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Idiomelon
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine octoechos—the eight-mode system as it had developed in Constantinople, Damascus, Jerusalem, and in man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiomelon
(Medieval Greek: from , 'unique' and , 'melody'; Church Slavonic: , )—pl. ''idiomela''—is a type of sticheron found in the liturgical books used in the Eastern Orthodox Church, the Eastern Catholic Churches which follow the Byzantine Rite, and many other Orthodox communities like Old Believers. are unique compositions, while or —sing. , or (Medieval Greek: , Church Slavonic: , )—were used to create other hymns by a composition over the 's melody and following the poetic meter provided by the musical rhythm. The genre composed over these was characterised as or (Medieval Greek: 'similar to', Church Slavonic: , ). Definition of ''idiomelon'', ''avtomelon'' and ''prosomoion'' The hymn category can only be understood in comparison with and . Already in the older book Tropologion each melody of a certain hymn was classified by a modal signature of the Byzantine octoechos—the eight-mode system as it had developed in Constantinople, Damascus, Jerusalem, and in man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Music
Byzantine music ( Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticheron
A sticheron ( Greek: "set in verses"; plural: stichera; Greek: ) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning ( Orthros) offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches. ''Stichera'' are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ''stichoi'' (sing: ''stichos''), but ''sticheraric'' poetry usually follows the hexameter and is collected in a book called sticherarion ( Greek: ). A sticherarion is a book containing the stichera for the morning and evening services throughout the year, but chant compositions in the ''sticheraric melos'' can also be found in other liturgical books like the Octoechos or the ''Anastasimatarion'', or in the Anthology for the Divine Liturgy. The sticheraric melos and the troparion In the current traditions of Orthodox Chant, the ''sticherarion'' as a hymn book was also used to call a chan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sticheron
A sticheron ( Greek: "set in verses"; plural: stichera; Greek: ) is a hymn of a particular genre sung during the daily evening (Hesperinos/Vespers) and morning ( Orthros) offices, and some other services, of the Eastern Orthodox and Byzantine Catholic churches. ''Stichera'' are usually sung in alternation with or immediately after psalm or other scriptural verses. These verses are known as ''stichoi'' (sing: ''stichos''), but ''sticheraric'' poetry usually follows the hexameter and is collected in a book called sticherarion ( Greek: ). A sticherarion is a book containing the stichera for the morning and evening services throughout the year, but chant compositions in the ''sticheraric melos'' can also be found in other liturgical books like the Octoechos or the ''Anastasimatarion'', or in the Anthology for the Divine Liturgy. The sticheraric melos and the troparion In the current traditions of Orthodox Chant, the ''sticherarion'' as a hymn book was also used to call a chan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octoechos (liturgy)
The Octoechos (from the Greek: ; from ὀκτώ 'eight' and ἦχος 'sound, mode' called echos; cu, Осмѡгласникъ, from о́смь 'eight' and гласъ 'voice, sound') is a liturgical book containing a repertoire of hymns ordered in eight parts according to eight echoi ( tones or modes). Originally created in the Monastery of Stoudios during the 9th century as a hymnal complete with musical notation, it is still used in many rites of Eastern Christianity. The book with similar function in the Western Church is the tonary, and both contain the melodic models of an octoechos system; however, while the tonary serves simply for a modal classification, the octoechos is organized as a cycle of eight weeks of services. The word itself can also refer to the repertoire of hymns sung during the celebrations of the Sunday Office. Role of meter in the Octoechos Many hymns in the Octoechos, such as Kathismata, Odes, and Kontakia are set in a strict meter&mdash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Greek
Medieval Greek (also known as Middle Greek, Byzantine Greek, or Romaic) is the stage of the Greek language between the end of classical antiquity in the 5th–6th centuries and the end of the Middle Ages, conventionally dated to the Fall of Constantinople, Ottoman conquest of Constantinople in 1453. From the 7th century onwards, Greek was the only language of administration and government in the Byzantine Empire. This stage of language is thus described as Byzantine Greek. The study of the Medieval Greek language and literature is a branch of Byzantine studies, the study of the history and culture of the Byzantine Empire. The beginning of Medieval Greek is occasionally dated back to as early as the 4th century, either to 330 AD, when the political centre of the Roman Empire was moved to Constantinople, or to 395 AD, the division of the empire. However, this approach is rather arbitrary as it is more an assumption of political, as opposed to cultural and linguistic, development ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quinisext Council
The Quinisext Council (Latin: ''Concilium Quinisextum''; Koine Greek: , ''Penthékti Sýnodos''), i.e. the Fifth-Sixth Council, often called the Council ''in Trullo'', Trullan Council, or the Penthekte Synod, was a church council held in 692 at Constantinople under Justinian II. It is known as the "Council in Trullo" because, like the Sixth Ecumenical Council, it was held in a domed hall in the Imperial Palace (τρούλος 'troulos''meaning a cup or dome). Both the Fifth and the Sixth Ecumenical Councils had omitted to draw up disciplinary canons, and as this council was intended to complete both in this respect, it took the name of Quinisext. It was attended by 215 bishops, mostly from the Eastern Roman Empire. Basil of Gortyna in Crete belonged to the Roman patriarchate and called himself papal legate, though no evidence is extant of his right to use that title. Decisions Many of the council's canons were reiterations. It endorsed not only the six ecumenical councils ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mar Saba
The Holy Lavra of Saint Sabbas, known in Arabic and Syriac as Mar Saba ( syr, ܕܝܪܐ ܕܡܪܝ ܣܒܐ, ar, دير مار سابا; he, מנזר מר סבא; el, Ἱερὰ Λαύρα τοῦ Ὁσίου Σάββα τοῦ Ἡγιασμένου) and historically as the Great Laura of Saint Sabas, is a Greek Orthodox monastery overlooking the Kidron Valley in the Bethlehem Governorate of Palestine, in the West Bank, at a point halfway between Bethlehem and the Dead Sea. The monks of Mar Saba and those of subsidiary houses are known as Sabaites. Mar Saba is considered to be one of the oldest continuously inhabited monasteries in the world, and it maintains many of its ancient traditions. One in particular is the restriction on women entering the main compound. The only building that women can enter is the Women's Tower, near the main entrance. History Byzantine period The monastery was founded by Sabbas the Sanctified in 483, on the eastern side of the Kidron Valley, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mar Saba Kloster Mar Saba 11
Mar, mar or MAR may refer to: Culture * Mar or Mor, an honorific in Syriac * Earl of Mar, an earldom in Scotland * MAA (singer) (born 1986), Japanese * Marathi language, by ISO 639-2 language code * March, as an abbreviation for the third month of the year in the Gregorian calendar * Biblical abbreviation for the Gospel of Mark Places * Mar, Isfahan, a village in Iran * Mar, Markazi, a village in Iran * Mar, Russia, in the Sakha Republic * Marr, a region of Scotland * Mesoamerican region, an economic region * Mid-Atlantic Ridge, a ridge on the floor of the Atlantic Ocean People * Mar (surname), a Chinese and Scottish surname (including a list of people with the surname) * Mar Abhai, a saint of the Syriac Orthodox Church * Mar Amongo (1936–2005), a Filipino illustrator * Mar Cambrollé (born 1957), Spanish trans rights activist * Mar Roxas (born 1957), Filipino politician Other uses * ''MÄR'' (''Marchen Awakens Romance''), a 2003 Japanese manga series * ''Mar'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrafact
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, '' Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of '' Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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