a known big band was with the Bobby Byrne Orchestra in 1940. In those years, as he became known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Allen
Shorty is a nickname, usually for a short person. See Shorty (nickname). Shorty may also refer to: Music Artists * Ras Shorty I, Trinidadian artist and founder of soca music. * Shorty (band), an American rock band formed in 1991 * Shorty (American rapper), Member of Platinum recording group Da Lench Mob. * Shorty (Croatian rapper) (born 1980) * Shorty (MC), member of Boy Better Know * Shorty da Prince (born 1989), American radio DJ, rapper, and television personality * Buckshot Shorty (born 1974), member of the hip hop trio Black Moon * Magnolia Shorty (1982–2010), American rapper * Guitar Shorty (born 1939), American blues guitarist David William Kearney * Trombone Shorty (born 1986), stage name of American jazz musician Troy Andrews Songs * "Shorty" (song), by The Get Up Kids * "Shorty (You Keep Playin' with My Mind)", 1998 debut single from R&B group Imajin * "Shorty" (Casa de Leones song) * "Shorty" (Future and Juice Wrld song) Film and television * ''Shorty'' (fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Rogers
Milton "Shorty" Rogers (born Milton Rajonsky; April 14, 1924 – November 7, 1994) was an American jazz musician, one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. Biography Rogers was born in Great Barrington, Massachusetts, United States. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. On June 7, 1953, Rogers and his orchestra, including Johnny "Guitar" Watson, performed for the famed ninth Cavalcade of Jazz concert at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat "King" Cole, and Louis Armstrong and his All Stars with Velma Middleton. From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Levey
Adolph Stanley Levey known professionally as Stan Levey (April 5, 1926 – April 19, 2005) was an American jazz drummer. He was known for working with Charlie Parker and Dizzy Gillespie in the early development of bebop during the 1940s, and in the next decade had stint with bandleader Stan Kenton. Levey retired from music in the 1970s to work as a photographer. Biography He was born in Philadelphia, Pennsylvania, United States, Levey is considered one of the earliest bebop drummers, and one of the very few white drummers involved in the formative years of bebop. He played in Philadelphia with Dizzy Gillespie's group in 1942, at the age of 16. Soon after, he went to New York City, where he and Gillespie worked on 52nd Street with Charlie Parker and Oscar Pettiford. After his tenure with the Stan Kenton Orchestra he moved to the West Coast in 1954, joining Howard Rumsey, Don Joham and the Lighthouse All-Stars, and was a major influence in West Coast jazz. Though "cool" jazz w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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