I Will Follow You Into The Dark
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I Will Follow You Into The Dark
"I Will Follow You into the Dark" is a song by American rock band Death Cab for Cutie, the third single from their fifth album, '' Plans'', released on August 30, 2005. Written and performed by Ben Gibbard, it is an acoustic solo ballad, and was recorded in monaural with a single microphone and little editing. The single was released on Atlantic Records, becoming one of Death Cab for Cutie's lowest-charting singles, peaking number 28 on the Modern Rock Tracks, number 66 on the UK Singles Chart and failing to chart on the ''Billboard'' Hot 100; however, "I Will Follow You into the Dark" was certified as double platinum by the Recording Industry Association of America, and is the band's best-selling single to date. Despite charting lower than other singles, the single is still one of the band's most played songs on commercial radio stations. The song's popularity has led it to be featured in a various television shows and movies, and has been covered by numerous artists. Backgr ...
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Death Cab For Cutie
Death Cab for Cutie is an American rock band formed in Bellingham, Washington, in 1997. The band is currently composed of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, backing vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). The band was originally a solo project by Gibbard, who expanded the project into a complete group upon getting a record deal. They released their debut album, ''Something About Airplanes'', in 1998. The band's fourth album, 2003's ''Transatlanticism'', broke into the mainstream both critically and commercially; its songs were featured in various TV series and films. The band's major label debut for Atlantic Records, 2005's ''Plans'', went platinum. The band's tenth and latest studio album, ''Asphalt Meadows'', was released on September 16, 2022. Death Cab for Cutie's music has been classified as indie rock, indie pop, and alternative rock. Alongside their ten full-length studio albums, the band has r ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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The Forbidden Love EP
''The Forbidden Love EP'' is an EP by indie rock band Death Cab for Cutie, released October 24, 2000, on Barsuk Records. The songs "405 (Acoustic)" and "Company Calls Epilogue (Alternate Take)" are an acoustic version and remix, respectively, of two songs from Death Cab for Cutie's second album, '' We Have the Facts and We're Voting Yes'', which was released earlier the same year. Artwork Regarding the EP's cover, Benjamin Gibbard noted that he "always wanted to have a release and have that photo be the cover and we took the pictures a long time ago when we were in college. When we pulled them out they didn't look like what we thought they were going to look and they didn't look as good. So we had to kind of change the contrast and make it look really shitty. To be perfectly honest it didn't turn out as good as we wanted it to. But it's an EP. It serves a purpose, and I think the label wishes they could have done more. It's not aesthetically our best release, but it's okay." ...
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Rolling Stone
''Rolling Stone'' is an American monthly magazine that focuses on music, politics, and popular culture. It was founded in San Francisco, San Francisco, California, in 1967 by Jann Wenner, and the music critic Ralph J. Gleason. It was first known for its coverage of rock music and political reporting by Hunter S. Thompson. In the 1990s, the magazine broadened and shifted its focus to a younger readership interested in youth-oriented television shows, film actors, and popular music. It has since returned to its traditional mix of content, including music, entertainment, and politics. The first magazine was released in 1967 and featured John Lennon on the cover and was published every two weeks. It is known for provocative photography and its cover photos, featuring musicians, politicians, athletes, and actors. In addition to its print version in the United States, it publishes content through Rollingstone.com and numerous international editions. Penske Media Corporation is the c ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Unusual Types Of Gramophone Records
The overwhelming majority of records manufactured have been of certain sizes (7, 10, or 12 inches), playback speeds (33, 45, or 78 RPM), and appearance (round black discs). However, since the commercial adoption of the gramophone record (called a phonograph record in the U.S., where both cylinder records and disc records were invented), a wide variety of records have also been produced that do not fall into these categories, and they have served a variety of purposes. Unusual sizes The most common diameter sizes for gramophone records are 12-inch, 10-inch, and 7-inch. Early American shellac records were all 7-inch until 1901, when 10-inch records were introduced. 12-inch records joined them in 1903. By 1910, other sizes were retired and nearly all discs were either 10-inch or 12-inch, although both sizes were normally a bit smaller than their official diameter. In Europe, early 10-inch and 12-inch shellac records were produced in the first three decades of the twentieth ...
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Jamie Thraves
Jamie Thraves (born James Thraves, 2 June 1969 in Romford, London) is a British film writer and director. Biography Thraves began making early short experimental films in 1989 at the University of Humberside, having previously studied illustration. His graduation film ''Scratch'' (1991) and ''The Take-Out'' (1993), a short film made under the BFI New Directors scheme, both went on to win awards at film festivals worldwide. He joined the Royal College of Art in 1993 where he made another award-winning film, ''The Hackney Downs'' (1995). Career After leaving the Royal College of Art he joined Oil Factory, a music video company, making his breakthrough video in 1995 for Radiohead for their song "Just" where a man played by Dorian Lough is lying on the pavement and is confronted by an angry crowd, this video garnered Thraves a lot of attention for its strong narrative structure and use of subtitles, what the man says to make the crowd lie down at the end of the video still continues ...
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Mix (magazine)
''Mix'' magazine is a periodical, billing itself as "the world's leading magazine for the professional recording and sound production technology industry". The magazine is headquartered in New York City and distributed in 94 countries. Its Korean version, ''Mix Korea'', was started in 2007. NewBay Media bought it from Penton Media in 2011. Future The future is the time after the past and present. Its arrival is considered inevitable due to the existence of time and the laws of physics. Due to the apparent nature of reality and the unavoidability of the future, everything that currently ... acquired NewBay Media in 2018. References External links See alsoInterview with founder, David SchwartzNAMM Oral History Library, January 14, 2011 Monthly magazines published in the United States Music magazines published in the United States Magazines established in 1977 Magazines published in New York City Professional and trade magazines 1977 establishments in New Yo ...
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