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Ich Hatte Viel Bekümmernis, BWV 21
Johann Sebastian Bach composed the church cantata (I had much grief), 21 in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as (and for all times), indicating that due to its general theme, the cantata is suited for any occasion. The text is probably written by the court poet Salomon Franck, who includes four biblical quotations from three psalms and from the Book of Revelation, and juxtaposes in one movement biblical text with two stanzas from Georg Neumark's hymn " Wer nur den lieben Gott lässt walten". The cantata possibly began as a work of dialogue and four motets on biblical verses. When Bach performed the cantata again in Leipzig in 1723, it was structured in eleven movements, including an opening sinfonia and additional recitativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas,Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Epistle Of Peter
The First Epistle of Peter is a book of the New Testament. The author presents himself as Peter the Apostle. The ending of the letter includes a statement that implies that it was written from "Babylon", which is possibly a reference to Rome. The letter is addressed to the " chosen pilgrims of the diaspora" in Asia Minor suffering religious persecution. Authorship The authorship of 1 Peter has traditionally been attributed to the Apostle Peter because it bears his name and identifies him as its author (1:1). Although the text identifies Peter as its author, the language, dating, style, and structure of this letter have led most scholars to conclude that it is pseudonymous. Dale Martin 2009 (lecture). . Yale University. Accessed 22 July 2013Lecture 24 (transcript)/ref> Many scholars argue that Peter was not the author of the letter because its writer appears to have had a formal education in rhetoric and philosophy, and an advanced knowledge of the Greek language,Achtemeier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Church Cantatas By Liturgical Occasion
The following is a list of church cantatas, sorted by the liturgical occasion for which they were composed and performed. The genre was particularly popular in 18th-century Lutheran Germany, although there are later examples. The Liturgical calendar (Lutheran)#Reformation era, liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 of these occasions (e.g. ''Harmonischer Gottes-Dienst''). Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum number of Sundays after Epiphany and the maximum number of Sundays after Trinity could not all occur. In some places, of which Leipzig in Johann Sebastian Bach's time is best known, no concerted music was allowed for the three last Sundays of Advent, nor for the Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marktkirche Unser Lieben Frauen
The Marktkirche Unser Lieben Frauen ("Market Church of Our Dear Lady") is a church in the centre of the city of Halle, Saxony-Anhalt, Germany. It was built between 1529 and 1554 and is the most recent of the city's medieval churches. In German, its official name is shortened to Liebfrauenkirche but it is also referred to as Marienkirche (St. Mary's Church) and the Marktkirche (Market Church). The church replaced two former churches in the market area, their towers were integrated into the new building. The Market Church is considered one of the most important buildings of the late Gothic period in central Germany. Its four towers, together with the Red Tower, are the landmark of the city, hence its nickname "Stadt der fünf Türme" (City of the Five Towers). Justus Jonas introduced the Reformation into Halle, and his friend Martin Luther preached in the church. George Frideric Handel was baptized here and received his first organ lessons. Johann Sebastian Bach inspected the new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwarzburg-Rudolstadt
Schwarzburg-Rudolstadt was a small historic state in present-day Thuringia, Germany, with its capital at Rudolstadt. History Schwarzburg-Rudolstadt was established in 1599 in the course of a resettlement of Schwarzburg dynasty lands. Since the 11th century, the ancestral seat of the comital family had been at Schwarzburg Castle, though after 1340, for most of its existence as a polity had the capital at the larger town of Rudolstadt. In 1583 Count Günther XLI of Schwarzburg, the eldest son of Günther XL the Rich and ruler over the united Schwarzburg lands, had died without issue. He was succeeded by his younger brothers, whereby Albert VII received the territory around Rudolstadt. After their brother Count William of Schwarzburg- Frankenhausen had died in 1597, the surviving brothers Albert VII and John Günther I established the two counties of Schwarzburg-Rudolstadt and Schwarzburg-Sondershausen by the 1599 Treaty of Stadtilm. Albert's descendants ruled as sovereign count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Petzoldt
Martin Petzoldt (13 April 1946 – 13 March 2015) was a German Lutheran theologian, Bach scholar and academic teacher. He was a professor at the University of Leipzig and president of the . Career Petzoldt was born in Rabenstein. He was a member of the under Rudolf Mauersberger. and attended the He studied theology at the University of Leipzig, graduating in 1969. He was promoted there in 1976 and achieved his habilitation in 1985. In 1973 he was ordained minister of the Lutheran Church of Saxony. He taught at the University of Leipzig, from 1986 as docent, from 1992 as a professor of systematic theology with a focus on ethics. From 1995 to 2009 he was also ' (university preacher). In that function, he was engaged in the discussions and decisions around the new Paulinum, replacing the former demolished university church . He was professor emeritus in 2011. Petzoldt was one of the editors of a magazine for theological literature, the ', until end of 2014. He was also presi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colla Parte
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe org ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schloss Weimar
Schloss Weimar is a ''Schloss'' (palace) in Weimar, Thuringia, Germany. It is now called ''Stadtschloss'' to distinguish it from other palaces in and around Weimar. It was the residence of the dukes of Saxe-Weimar and Eisenach, and has also been called ''Residenzschloss''. Names in English include Palace at Weimar, Grand Ducal Palace, City Palace and City Castle. The building is located at the north end of the town's park along the Ilm river, ''Park an der Ilm''. It forms part of the World Heritage Site " Classical Weimar", along with other sites associated with Weimar's importance as a cultural hub during the late 18th and 19th centuries. In history, it was often destroyed by fire. The Baroque palace from the 17th century, with the church ''Schlosskirche'' where a number of works by Johann Sebastian Bach were premiered, was replaced by a Neoclassical structure after a fire in 1774. Four rooms were dedicated to the memory of poets who worked in Weimar, Johann Wolfgang von Goeth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments (violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
