If You Don't Know Me By Now
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If You Don't Know Me By Now
"If You Don't Know Me by Now" is a song written by Kenny Gamble and Leon Huff, and recorded by the Philadelphia soul musical group Harold Melvin & the Blue Notes. It became their first hit after being released as a single in September 1972, topping the US R&B chart and peaking at number 3 on the US ''Billboard'' Hot 100. "If You Don't Know Me by Now" was originally written for Labelle (a trio led by Patti LaBelle) but they never recorded it. The song's composers Kenny Gamble and Leon Huff gave it to Harold Melvin & the Blue Notes, which featured Teddy Pendergrass as lead vocalist, and the actual background vocals done by producers Kenny Gamble, Leon Huff, Carl Helm, and Bunny Sigler. In addition to the single release, the track was included on their debut album '' I Miss You''. Patti LaBelle later made the song part of her concert repertoire in 1982; a live version appears on her 1985 album, ''Patti''. "If You Don't Know Me by Now" has since been recorded by a number of other ...
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Harold Melvin & The Blue Notes
Harold Melvin & the Blue Notes were an American soul and R&B vocal group. One of the most popular Philadelphia soul groups of the 1970s, the group's repertoire included soul, R&B, doo-wop, and disco. Founded in Philadelphia, Pennsylvania in the middle of the 1950s as The Charlemagnes, the group is most noted for several hits on Gamble and Huff's Philadelphia International label between 1972 and 1976, although they performed and recorded until Melvin's death in 1997. Despite group founder and original lead singer Harold Melvin's top billing, the Blue Notes' most famous member was Teddy Pendergrass, their lead singer during the successful years at Philadelphia International. The remaining members of the Blue Notes have reunited for Soul Train Cruises in 2013, 2015, and 2017. History Early years The group formerly known as The Charlemagnes took on the name "The Blue Notes" in 1954, with a line-up consisting of lead singer Franklin Peaker, Bernard Wilson, Roosevelt Brodie, Jesse ...
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Songs Of The Century
The "Songs of the Century" list is part of an education project by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. that aims to "promote a better understanding of America's musical and cultural heritage" in American schools. Hundreds of voters, who included elected officials, people from the music industry and from the media, teachers, and students, were asked in 2001 by the NEA (National Endowment for the Arts) and the RIAA (Recording Industry Association of America) to choose the top 365 songs (not necessarily by Americans) of the 20th century with historical significance in mind. RIAA selected the voters, and about 15% (200) of the 1,300 selected voters responded. The list The list of the top 25 songs, in the order of votes received. Each song is followed by the name of the artist who made the most notable recording of the song. References {{DEFAULTSORT:Songs Of The Century Century A century is a period of ...
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It's Only Love Doing Its Thing
"It's Only Love Doing Its Thing" is a track featured on Barry White's album '' The Man''. English soul band Simply Red later covered the song, under the shortened title "It's Only Love", as the lead single for their third studio album, ''A New Flame'' (1989). The Simply Red cover had its greatest success by charting at number one in Italy. The song was later featured in several greatest-hits albums and a ballad collection of the same name, and it remains a live favorite. Elements from the song were sampled in "21 Questions" by 50 Cent. In 2008, the song was featured on ''Grand Theft Auto IVs fictional soul/R&B radio station The Vibe 98.8. Overview The song is a ballad performed by Soul singer Barry White on his 1978 album The Man, Elements from the song were sampled in 21 Questions by 50 Cent. In 2008, the song was featured on Grand Theft Auto IV's fictional soul/R&B radio station The Vibe 98.8. Simply Red version In 1989, English soul and pop band Simply Red released a ...
