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Ich Bin In Mir Vergnügt, BWV 204
' (I am content in myself), BWV 204, is a secular cantata composed by Johann Sebastian Bach in Leipzig between 1726 and 1727. History and text Bach composed this cantata in Leipzig between 1726 and 1727 for an unknown occasion. The text is drawn from the work of Christian Friedrich Hunold. Hunold and Bach are assumed to have met, but the librettist died in 1721, which is well before the cantata appears to have been composed. The music of the closing aria was reused in the wedding cantata ''Vergnügte PleißenStadt'', BWV 216 of 1728. Scoring and structure The cantata is scored for soprano soloist, flauto traverso, two oboes, two violins, viola, and basso continuo. It has eight movements: #Recitative: ' #Aria: ' #Recitative: ' #Aria: ' #Recitative: ' #Aria: ' #Recitative: ' #Aria: ' Music The opening recitative is harmonically active but melodically fragmented because of the unusual choice to set balanced couplets in recitative. The first aria is characterized by a "r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Werke-Verzeichnis
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Da Capo
Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is an easier way of saying to repeat the music from the beginning. In small pieces, this might be the same thing as a repeat. But in larger works, D.C. might occur after one or more repeats of small sections, indicating a return to the very beginning. The resulting structure of the piece is generally in ternary form. Sometimes, the composer describes the part to be repeated, for example: ''Menuet da capo''. In opera, where an aria of this structure is called a ''da capo aria'', the repeated section is often adorned with grace notes. The word ''Fine'' (Ital. 'end') is generally placed above the stave at the point where the movement ceases after a 'Da capo' repetition. Its place is occasionally taken by a pause (see fermata)."Grove, George; Ful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secular Cantatas By Johann Sebastian Bach
Secularity, also the secular or secularness (from Latin ''saeculum'', "worldly" or "of a generation"), is the state of being unrelated or neutral in regards to religion. Anything that does not have an explicit reference to religion, either negatively or positively, may be considered secular. Linguistically, a process by which anything becomes secular is named ''secularization'', though the term is mainly reserved for the secularization of society; and any concept or ideology promoting the secular may be termed ''secularism'', a term generally applied to the ideology dictating no religious influence on the public sphere. Definitions Historically, the word ''secular'' was not related or linked to religion, but was a freestanding term in Latin which would relate to any mundane endeavour. However, the term, saecula saeculorumsaeculōrumbeing the genitive plural of saeculum) as found in the New Testament in the Vulgate translation (circa 410) of the original Koine Greek phrase ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Vermont
The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is among the Lists of American institutions of higher education, oldest universities in the United States as it was the fifth institution of higher education established in the New England region of the U.S. northeast. It is listed as one of the original eight "Public Ivy" institutions in the United States and is Carnegie Classification of Institutions of Higher Education, classified among "R2: Doctoral Universities – High research activity". The largest hospital complex in Vermont, the University of Vermont Medical Center, has its primary facility on the UVM campus and is affiliated with the Robert Larner College of Medicine. History The University of Vermont was founded as a private university in 1791, the same year Vermont became the 14th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Music
Emmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J. S. Bach in the liturgical setting for which they were intended, an endeavor twice completed and a tradition which continues today. Over the years, Emmanuel Music has garnered critical and popular acclaim through its presentations of large-scale and operatic works by Bach, Handel, Schubert, and Mozart as well as its in-depth exploration of the complete vocal, piano, and chamber works of Debussy, Brahms, Schubert, Schumann, and currently, Beethoven. A unique aspect of Emmanuel performances is its selection of vocal and instrumental soloists from a corps of musicians who have long been associated with the group. Emmanuel Music has given rise to renowned musicians at the local, national, and international level; its long-standing association with Pulitzer Prize-winning composer John H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaaki Suzuki
is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world. Biography Suzuki was born in Kobe to parents who were both Protestant Christians and amateur musicians; his father had worked professionally as a pianist. Suzuki has as an adult joined the Reformed Church in Japan, a Calvinist denomination. Masaaki Suzuki began playing organ professionally at church services at the age of 12. He earned degrees in composition and organ at the Tokyo National University of Fine Arts and Music, then earned Soloist Diplomas at the Sweelinck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach Collegium Japan
Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music; Suzuki is still the music director. The ensemble has recorded all of Bach’s cantatas, a project that extended from 1995 to 2018 and accounts for over half of its discography. History The ensemble was founded in 1990 by Masaaki Suzuki who is still its music director Since then, they have become sought-after performers, collaborating with European artists such as Max von Egmond, Nancy Argenta, Christoph Prégardien, Peter Kooy, Hana Blažíková, Monika Frimmer, Michael Chance, Kai Wessel, Gerd Türk, Michael Schopper and Concerto Palatino. They have toured Asia, Europe and North America, with many performances as cultural festivals such as Edinburgh Festival, the Hong Kong Arts Festival, the Festival Internacional Cervantino t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänssler
Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also published contemporary and jazz music. Hänssler Classic (now written ''hänssler CLASSIC'' in the company's own materials), was founded 1975 by Friedrich Hänssler Jr., as the company's in-house classical record label. The record label is one of the publishers of the classical radio station Südwestrundfunk (SWR) which has three orchestras, a choir and a big band. The label is also a partner with the Internationale Bachakademie Stuttgart, founded 1981 by Helmuth Rilling. In 2002 Hänssler became part of SCM ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdam Baroque Orchestra
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992.Amsterdam Baroque Orchestra & Choir on Bach Cantatas, 2001 They have performed in concert halls such as the Amsterdam, London, |
Arioso
In classical music, arioso (also aria parlante ) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means ''airy''. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato. Arioso is similar to recitative due to its unrestrained structure and inflexions, close to those of speech. It differs, however, in its rhythm. Arioso is similar to aria in its melodic form, both being closer to singing than recitative; however, they differ in form, arioso generally not resorting to the process of repetition. Well-known examples At the start of the finale in the first act of Mozart's ''The Magic Flute'', the andante of the priest (''Sprecher'') "''Sobald dich führt der Freundschaft Hand ins Heiligtum zum ew'gen Band''" is an example of arioso. "''Amor ti vieta''", sung by Loris at Giordano's ''Fedora'' could be a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ternary Form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples include the da capo aria "The trumpet shall sound" from Handel's ''Messiah'', Chopin's Prelude in D-Flat Major "Raindrop", ( Op. 28) and the opening chorus of Bach's ''St John Passion''. Simple ternary form In ternary form each section is self-contained both thematically as well as tonally (that is, each section contains distinct and complete themes), and ends with an authentic cadence. The B section is generally in a contrasting but closely related key, usually a perfect fifth above or the parallel minor of the home key of the A section (V or i); however, in many works of the Classical period, the B section stays in tonic but has contrasting thematic material. It usually also has a contrasting character; for example section A might be stif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
