|
Iconography Of Charlemagne
The rich iconography of Charlemagne is a reflection of Charlemagne's special position in Europe's collective memory, as the greatest of the Frankish kings, first Holy Roman Emperor, unifier of Western Europe, protector of the Catholic Church, promoter of education and of the Carolingian Renaissance, fictional precursor of the crusades, one of the Nine Worthies, a (contested) Saint, and a national icon in Andorra, Belgium, France and Germany. Appearance The ''Vita Karoli Magni'' written after Charlemagne's death by his servant Einhard has served ever since as a reference establishing his stature and charisma: Beard Contemporaneous depictions of Charlemagne and related rulers suggest he sported a mustache, but not a beard. The motif of Charlemagne's beard appears in 11th-century ''chansons de geste'' and especially ''the Song of Roland'', which has a verse describing Charlemagne: ''"Blanche ad la barbe et tut flurit le chef"'', which translates as "his beard is white, and all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles I, Holy Roman Emperor
Charlemagne ( , ) or Charles the Great ( la, Carolus Magnus; german: Karl der Große; 2 April 747 – 28 January 814), a member of the Carolingian dynasty, was King of the Franks from 768, King of the Lombards from 774, and the first Holy Roman Emperor, Emperor of the Romans from 800. Charlemagne succeeded in uniting the majority of Western Europe, western and central Europe and was the first recognized emperor to rule from western Europe after the fall of the Western Roman Empire around three centuries earlier. The expanded Frankish state that Charlemagne founded was the Carolingian Empire. He was Canonization, canonized by Antipope Paschal III—an act later treated as invalid—and he is now regarded by some as Beatification, beatified (which is a step on the path to sainthood) in the Catholic Church. Charlemagne was the eldest son of Pepin the Short and Bertrada of Laon. He was born before their Marriage in the Catholic Church, canonical marriage. He became king of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Song Of Roland
''The Song of Roland'' (french: La Chanson de Roland) is an 11th-century ''chanson de geste'' based on the Frankish military leader Roland at the Battle of Roncevaux Pass in 778 AD, during the reign of the Carolingian king Charlemagne. It is the oldest surviving major work of French literature. It exists in various manuscript versions, which testify to its enormous and enduring popularity in Medieval and Renaissance literature from the 12th to 16th centuries. The epic poem written in Vulgar Latin is the first and one of the most outstanding examples of the ''chanson de geste'', a literary form that flourished between the 11th and 16th centuries in Medieval Europe and celebrated legendary deeds. The date of composition is put in the period between 1040 AD and 1115 AD; an early version began around 1040 AD with additions and alterations made up until about 1115 AD. The final text contains about 4,000 lines of poetry. Manuscripts and dating Although set in the Carolingian era, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Crown Of The Holy Roman Empire
The Imperial Crown of the Holy Roman Empire (german: Reichskrone), a hoop crown (german: Bügelkrone) with a characteristic octagonal shape, was the coronation crown of the Holy Roman Emperor, probably from the late 10th century until the dissolution of the Holy Roman Empire in 1806. The crown was used in the coronation of the King of the Romans, the title assumed by the Emperor-elect immediately after his election. It is now kept in the Imperial Treasury (''Kaiserliche Schatzkammer'') at the Hofburg in Vienna, Austria. History The crown of eight hinged golden plates was probably made in Western Germany for the Imperial coronation of Otto I in 962, with later additions by Conrad II.The Encyclopædia Britannica states that the Imperial Crown was probably made for Otto I in the workshops of Reichenau Abbey. The first preserved mention of it is from the 12th century, assuming (as is probable) it is the same crown. Most Kings of the Romans were crowned with it until the end of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scepter Of Charles V
The scepter of Charles V, also known in the early modern period as scepter of Charlemagne, is one of the most prominent preserved regalia of the Kingdom of France. It was donated by Charles V to the abbey of Saint-Denis on 7 May 1380, shortly before his death. It has been used since for the coronation (''sacre'') of nearly all monarchs of France until Charles X, only excepting Charles VII and Henri IV. It has been kept at the Louvre since 5 December 1793. Description The scepter consists of four elements: a shaft, a bulb, a fleur-de-lis, and a seated figure of Charlemagne on top. The bulb is decorated with three scenes from the ''Historia Caroli Magni''. Charlemagne is represented holding a scepter and ''globus cruciger''. An inscription at the base of Charlemagne's seat reads "SANTUS icKAROLUS MAGNUS ITALIA ROMA GALIA ET ALIA". A reading of "...ET GERMANIA" was proposed in the 16th century but is incompatible with the preserved object. History The scepter was probably cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joyeuse
Joyeuse (; fro, Joiuse; meaning "joyous, joyful") was, in medieval legend, the sword wielded by Charlemagne as his personal weapon. A sword identified as Joyeuse was used in French royal coronation ceremonies since the 13th century, and is now kept at the Louvre museum. Description The overall height of the sword is with the blade portion making up of that. It is wide at the base, and thick. Its total weight is . In legend Some legends claim Joyeuse was forged to contain the Lance of Longinus within its pommel. The blade may have been smithed from the same materials as Roland's Durendal and Ogier's Curtana.Bullfinch's Mythology, Legends of Charlemagne, Chapter 24 A children's book from the early 20th century tells that "One priceless thing Charlemagne ever carried in his belt and that was Joyeuse, the Sword Jewellous, which contained in a hilt of gold and gems the head of the lance that pierced our Saviour's side. And thereto he wore a pilgrim's pouch — 'against my ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globus Cruciger