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Stewart Levine
Stewart Levine (born 1946) is an American record producer. He has worked with such artists as The Crusaders, Minnie Riperton, Lionel Richie, Simply Red, Hugh Masekela, Dr. John, Randy Crawford, B.B. King, Huey Lewis and the News, Patti LaBelle, Sly Stone, Boy George, Peter Blakeley, Joe Cocker, Oleta Adams, Killing Joke, Jon Anderson, Boz Scaggs, Womack and Womack, David Sanborn, Brenda Russell, Lamont Dozier, Curiosity Killed the Cat, Aaron Neville, Everyday People, Jamie Cullum and The Marshall Tucker Band. Early life Levine was born and raised in The Bronx. At the age of seven, Levine began his lifelong musical journey by taking up the clarinet. After switching to the saxophone at age twelve, he was playing professionally by fourteen. At seventeen Levine entered the Manhattan School of Music alongside noted musicians Herbie Hancock, Donald Byrd, and, most importantly, a young South African trumpet player by the name of Hugh Masekela. Levine and Masekela became roommates and ...
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Elektra Records
Elektra Records (or Elektra Entertainment) is an American record label owned by Warner Music Group, founded in 1950 by Jac Holzman and Paul Rickolt. It played an important role in the development of contemporary folk and rock music between the 1950s and 1970s. In 2004, it was consolidated into WMG's Atlantic Records Group. After five years of dormancy, the label was revived as an imprint of Atlantic in 2009. In October 2018, Elektra was detached from the Atlantic Records umbrella and reorganized into Elektra Music Group, once again operating as an independently managed frontline label of Warner Music. In June 2022, Elektra Music Group was merged with 300 Entertainment to create the umbrella label 300 Elektra Entertainment (3EE), though both Elektra and 300 will continue to maintain their separate identities as labels. History 1950–1971: Founding and early history Elektra was formed in 1950, as the ''Elektra-Stratford Record Corporation'', with a singles label called Stratford R ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Blue-eyed Soul
Blue-eyed soul (also called white soul) is rhythm and blues (R&B) and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly-black Motown and Stax record labels. Though many R&B radio stations in the United States in that period would only play music by black musicians, some began to play music by white acts considered to have "soul feeling"; their music was then described as "blue-eyed soul." 1960s Georgie Woods, a Philadelphia radio DJ, is thought to have coined the term "blue-eyed soul" in 1964, initially to describe The Righteous Brothers, then white artists in general who received airplay on rhythm and blues radio stations. The Righteous Brothers in turn named their 1964 LP ''Some Blue-Eyed Soul''. According to Bill Medley of the Righteous Brothers, R&B radio stations who played their songs were surprised to find them to be white when they turned up for interviews, and one DJ ...
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A New Flame
''A New Flame'' is the third album by British pop and soul group Simply Red, released in February 1989. It was a huge success worldwide, becoming the band's first UK number one album and certified 7× Platinum by the BPI for sales of 2,100,000 copies in the UK alone. The album was also certified Gold in the US by the RIAA. Track listing ;Side one ;Side two 2008 Collector’s Edition bonus tracks ;Disc one ;Disc two (DVD) ;'Let Me Take You Home'— Live at Manchester 1990 Personnel Simply Red * Mick Hucknall – lead vocals (all vocals on "Enough") * Fritz McIntyre – keyboards, backing vocals * Tim Kellett – keyboards, trumpet, live backing vocals * Heitor TP – guitars * Tony Bowers – bass * Chris Joyce – drums * Ian Kirkham – saxophones Guest musicians * Erik Hanson – synthesizer programming * Larry Williams – synthesizer programming * Lenny Castro – percussion * Stephanie Spruell – backing vocals Production * Producer – Stewart Levine * Engin ...
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Joel Whitburn
Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wauwatosa, Wisconsin on November 29, 1939."Joel (Carver) Whitburn". '' Contemporary Authors''. Detroit: Gale. 2002. He started collecting records in his teens, first subscribed to '' Billboard'' in 1953, and when the Hot 100 was introduced in 1958 started recording the chart placings of records on index cards. After graduating from Menomonee Falls High School in 1957, he attended Elmhurst College and the University of Wisconsin–Milwaukee, but did not receive a degree from either institution. Career Whitburn worked on record distribution for RCA in the mid 1960s, using his chart statistics to inform radio stations, before founding his own company, Record Research, Inc., in Menomonee Falls, Wisconsin, in 1970. He put together a team of re ...
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Cash Box (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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