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I Won't Hold You Back
"I Won't Hold You Back" is a song by American rock band Toto, written and sung by Steve Lukather for their fourth album, ''Toto IV'', released in 1983 (see 1983 in music). The song features the Eagles' bass player Timothy B. Schmit on backing vocals during the choruses. Reception '' Cash Box'' described it as "a soft torch tune about a man letting go of his lover, praising the "somber vocals, light piano and electric guitar flourishes." It was described by '' Billboard'' as a "grandly-orchestrated ballad". Chart performance The power ballad peaked at number 10 in the U.S. on the ''Billboard'' Hot 100 chart on May 7, 1983; becoming their fourth and last top ten hit. It also spent three weeks at number one on the U.S. Adult Contemporary chart. The single only managed to scrape into the top 40 on the UK Singles Chart at No. 37. In Canada, it peaked at number 17 on the ''RPM'' Top Singles chart, as well as reaching No. 1 on the Adult Contemporary chart. It also peaked at number 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toto (band)
Toto (stylized as TOTO) is an American rock band formed in 1977 in Los Angeles. The band's current lineup consists of Steve Lukather (guitars and vocals), David Paich (keyboards and vocals), and Joseph Williams (vocals), as well as touring musicians John Pierce (bass), Robert "Sput" Searight (drums), Dominique "Xavier" Taplin (keyboards and vocals), Steve Maggiora (keyboards and vocals), and Warren Ham (horns, percussions, and vocals). Toto is known for a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B, blues, and jazz. Having released 14 studio albums and sold over 40 million records worldwide, the group has received several Grammy Awards and was inducted into the Musicians Hall of Fame and Museum in 2009. David Paich and Jeff Porcaro had played together as session musicians on several albums and decided to form a band; David Hungate, Steve Lukather, Steve Porcaro, and Bobby Kimball were recruited before the release of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has gone under a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary Tracks (1979–1982) and Adult Contemporary (1983–present). Chart history The ''Billboard'' Easy listening chart, as it was first known, was born of a desire by some radio stations in the late 1950s and early 1960s to continue playing current hit songs but distinguish themselves from b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cashbox (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box (magazine)
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael McDonald (musician)
Michael McDonald (born February 12, 1952) is an American singer, keyboardist and songwriter known for his distinctive, soulful voice and as a member of the bands the Doobie Brothers (1975–1982, 1987, 2019–present) and Steely Dan (1973–1974). McDonald wrote and sang several hit singles with the Doobie Brothers, including " What a Fool Believes", "Minute by Minute", and " Takin' It to the Streets." McDonald has also performed as a prominent backing vocalist on numerous recordings by artists including Steely Dan, Christopher Cross, and Kenny Loggins. McDonald's solo career consists of nine studio albums and a number of singles, including the 1982 hit "I Keep Forgettin' (Every Time You're Near)". During his career, McDonald has collaborated with a number of other artists, including James Ingram, David Cassidy, Van Halen, Patti LaBelle, Lee Ritenour, the Winans, Aretha Franklin, the rock band Toto, Grizzly Bear, Joni Mitchell, and Thundercat. He has also recorded for televi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marty Paich
Martin Louis Paich (January 23, 1925 – August 12, 1995) was an American pianist, composer, arranger, record producer, music director, and conductor. As a musician and arranger he worked with jazz musicians Peggy Lee, Ella Fitzgerald, Stan Kenton, Art Pepper, Buddy Rich, Ray Brown, Shorty Rogers, Pete Rugolo, Ray Charles and Mel Tormé. His long association with Tormé included one of the singer's earliest albums, '' Mel Tormé and the Marty Paich Dek-Tette''. Over the next three decades he worked with pop singers such as Andy Williams and Jack Jones and for film and television. He is the father of David Paich, a founding member of the rock band Toto. Career A native of Oakland, California, Paich learned accordion and piano at an early age. In the 1930s, when he was ten years old, he was leading bands and performing at weddings. At sixteen, he wrote arrangements with Pete Rugolo. He served with the U.S. Air Corps in World War II. He attended the University of Southern California ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Newton Howard
James Newton Howard (born June 9, 1951) is an American film composer, music producer and keyboardist. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include '' Pretty Woman'' (1990), '' The Fugitive'' (1993), ''Space Jam'' (1996), ''Peter Pan'' (2003), ''King Kong'' (2005), ''The Dark Knight'' (2008) which he composed with Hans Zimmer, and ''Fantastic Beasts and Where to Find Them'' (2016). He has collaborated extensively with directors M. Night Shyamalan and Francis Lawrence, having scored eight of Shyamalan's films since ''The Sixth Sense'' (1999) and all of Lawrence's films since '' I Am Legend'' (2007). Early life and career Howard was born in Los Angeles. He is from a musical family; his grandmother was a violinist. His father was Jewish but he did not want his children to know he was, so he changed his last name from Horowitz to Howard. Howard began studying music as a child, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Porcaro
Jeffrey Thomas Porcaro (; April 1, 1954 – August 5, 1992) was an American drummer, songwriter, and record producer. He is best known for his work with the rock band Toto but is one of the most recorded session musicians in history, working on hundreds of albums and thousands of sessions. While already an established studio player in the 1970s, he came to prominence in the United States as the drummer on the Steely Dan album ''Katy Lied''. AllMusic has characterized him as "arguably the most highly regarded studio drummer in rock from the mid-'70s to the early '90s" and says that "it is no exaggeration to say that the sound of mainstream pop/rock drumming in the 1980s was, to a large extent, the sound of Jeff Porcaro." He was posthumously inducted into the ''Modern Drummer'' Hall of Fame in 1993. Early life Jeffrey Thomas Porcaro was born on April 1, 1954, in Hartford, Connecticut, the eldest son of Los Angeles session percussionist Joe Porcaro (1930–2020) and his wife, Eil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Hungate
William David Hungate (born August 5, 1948) is an American bass guitarist noted as a member of the Los Angeles pop-rock band Toto from 1976 to 1982 and again from 2014 to 2015, and the son of judge William L. Hungate. Along with most of his Toto bandmates, Hungate did sessions on a number of hit albums of the 1970s, including Boz Scaggs's ''Silk Degrees'' and Alice Cooper's '' From the Inside''. Career Hungate played on Toto's first four records, including the Grammy award-winning album ''Toto IV''. He left the band shortly after its release for a career as a session musician in Nashville. Hungate, who plays many instruments including guitar, trombone, trumpet, drums, and piano, has arranged, produced and recorded with several country artists such as Chet Atkins. He was also a primary member of AOR supergroup Mecca fronted by Joe Vana and Fergie Frederiksen, the latter also of Toto fame. In 1990 he released a solo album entitled ''Souvenir''. Jeff Porcaro played drums on s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