The ''globus cruciger'' ( for, , Latin, cross-bearing orb), also known as "the orb and cross", is an orb surmounted by a cross. It has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia. The cross represents Christ's dominion over the orb of the world, literally held in the hand of an earthly ruler. In the iconography of Western art, when Christ himself holds the globe, he is called ''Salvator Mundi'' (Latin for 'Saviour of the World'). For instance, the 16th-century Infant Jesus of Prague statue holds a ''globus cruciger'' in this manner. History Holding the world in one's hand, or, more ominously, under one's foot, has been a symbol since antiquity. To citizens of the Roman Empire, the plain spherical globe held by the god Jupiter represented the world or the universe, as the dominion held by the Emperor. A 2nd-century coin from the reign of Emperor Hadrian shows the Roman goddess Salus with her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historicism
Historicism is an approach to explaining the existence of phenomena, especially social and cultural practices (including ideas and beliefs), by studying their history, that is, by studying the process by which they came about. The term is widely used in philosophy, anthropology, and sociology. This historical approach to explanation differs from and complements the approach known as functionalism, which seeks to explain a phenomenon, such as for example a social form, by providing reasoned arguments about how that social form fulfills some function in the structure of a society. In contrast, rather than taking the phenomenon as a given and then seeking to provide a justification for it from reasoned principles, the historical approach asks "Where did this come from?" and "What factors led up to its creation?"; that is, historical explanations often place a greater emphasis on the role of process and contingency. Historicism is often used to help contextualize theories and narrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis I Of France
Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a son. A prodigious patron of the arts, he promoted the emergent French Renaissance by attracting many Italian artists to work for him, including Leonardo da Vinci, who brought the ''Mona Lisa'' with him, which Francis had acquired. Francis' reign saw important cultural changes with the growth of central power in France, the spread of humanism and Protestantism, and the beginning of French exploration of the New World. Jacques Cartier and others claimed lands in the Americas for France and paved the way for the expansion of the first French colonial empire. For his role in the development and promotion of the French language, he became known as ''le Père et Restaurateur des Lettr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apostolic Palace
The Apostolic Palace ( la, Palatium Apostolicum; it, Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace. The building contains the papal apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia (Vatican), Sala Regia (Regal Room) and Cappella Paolina, had long been closed to tourists, though the Sala Regia allowed occasional tourism by 2019. The Scala Regia (Vatican), Scala Regia (Regal Staircase) can be viewed from one end and used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raphael Rooms
The four Raphael Rooms ( it, Stanze di Raffaello) form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome. The ''Stanze'', as they are commonly called, were originally intended as a suite of apartments for Pope Julius II. He commissioned Raphael, then a relatively young artist from Urbino, and his studio in 1508 or 1509 to redecorate the existing interiors of the rooms entirely. It was possibly Julius' intent to outshine the apartments of his predecessor (and rival) Pope Alexander VI, as the ''Stanze'' are directly above Alexander's Borgia Apartment. They are on the third floor, overlooking the south side of the Belvedere Courtyard. Running from east to west, as a visitor would have entered the apartment, but not follo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Coronation Of Charlemagne
''The Coronation of Charlemagne'' is a painting by the workshop of the Italian Renaissance artist Raphael. Though it is believed that Raphael did make the designs for the composition, the fresco was probably painted by Gianfrancesco Penni. The painting was part of Raphael's commission to decorate the rooms that are now known as the '' Stanze di Raffaello'', in the Apostolic Palace in the Vatican. It is located in the room that was named after ''The Fire in the Borgo'', the ''Stanza dell'incendio del Borgo''. The painting shows how Charlemagne was crowned Imperator Romanorum by Pope Leo III (pontiff from 795 to 816) on Christmas Evening, 800. Behind Charlemagne, a child page holds the royal crown that he just took off to receive the imperial one. It is quite likely that the fresco refers to the Concordat of Bologna, negotiated between the Holy See and the kingdom of France in 1515, since Leo III is in fact a portrait of Leo X and Charlemagne a portrait of Francis I. Accordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.svg "Click for more on -> Imperial Crown Of The Holy Roman Empire")
.jpg "Click for more on -> Historicism")
.jpg "Click for more on -> Raphael Rooms")